The Wasting written by Iain McLaughlin & Claire Bartlett and directed by Nicola Bryant

What’s it about: A deadly flu-like infection is sweeping the planet. Its first cases appeared in Britain but now millions are infected worldwide and there is no sign of a cure. The emergency services can't cope with what the press have dubbed a plague… Under attack from all sides, UNIT in Britain is in disarray. It faces a stark choice - to close its doors and concede defeat, or to fight back, whatever the cost… and the injured Colonel Emily Chaudhry knows UNIT has never backed down from a battle… If UNIT is to fight back, it's going to need the services of its missing commander, Colonel Brimmicombe-Wood, and the experience of the Brigadier, who can never refuse when duty calls…

Chap With Wings: Alistair is paranoid about ISIS surveillance and doesn’t like to be in one place for a long time. Back in his day Mike Yates was very good at paperwork and Benton was extremely adept at filing anything that looked like a waste of time in the nearest bin. When told he has friends in high places (Harry in NATO) he also comments with some pride that he has friends in low places too. The Brigadier admits that he has no official standing and by asking the UNIT soldiers to resist the orders from the Ministry they will be breaking the law. They will never have a UNIT scientific advisor like the one he had and he accepts the post as the scientific advisor to Chaudhry’s new UNIT.

Colonel Chaudhry: She is more than happy to have the Brigadier around to shout the orders because her world has been turned upside down after the deaths of Dalton and Hoffman and the panic that has gripped the country. She trusted Wood so much and his betrayal cuts deep. She gets her best ever moment when she kicks the crap out of Wood and tells him that they would have followed him into anything and not because they fancied him…and she tells him he’s not in her league just as she knees him in the nuts. She knows she is worthy of the post as the new CO of UNIT.

Colonel Dalton: He wasn’t in UNIT for very long but long enough to make him one of their own and he had a full ceremonial funeral.

Standout Performance: Its wonderful to see Nicholas Courtney getting a larger share of the action (who knows what the Brigadier was doing in Time Heals?) and by his presence alone does he makes this story a massive step up from the others in the range. His warm handling of Chaudhry and the way he commands the loyalty of the men without even trying proves that he hasn’t lost his touch. I also have to applaud David Tennant’s awesome Brimmicombe-Wood who never seems to get the amount of air time he deserves but provides riotous entertainment every time he turns up. Its such a different role from the Doctor that you would wear it was a different actor playing the part but it just goes to show the versatility of the man. Imagine a face off between the tenth Doctor and Wood? I would play big bucks to see that!

Sparkling Dialogue: ‘if that takes off I’ll tear everyone of you a new arse!’ – its great to have Wood back!
‘I am placing you under arrest for murder, attempted murder, hijacking, treason, terrorism and being the biggest arsehole on the planet!’
‘Odd to think that an explosion could save the world.’

Great Ideas: ISIS has picked a fight with UNIT and kicked their arse all over the country, almost had Sir Alistair killed, undermined the government, attacked Chaudhry’s troops… Their mentality is Britain first and sod the rest. There is an outbreak of an virus that had become international but it is not a strain of Sars as was originally suspected. Currie makes a good point that when the country goes to the dogs they will have plenty of material to build their career on. The patients of the virus have become aggressive and are eating people. UNIT has always been a politicians football, they aren’t liked but when there is nobody else to clean up the mess they are their best friends. The flu symptoms are the first stage of the virus, followed by skin blotches, then the skin takes on the texture of rotting meat and the patients become violent and losing the ability to think clearly. Its like they are decomposing while they’re still alive. In a moment of utter naiveté from the British press they think that UNIT soldiers are cocking their rifles to control a cornered crowd of virus infected citizens and open fire and murder the lot of them. Its all staged by ISIS and filmed by Currie as the final indignity for the military taskforce. An artifical alien virus that alters human DNA and metamorphoses them into… Martial law is announced and a curfew is enforced. The gas released from the stolen spaceship rewrites the chromosomes of certain human beings and mutates them into something more palatable. The ship was sent to Earth to turn the human race into rotten meat so the occupants can turn up and harvest the population later…yuck! That’s really yucky! Wood turning out to be an enemy agent turns out to be the best concealed surprise of the series and completely floored me. He is the CO of ISIS and has been for years, all the time he was working for UNIT he was reporting everything back to ISIS. He thinks every other country out there is doing everything they can to protect themselves and that Great Britain shouldn’t be any different. With the Silurians help they came up with something that would stop the mutations. It becomes a race against time to get the missile in the air and spread the antidote. Because they saved the world UNIT has been exonerated and have been given increased manpower and funding.

Audio Landscape: Wind and rain at Dalton’s graveside, windows smashing, virus victims lurching onto the streets like zombies, fake UNIT soldiers shooting into a crowd, panicked crowds, the Brigadier’s car exploding, running footsteps, a scraping door, gunfire and grenades, the helicopter taking off and soaring overhead, there’s an impressive dogfight in the air, the missile exploding in the air,

Musical Cues: What a fabulous militaristic score as the Brigadier tries to getaway in his motor!

