Pages

Saturday, 18 May 2019

One Mile Down written by Jenny T Colgan and directed by Ken Bentley

What’s it about: Donna and the Doctor take a holiday in the beautiful underwater city of Vallarasee. Things have changed since the Doctor last swam through. Vallarasee is now enclosed in an airdome, with Judoon patrolling historic sites. Now, instead of tourists wearing breathing-helmets, native Fins are forced to adapt. But leaks are trickling into the dome. The Judoon must be persuaded that disaster is imminent, or thousands will be trapped, as the waters rise...

Mockney Dude:
‘Oh I’m so sorry I’ll let them drown in their hotel rooms after settling their bills!’ Queuing is something he doesn’t generally have to do. The last time he came here he swam through the Temple of Light by himself and he was the first offworlder to do so in a thousand years. Donna marvellously tells him to get over himself. She’s always there to puncture his bubble. He doesn’t like robot announcements because he likes telling people what to do. He’s a traveller, not a tourist and so he refuses to take the guided tours. Being arrested is brilliant because it is the best way to meet the people in charge. Brilliantly he tells Donna to not let his arrest spoil her holiday (which is his way of saying continue to investigate).

Tempestuous Temp: Remember that glorious moment at the beginning of Turn Left that saw the Doctor and Donna drinking in the sights of an alien bazaar. To me that remains the highlight of their time together and one of the best examples of the Doctor and his companion revelling in the joy of travelling the universe and being together. That’s the feel that beams from this audio with Donna being shown another wondrous location and simply loving it. They will always meet in the little shop, of course.

Standout Performance: Nicholas Briggs as Clo. It astonishes me how he can still turn his voice to new characters and variations on a theme. We’re extremely lucky that Big Finish is headed by the man who brought many of these alien creatures voices to life. It gives the stories a feel of legitimacy. Clo is such a sweet character, beautifully brought to life by Briggs who convinces as a young Judoon.

Sparkling Dialogue: ‘Robot Rights!’
‘The real Vallarasee, the underwater city, it’s coming back!’
‘Children living in helmets so that we can have a day out’ – I like the social commentary here, suggesting that a species natural habitat has been irrevocably changed to allow access to tourists.
‘Clo’s just arresting the city!’

Great Ideas:
‘Come to Vallarasee, the Great Lost City! Sunk in history, beneath the waves. Visit the coral cathedral, peruse the starfish allies, dine on the best seafood cuisine…’ I love underwater locations for the very simple reason that I love water. Swimming in it, messing about in boats, the lazy afternoons on the canals in Venice, the excitement of walking through the domes at the Sea Life Centre. One of the few times I merited Voyager with a strong mark for a non-event episode was during a thrilling underwater escapade. Doctor Who has the budget to pull this sort of thing of these days so it is a shame that it has to be restricted to audio (imagine the visuals if this episode had been broadcast) but it does allow for some highly atmospheric sound design. The ‘firs’ do all the planning on Vallarasee and the ‘fins’ do all the tricky stuff (manual labour). It would seem that things don’t change, even on underwater worlds. There always has to be a class divide. A giant underwater glass elevator takes you down into the city, an entire underwater landscape encased in an air bubble. Love can spring up in the most unexpected of places during the Russell T Davies era, an air breather and a water breather defying the odds and enjoying a relationship is something he would heartily approve of. And pointing out that there are ignorant people who disapprove ticks the homosexual reference.

Audio Landscape: The sequence of the dome cracking and the water leaking in is unforgettable. I didn’t need any explanation from the characters, Howard Carter had made the sequence perfectly clear through the sound alone.

Standout Scene: There’s a moment when the water pours in and Patricia is panicking as she tries to fight the tide. For a second I was gasping for air, such was the terror in the performance. I know her lover would find her eventually and that moment was a relief rather than a damp squib.

Result:
‘This is the Doctor. On behalf of the Judoon platoon on the lagoon…’ Jenny T Colgan has captured the heart of a really good Russell T Davies script in One Mile Down. Strong characterisation, social commentary, pop culture references, a vivid setting, an emotional core and some lovely ‘visuals’. Oh, and the Judoon, who need as much exposure as they can get. They got the formula right with the first box set (a down to Earth contemporary tale to kick things off and an exotic outer space adventure to follow) and it looks like they are mimicking that formula here to equally diverse effect. Sometimes when Big Finish puts out a story on an alien world with lots of modulated voices it can feel like an assault of weirdness and turn me right off but Colgan and Bentley avoid that by writing and casting some great characters that really sell the location. It often feels like the Doctor is trying to take down capitalism and this time he has to topple a particularly insidious tourist trap in order to save lives. His condemnation feels very right and gives David Tennant a chance to rail against something which brings out that magnificent blazing fury in him. Clo the junior Judoon is like a Disney character implanted into a Doctor Who story and he’s an utter delight. Even better is the sound design, which allows for some epic sequences of the water breaking in. I really felt that I was there trapped in a sinking ship. The climax of the story features a huge shift in the setting and reminded me of Gridlock in its triumphant mood. It’s a story featuring robots, Judoon, fish people, a city sinking under water, the Doctor and Donna. What are you waiting for? A pleasure to listen to: 9/10

1 comment:

  1. Andrea is such a laughable caricature that she makes the mayor from Jaws look like a logical and reasonable individual. Fortunately, the story doesn't suffer too much for it. The rest of it's very well done. I agree that Clo sounds adorable. After this and The Rhino of Twenty-Three Strand Street, I really want to see a juvenile Judoon on TV.

    ReplyDelete