Isn’t it Odd: Nicola Bryant puts on a terrible upper class accent for a quick cameo. Winnington turns up like a cackling witch at the end of the story and I was desperately hoping the Brigadier would put a bullet in her skull. Unfortunately he only aims for her hand and lets her live.

Standout Scene: Its interesting that the best moment in this entire series comes when Harry Sullivan phones the Brigadier and he promises to meet him for a beer. It takes you back to the olden days when UNIT was a vital part of Doctor Who…and reminds you of how badly they pulled off this revamp that the most touching moment comes during a one side telephone call.

Result: With two regular characters dead and ISIS closing in on UNIT finally I was interested enough to care about what was going on. UNIT being set up to fall and its soldiers going rogue is such a juicy idea it is a miracle that nobody has thought to try it before. Having three stories pretty much run in real time before this one has shown that a life in UNIT is a idiots game, it reminds me of the realisation the Torchwood crew came to – no social life, losing your friends and constantly considered the enemy. The Wasting doesn’t try and do too much like Time Heals, isn’t slack like Snake Head and reins in its melodrama like The Longest Night failed to do…there is a pleasing claustrophobic feel to the material (because there is literally nowhere else for the show to go now over half the cast has been killed and the public image of the organisation has been shattered) and even a couple of great twists at the climax. Suddenly Siri O’Neal wakes up and gives the sort of attention grabbing performance we needed in the first story but then surrounded by heavyweights Nicholas Courtney and David Tennant she definitely had to up her game. As far as I am concerned the UNIT series has been a massive flop because it has struggled to find an identity, lacked characters worth investing your time in and (most heinously) failed to produce any decent stories but at least the series retains some dignity and goes out with a hurrah in The Wasting. I’m glad we never had a second season, I don’t think this series has the legs to support it: 8/10

Buy it from Big Finish here: http://www.bigfinish.com/14-UNIT-The-Wasting

The Longest Night written by Joseph Lidster and directed by Edward Salt

What’s it about: ‘We interrupt this broadcast…' Having survived a day at the seaside, Robert Dalton and Emily Chaudhry are enjoying a few pints… Having spent the day answering the phone and praying for some action, Will Hoffman is enjoying a night out… Having signed a controversial new European treaty, the Prime Minister is on his way back to Downing Street… Having survived yet another day, the people of Britain are settling down to eat dinner, stay in, go out, spend time with their friends… '… we're receiving reports that…' It's just another ordinary evening in the United Kingdom… '… a bomb has exploded in Central London…’

Colonel Chaudhry: I just don’t buy the relationship between Chaudhry and Dalton and I have been racking my brain for a reason why. It could be because I don’t believe in the characterisation of Chaudhry who is super spy UNIT operative one minute and one of the lads the next. It could be Siri O’Neal’s performance which errs on the side of naturalism but then loses it completely when she starts talking about aliens. Or it could be that their relationship simply hasn’t been convincingly written enough for me to care. All three are probably a little harsh but if you take a fraction from each and put them together and you have a dynamic that fails to come alive for me. The first time I felt something real for Chaudhry was when Hoffman called her up after being caught in the explosion and she tries desperately to keep him talk as he bleeds to death. Strangely she finds the idea of mind control via a help line ridiculous and paranoid and yet when it comes to vampires from Kosovo she was convinced all the way!

Great Ideas: An explosion rips through central London and proves to be the catalyst for all the events that take place in this tale. I really like the idea that this follows on directly from Snake Head showing that the lives of UNIT employees keep going even after you think you’ve completed your assignment. People dressed up as police officers on the scene of the explosion using that front to get people to trust them and then gunning them down when they make themselves apparent. That’s horrible. There is an exciting feeling that events are completely out of control with terror attacks happening in quick succession over London and as soon as they have made to one and start trying to limit the damage another takes place. You feel that UNIT is really out of its depth and that’s where this series should have been in the first story. They call situations with paranormal leanings ‘John Smith scenarios.’ Chaudhry does have a good point…if you want to manipulate the people then you have to show them something to make them angry. You don’t have to hurt them personally as long as you give them something they can see that they want to fight against.

Audio Landscape: The chimes of Big Ben, explosion, police sirens, train pulling into the station, reporters clicking their cameras, the burbling conversation of Downing Street.

Musical Cues: Given the melodramatic nature of the script David Darlington has loads to work with this week to make the score as grandiloquent as possible and he does a superb job.

Isn’t it Odd: Killing off Hoffman is a bold move because he has appeared in the first two stories…but that is part of my problem with his sudden (and dramatic dispatch). We haven’t had the chance to get to know him long enough to care. Its just another UNIT grunt who has fallen in action and that’s kind of sad. I probably would have saved his death for the finale and then at least UNIT could have gone out with a bang. The curse of the otherwise very good use of real time drama is that there is no time to deal with deaths during the course of the story. There is a general lack of subtlety to this story that has plagued the rest of this series – I was hoping the parallel with September 11th wouldn’t be made (it was) or that the religious extremist wouldn’t be calling it Judgement Day (they do). Gary Russell makes a less than convincing news reporter and one of the ‘this is for my people!’ suicide chants sounds like the woman is about to burst into laughter! ‘A female Indian Deputy Prime Minister…if only you were a lesbian in a wheelchair you’d fill all of Europe’s minority requirements!’ – dialogue like this pushes things too far. Who would say a line like that? When Mina takes a call it is obvious that she has been brainwashed before the script lets us know. The hypnotic phone line is another moment where I was shaking my head with the transparency of the writing (‘Its not racism. They’re different from us…’). Can you imagine who could possibly be responsible for all this race hate and disaster? Could it possibly be the left wing politician from a racist party? Father of the notorious Angela Winnington no less and when it comes down to he orders her shot because she failed him in her task! And naturally the whole thing has to end on an explosive cliffhanger and a scream. I don’t know if I have the will to listen to the last story after this nonsense.

Standout Scene: In a story full of bombast it was the scene with no overblown dialogue that impressed me the most…I was all ready to start complaining that Dalton was singing in his car in the face of all this devastation, panic and murder but it turns out that that was a clue that I missed out on completely. So whilst I was drowning in despair at the melodrama of the piece Lidster managed to slip one twist by me.

Notes: Wood gets a mention in this story (his kidnap was completely forgotten in Snake Head) and we learn that Hoffman practically idolises him.

Result: Its all a bit much which is shame because the premise of having UNIT deal with a real time emergency has some terrific potential. I’ve always enjoyed Joe Lidster’s willingness to push things in the Doctor Who universe to extremes and he seems to enjoy mixing emotional drama and horrific incidents to stirring effect. Here he is let off the Doctor Who leash and unfortunately his script sinks under the melodrama of too much controversy. There’s several terrorist attacks, racial scapegoats and slurs, sexism, hypnotic smoking help lines, religious Armageddon, kidnapping the Indian Deputy Prime Minister’s children and forcing her to commit suicide on the steps of Downing Street (‘She was making the place dirty!’), prisoners on the loose, riots (‘This one’s a sympathiser! Get him!’), soldiers on the streets firing into the crowds...someone even says ‘Think about the children! Do you want your children slaughtered by them just for being British!’ I desperately wanted to like this story because it least grabs hold of an idea and goes for it full throttle but unfortunately where most other dramas would put on the breaks at some point The Longest Night just keeps on going and by the end I was laughing at the absurdity of it all. Rather wonderfully one of the tracks on my MP3 Player is called ‘You bitch!’ which was exactly the sort of melodrama this story revels in. If you want to see this story played out much more effectively go and listen to LIVE 34. I can’t buy into a world quite this ridiculous which is a shame because this story features some of Ed Salt’s best ever direction: 4/10

Buy it from Big Finish here: http://www.bigfinish.com/13-UNIT-The-Longest-Night

UNIT: Snake Head written by Jonathan Clements and directed by John Ainsworth

What’s it about: A mobile phone call to the emergency services, a body found on Government land and an ancient burial site unearthed at an archaeological dig all point toward an odd mystery by the coast… UNIT's new commander, Colonel Robert Dalton, and its political officer, Colonel Emily Chaudhry, investigate strange goings-on in Southend. What is out there on the beach? What happened to the recently found savaged body? And what of the man who's just been smuggled in to the country? Is this just a simple case for the local police or, as Chaudhry suspects, is there more to it than meets the eye…?

Colonel Chaudhry: Chaudhry seems far more relaxed in this story and as a result a lot more likable. As soon as she realises they are heading for the beach she wants to check out the local attractions. Poor Chaudhry is mistaken for an immigration officer and is given the guided tour of Kevin’s flat and offered the chance to sniff his sheets to prove that he and his wife live there!

Colonel Dalton: He has never had a cockle in his life and he doesn’t intend to start now! He realises quite quickly that his UNIT pass opens more doors than he is used to. I do like the fact that Dalton doesn’t automatically jump to the supernatural explanation because there must be times when it is an entirely Earthbound menace but he does seem remarkably stubborn when refusing to face clear evidence that points him towards alien involvement. Dalton describes ISIS as a Gestapo charm school run by the Keystone Cops. He was expecting some evidence after hunting down a vampire ands when he thinks he has been taken for a ride he furiously turns on Chaudhry because it was her belief in this mythology that kept him wading through water at all hours of the night.

Standout Performance: Toby Longworth is always good value and it impresses me whenever I look at the various parts he has played and the sheer versatility of his range. Ian Hayles was far less convincingly as Kevin who plays the restaurant owner with a really irritating whiny voice that grates after a minute.

Sparkling Dialogue: ‘Not everything happens inside the M25!’

Great Ideas: When the radio announcer reads out an email for the Professor some clever dick writes in and calls the Saxon body another immigrant! 32% of all paranormal events are caused by disturbances of the Earth. A Saxon grave has been unearthed and cockle pickers are dead and Chaudhry automatically puts two and two together. Hoffman has been manning the phone and trying sift through the Time Lords from the time wasters and one caller swears she has seen Jesus’ face in a potato! Snake Heads are illegal gangs where they wind up doing the menial jobs the average British citizen doesn’t want to do. Albanian superstition says that Vampires break your bones and suck out your marrow…and particularly enjoy munching on fingers. They are terribly difficult to catch because they are invisible and you are only safe if you have an orthodox priest in the family! Their other habit is girls who they enjoy taking advantage of. Peasants like easy answers and curses are easier for them to understand than viruses and cancers and when something goes wrong in their world they are ready to believe it is a malicious spirit. Whenever people are ready to believe in these things there is always somebody about ready to take of advantage of it and there are reports of men staging fights with evil spirits, smashing houses up and claiming their troubles are over with his reward. Science fiction being used as a smokescreen to cover what is actually a very nasty world that we live in – now that is an angle this series could have taken.

Audio Landscape: Crows screaming, phone ringing, seagulls, wind whipping, wheezing kettle, eating in a Chinese restaurant with cod exotic music playing in the background, rain battering down, thunder rumbling, footsteps, unlocking a car, water lapping, scattering the birds with a bullet, wet footprints, the vampire attack is nicely done with Chaudhry breathing manically close to the camera as the creature screams in the background, police sirens.

Isn’t it Odd: I still have no idea who this series is supposed to be aimed at. With other spin offs from Big Finish’s main range you know exactly what you are going to get after the first story (temporal politics from Gallifrey, atmospheric infernal investigations with Jago & Litefoot, intimate tales by various assistants from the Companion Chronicles) but the UNIT series seems to want to appeal to everybody at once and as a result I feel it is falling between several stools. The first story was a camp and overblown James Bond thriller and the series could work if it took that angle (probably not for me because Bond films are so dull) and Snake Head tries to mix hard hitting themes of immigration (again an approach that could work and would certainly be followed up in the next story) with mythological horrors and winds up an awkward mess because the two don’t gel in the slightest. Or at least they don’t gel at this slack pace with no danger or action. Is this a contemporary thriller series? Science fiction with an edge? Dumb action adventure? Doctor Who has a suitable plot device that can allow all these genres to play out and for it to still be the same show but all that holds this range together is two sketchily drawn characters and it feels like we are in a completely new series with them each week. Shockingly even the climax where the terrifying invisible vampire attacks Goran we are left completely in the dark as to why we should be scared – there is nothing at stake, we don’t know who the vampire is or what his motives are…its just an invisible presence with invisible credibility. At the end of the story everybody is laughing and joking and ‘lets hope once people realise they have been manipulated all the riots end.’ Oh please.

Standout Scene: I was very happy when the vampire did show up and start killing the very dull guest cast.

Result: Snake Head seems to be trying to capture some of the success of Ultraviolet by placing vampires in a decidedly modern setting of illegal immigrants and takeaways but it lacks the menace or the subtlety to pull it off. When compared with Doctor Who’s own Project Twilight it is a pale imitation because the parent range knew that to make this sort of thing work you need a strong villain, some heavy science and some disturbing violence. This sanitised version sees Chaudhry and Dalton checking out some foreign mythology and interviewing a local scientist and takeaway owner – it’s a really dull approach to the material. The story does try and make the very nature of the threat ambiguous but we’ve been with UNIT for far too long to accept a story without an alien menace. There are some reasonable atmospherics at the climax when the vampire finally rears its head but that is about 2% of the overall story. The fact that even during the scary moments people are standing around eating prawn crackers says everything you need to know: 4/10

Buy it from Big Finish here: http://www.bigfinish.com/12-UNIT-Snake-Head

UNIT: Time Heals written by Iain McLaughlin & Claire Bartlett and directed by Jason Haigh-Ellery

What’s it about: The UK branch of UNIT is under threat. The Government wants its own military investigative organisation, one under its sole control. The public want answers to the strange things that have been happening recently. When the division's commanding officer goes missing whilst transporting a dangerous cargo, Colonel Emily Chaudhry, UNIT's political officer, is thrown in at the deep end. Things are not helped when a series of accidents show a bizarre pattern. The Brigadier, meanwhile, is trying to enjoy his retirement but it seems it is time again for him to come to the rescue.

Chap With Wings: The press are writing up the extra terrestrial activity at his retirement do as ‘man in a rubber costume.’ He feels like he is old news already and that’s a role he is quite comfortable with. Setting himself up as a sacrificial lamb and sitting in a car for all hours of the night…he knows exactly what Doris would think of all this subterfuge!

Colonel Chaudhry: I’m not sure that Emily is a particularly likable character despite the fact that the story goes to some lengths to point to her being the hero. She seems to talk in clichés an awful lot (‘what a mess’) and her cynical approach to her job might have been written as dry wit (‘don’t call the corpses stiffs, its tacky’) but it sounds an awful lot like Siri O’Neal wants to be elsewhere. I’m not sure that by the end of this story that I had any idea who her character was than I did when I first put it on. Rather than trust that Dalton is a man who has been drafted in to help Chaudhry checks up on his file. Not exactly the best way to form a bond with your new boss. When she suggests that UNIT needs somebody in charge who knows how they work I couldn’t disagree more – look at the list of disasters they have failed to prevent doing things their way. What they need is somebody like Dalton who can bring a fresh pair of eyes to the problem and counter all the usual UNIT nonsense and get straight to sorting things out.

Colonel Dalton: Dalton is a far more enjoyable character but I think that has more to do with Nicholas Deal’s warm performance than anything in the script. Rather than try and do something interesting with him the writers decide that he is going to be the Scully to Chaudhry’s Mulder and challenge all the science fiction elements of the range. He’s been told the sum total of sod all, just that he is taking over from Wood whilst he was being torn from his latest mission in Syria. He hears that UNIT is a law to itself, waves two fingers at the rules that the rest of them have to stick to and it has the highest mortality rate of any department in the British Army. He doesn’t like the secret squirrel nonsense that is festering at the heart of UNIT.

Standout Performance: I’m not certain the casting choices on Time Heals were thought through very well. Stephen Carlile is supposed to be representing a sinister underground organisation but sounds more like a fey politician. Plus his character his this odd function of talking to himself and telling the audience what we already know ‘Thanks Professor! Kept them busy long enough for me to get away!’

Great Ideas: UNITs CO is missing and just to make things worse they have lost an alien spaceship. Just about every foreign government in the world wants to know what Colonel Brimmicombe-Wood knows…but I can imagine after half an hour of his potty mouth no amount of secrets could be worth the torrent of abuse! Another train appears from nowhere on one of the London lines and causes a devastating collision. UNIT used to have better facilities until the government slashed their budget because they didn’t their policies on Europe or defence.

Audio Landscape: Cameras snapping away in media frenzy, helicopter landing, cars honking, cricket on the telly, a plane losing velocity and crashing with destructive force, taking a shower, seagulls, lapping waves.

Musical Cues: David Darlington’s theme music for this series is pretty unmemorable all told – I would have gone for something very modern and militaristic, a bit like the theme tune for the first two years of Torchwood. Instead it’s some more akin to lift music.

Isn’t it Odd: Honestly Emily you know saying ‘Could today get any worse?’ is tempting fate! The opening of this story is far too fractured for its own good with several storylines being stacked up (Wood’s abduction, the missing spaceship, the train crash, time going squiffy) – none of these plotlines feel as though they belong together, its like the writers have decided to set up the series in as blatant way as possible rather than weaving them into a narrative that feels like a story in its own right. There doesn’t seem to be much subtlety in the writing either with one character saying ‘you know exactly what kind of people we sold ourselves to’ being a particularly clunky moment of exposition and ‘it’s a scene of near biblical carnage’ describing a train accident. Naturally the government is pointing the finger at a militant Muslim faction. How many ways are there to say ‘this is the most profound breakthrough in science!’? The two scientists stand around bigging each other up in some hysterically overwritten scenes. Nobody has ever asked for a transfer out of UNIT? I find that very hard to believe. There is a scene between Chaudhry and Dodds where they discuss their love lives that manages to be as cringeworthy as listening to somebody scraping their fingernails down a blackboard in slow motion. Its not just that it isn’t funny or sexy (or that once again the dialogue is horrendous: ‘Chicks love uniform!’), the worst thing is the two actors have no chemistry and sound really awkward trying to suggest a long term friendship. Kelly is so obviously not who he seems to be (the way he talks behind his fellow scientists back as soon as he is out of earshot lets us know that) and I was just waiting for the ‘how could you betray me?’ me scene with crushing inevitability. By the end of Time Heals you’ve had a train crash, a plane crash and a near explosion of a nuclear submarine…we get it, these experiments are bad business. Just one of these disaster dealt with appropriate seriousness and depth would have been enough. There’s a wonderfully dreadful moment when Kelly looks out the window and goes ‘Oh no! UNIT! Scarper!’ Okay he doesn’t say that exactly but that’s exactly what his tone implies when he cries ‘UNIT!’ We don’t even get to the end of his introductory story before Dalton is willingly sacrificing himself for the greater good.

Result: The UNIT series has some real potential, a gritty contemporary thriller series with science fiction touches and some nods to the past. Unfortunately you wouldn’t think that listening to Time Heals which is one of the most awkwardly written audios with a script that is made up of the worst clichés imaginable (‘Instantaneous matter transportation wont belong in Star Trek any more!’) and crowbars the series’ running arcs with little delicacy. With Dalton turning up halfway through the story it never settles down to mark its own identity, it feels like it is jumping about all over the place with no time for its characters. The best thing you can say about this story is that Nicholas Courtney is involved but since he is pushed to the sidelines throughout it is hardly a screaming endorsement. Siri O’Neal fails to make a decent impression, coming across more as a patronising jobsworth than a quick thinking foil for Nicholas Deal’s Dalton. Too much spectacle, too little coherence - opening the series on a story this clumsy (‘It will make Chernobyl look like a wet firework!’) was a huge mistake and I was bored before the end: 3/10

Buy it from Big Finish here: http://www.bigfinish.com/11-UNIT-Time-Heals

The Empire State written by Eddie Robson and directed by Edward Salt

What’s it about: A remarkable city once stood on a desert moon between six colony worlds: an entire city contained within a single vast tower. In honour of another great feat of architecture from an earlier age, the human pioneers who built the city christened it the EmpireState. The phrase 'once stood' would seem to imply that the city isn't there any more, and until yesterday it wasn't, having been destroyed almost a century ago. Indeed, Bernice Summerfield has reluctantly left behind a Braxiatel Collection in turmoil and launched an expedition to excavate the site of the EmpireState, and noted archaeologists like her rarely concern themselves with things that haven't been broken, ruined or lost. Yet now the EmpireState has reappeared as if the last century never happened, and the members of Bernice's expedition have been scattered throughout the city. One member in particular proves difficult to track down, which is awkward as Bernice believes that she may hold the key to what's happening at the EmpireState - and the means to save the Braxiatel Collection.

Archeological Adventuress: All eleven drinks that Bernice has had this evening had alcohol in and as a result she falls off her stool. Even she admits that she isn’t supposed to do this sort of thing anymore and act like a grown up these days. She never causes trouble, it just always seems to happen near her. Oddly Bernice seems to have the power to bring people back from the dead, fix broken glasses and generally wind back time. What has happened? Why did she want the stone? Because its got a lot of history behind it – what other reason do you need? She spends her life trying to rescue little pieces of the past before they are lost forever. With her new abilities inherited from Maggie she has to learn that it is not about bringing things back the way you want them but about bringing them back the way they were. Jason wasn’t quite what Bernice expected her husband to be like but sometimes it is good to get things you don’t expect. Everybody is relying on Benny to find Brax which is a lot of responsibility for somebody as irresponsible as she is. Bernice always imagined Rand to be a sad imbalanced loser who didn’t know what point he was trying to make and that is exactly what she created – hence his contradictory motives throughout that tale. Clever sod, that Robson.

Jason (bloody) Kane: I was howling with laughter at Jason’s attempt to get a reply from his ex wife when he sends her a message – pretending that war has broken out on the Collection and that he was cut up by bullets! ‘Did that get your attention?’ His third message to her is in the middle of a continuity shift and requires a temporal interpreter to make sense of it!

Sparkling Dialogue: ‘And tell them what? That he killed everybody and they all came back to life? We might come up a bit short on evidence!’
‘If we don’t look at the reason these things happen that means they just happen again.’
‘All hail the galactic hide and seek champion!’

Standout Performance: Doesn’t Phillip Edgerty sound like Stephen Fewell?

Great Ideas: Everybody is being freaked out by the crazy stuff that is going on in the Collection; Jason was trapped in an infinite corridor in the Masionhouse, people are going missing and not always the same when they are returning, the artefacts are changing and the Draconians are getting more aggressive in their bid to own the Collection. The Empire State, a dig that Bernice was supposed to excavate has made a surprising comeback! The State is one big tower which goes from half a mile underground and reaching all the way up to the lower atmosphere – what a great setting for a Bernice story! It is sad but true when the bartender tells Benny he is more likely to have noticed Maggie if she was good looking. Bernice came here for the Stone of Barter, it was a symbol of trading prowess and the big myth around it is that a trader asked a shaman to transmute him into the stone – that it had the power to trade their internal qualities as easily as they would exchange material goods. You could trade knowledge, skills, emotions and even paranormal abilities. It was found in the ruins of the city of the Empire State…which just so happens to be standing again. This place had been destroyed for almost a century and Bernice thought she had travelled back in time but its not her…the city has travelled back in time. When Bernice found the stone she absorbed something from it that somebody had given it centuries ago and the result is the city rebuilt itself. The Empire State was a refugee centre during two wars and during the interim period it had a renowned philosophy school. When Bernice brought everybody back she also brought back the man who blew up the city in the first place. He infiltrated the generator room and threw them out of balance and because the city keeps coming back he thinks he has failed so he tries over and over. Maggie touched the stone and was hoping to steal it and it took her powers and transferred them to Bernice. Maggie is a home made temporal physics experiment made from genetic material of her ‘father’ with fixer abilities hardwired into her DNA. She was made to clean up her fathers messes for him. Braxiatel planted his location in the stone a long time ago and Bernice needs to find him in order to fix all the crazy things that are going on on the Collection. Rand is well on his way to being the greatest mass murderer of them all although I’m not sure if killing multiple versions of the same people counts. Saf is the Watcher of the stone and of all the people who have had that job his watch as been the cushiest. The moon orbits the six planets and the city rotates to face them as it goes past and when Maggie is in the observation level at the highest point of the tower she uses the planets observation magnifiers to focus the good emotions on the planet, spreading them amongst the colonies. When she brought the Empire State back to life it wasn’t an accurate version of it but a hotchpotch of Bernice’s idea of it. Everybody is succeeding, ignoring the fact that everybody is contradicting each other. A long time ago Braxiatel paid an aesthetic an extremely rare talent to transform him into a crystallised lump of consciousness and he’s been hiding there for practically the whole of recorded history.

Audio Landscape: The story opens on a massive explosion that seems suck the blast back in and reverse! Burbling chatter, the bustle of the space port,

Standout Scene: Once Bernice has ingeniously figured out the real nature of the Empire State she realises there is only one person who can be the terrorist. It’s a bleak and inevitable ending and unexpectedly powerful.

Result: Bad things are brewing on the Collection, war seems inevitable between the Draconians and the Mim and Bernice is off trying to find an artefact that could save them all – Simon Guerrier has taken a weakening series and given it such a fantastic shot of adrenalin. It was a chore to get through the last season but I raced through this one such was the quality of the individual stories and my addiction to the ominous running narratives. And looking at the writers on board the next season looks like it could be even better. Eddie Robson cleverly weaves in scenes of Maggie and Rand that seem to have no relevance to the plot until you discover who was responsible for the terrorist act and it makes you want to go back and start the story again. The story opens with Benny (with super powers) standing in the resurrected city that should be in ruins and manages to find a highly engaging way of explaining it all. In some ways this does remind me of the earlier series with its economical cast forcing the writer to find surprising things about each character. Even the bar is ultimately important to the plot. The Empire States is Eddie Robson tossing out creative ideas like an imaginative firework and it might get confusing for some before the end but this is another Big Finish tale that it is worth figuring out to reap its rewards. The true nature of the stone is a genuine surprise: 8/10

Buy it from Big Finish here: http://www.bigfinish.com/76-Bernice-Summerfield-The-Empire-State

The Oracle of Delphi written by Scott Handcock and directed by Ed Salt

What’s it about: 430 BCE. Greece is in turmoil: Athens is at war with the Spartans, the Athenian women possessed by a horrifying cult... and then Bernice Summerfield strolls into town. Benny's on a desperate mission to save the Braxiatel Collection, millennia in the future. But she's only gone and lost her husband - last seen skinny-dipping somewhere near Delphi. She needs help, and it comes in the shape of a talkative bloke called Socrates. Together they must find Jason, survive the fate awaiting Athens and ensure that the future is saved. But divine powers are at work in Ancient Greece. Powers the archaeological record neglected to mention...The Oracle will see you now

Archeological Adventuress: Only Bernice Summerfield can say with some degree of accuracy that Socrates hit on her once! She should no better than to warn an important figure like Socrates of the oncoming plague that is about to hit Peloponnese. Even when she tells him that it is written in the future and cannot be avoided it was still a massive gamble. Benny grumbles that you have to have a willy to vote these days which really gets up her nose so she heads to the all male assembly in a terrible disguise and a really gruff voice. Her bloke name is…Testicles! Bernice likes to think that the reason she was exposed as a lady was because of her potent feminine charms, fine figure, razor sharp intellect and pert bosoms when (as Socrates points out so succinctly) it was actually that she was a bit gobby. She’s told she’s a strong woman and exactly how women should be in the future. She learns that Braxiatel thinks she is important – just what part does she play in his future plans?

Jason (bloody) Kane: Unfortunately they are 2000 years from the nearest bottle of sun block! The irony is that Benny swears that Jason will get her killed one of these days when the truth of the matter is quite the reverse. Trust Jason to stick his nose into history rather than just keeping his gob shut – he suggests that they let the Spartans into Athens which the leaders take to be a brilliant idea. Let them in…and slaughter them! Jason has a habit of getting involved where he shouldn’t and Benny wonders if that was how they wound up marrying each other. He winds up the property of the Mistress Megaira which might sound like an appealing prospect but she finds his hangdog expression more wearisome by the day and cuffs him about a bit if he speaks up without permission. Socrates orders them away to fight their own war and tells Jason to protect Bernice and if necessary avenge her.

Standout Performance: I love it when one off performers come into a range like this one and are so effortlessly good that it feels as though they have always been around. Paul Shelley is a great example as Socrates, not an easy role to play but he pulls it off by acting like any other bloke on the street and a very sweet and polite (if occasionally randy) ally for Bernice.

Sparkling Dialogue: ‘Sorry, you’re just learning to be civilised…’
‘Bollocks!’ – the last thing I ever expected to hear Socrates say!
‘Haven’t you seen any of the tragedies? You can’t change fate!’
‘When did a democracy ignore half of its people?’

Great Ideas: Recently Lady Megaira has been welcomed into their community and she has set up a female only cult (one which many of the male folk would desire open access!). Female infiltrators cannot be allowed to destroy their peaceful democracy. Poor Socrates, first he thinks he’s in with a chance when Benny tells him she is after a man (turns out it is her husband) and then when he reveals that he only has one bed (so she asks where he is going to sleep then). Some philosophers get no luck. There is a war coming that will make their flap look like a scrap between two fluffy kittens and the only way Benny can stop that is to find the Oracle of Delphi and get the answer to a very simple question. The Plague kills everything it comes across (‘We’re screwed then’ says Socrates). Braxiatel is described as ‘the tall man who holds time itself in his hands. A God protecting you.’ Megaira is a Spartan spy whose father was killed by the Athenians and her and her mother were dragged off to entertain the troops. She found something out in the desert that gave her the power of prophecy, a smooth stone that when touched ripped through her eyes and ears. To see the future nearly killed her. Her ceremonial wine contains a vaccine that contains immunity against the plague – Megaira will ensure that her Sisterhood are given a voice when she is the only person who can save their lives. The question of a cure defeating an historical event is out of the question and Bernice suddenly realises why – its not a cure, its an inoculation. It only works on people who haven’t been infected.

Audio Landscape: Birdsong, bubbling brook, Bernice falling down a rubble strewn hillside falling apart, squeaky door, crackling fire, there are some hysterical and supernatural ceremonies amongst the Sisterhood, flies buzzing around a corpse and a dog whimpering, coughing.

Musical Cues: Every time there is a musical score that makes itself very apparent by being so memorable I look at the sleeve and nine times out of ten it is composed by David Darlington! He understands exactly what a story of plague prophecies and philosophical diatribes requires – bombastic, ominous music which suggests the horrors that are coming.

Standout Scene: A moment that came out of nowhere but really surprised me – Bernice realises that Jason is Megaira’s lapdog and as usual begins emasculating him until she realises that she has complete control over him. Megaira forces him to hold a knife to Benny’s throat and she begs him to let her live for her sons sake and pleads that she does love him. The way the tables are turned on Benny is unexpectedly powerful, how it twists to strip away all the bolshie pretence and get to her real feelings.

Result: One thing that I am very much in favour of is diversity within a series – I don’t mind a formula that a series adheres to as long as they try out different styles along the way. Series seven of Bernice Summerfield has really made an effort to show how far the format of the range extends and attempted some hard SF, a gothic mystery, a riotous parody of itself, a bawdy sex comedy and now it is an apocalyptic historical drama! Coming after a season of stories that were heard to tell apart this is the most refreshing change. The Oracle of Delphi is massively endearing to listen to and the mixture of modern day storytelling in an ancient setting proves to be a recipe for success for newcomer Scott Handcock. The relationship between Bernice and Socrates is strikingly written and it is terrific to experience the meeting of two great philosophers of their respective times coming together to solve this latest adventure. I love how this entire story has been written to set up the next one but manages to be a thoughtful, engaging story in its own right. There is a real impetus to this season that is extremely appealing, the writing is of a very high standard, the productions buoyed by some strong direction and atmospheric soundscapes and a running story which is slowly eking its way to the surface. Whatever changes Simon Guerrier made worked a charm and one of his strengths has been to bring in new writers to the fold and Scott Handcock is a great example. His eye for quirky dialogue and memorable characters is a gift and I’m pleased to see he will be writing for the ranges 12th season: 8/10

Buy it from Big Finish here: http://www.bigfinish.com/75-Bernice-Summerfield-The-Oracle-Of-Delphi

The Summer of Love written by Simon Guerrier and directed by Ed Salt

What’s it about: It was the best of times, it was the worst of times. It was the hottest summer on record and the last summer before the war. It was the one time Bernice Summerfield had a use for her otherwise useless boyfriend. But Jason Kane is away on the far side of the galaxy. The Braxiatel Collection has always been an odd place to live. A perfect replica of the Palace of Versailles, stuck on a smallish planetoid, hanging in a much disputed sort of space. The weather's all over the place, the neighbours gathering armaments… And now everyone's shagging like rabbits. Everyone except for Bernice

Archeological Adventuress: Peter is living with his father and Bev now because Bernice thought that he could do with the stability considering the hectic nature of her life. When Doggles suggests that he and Benny have a racy night in she thinks that he is taking the piss! He doesn’t wash, he’s insufferably rude and he spills things down his top all the time…and she was supposed to be flattered? He didn’t even offer dinner! She’s been thinking about the last year (Brax, Clarissa and Wolsey all gone) and the future too and she is starting to think that things didn’t work out the way they should. The first time she drank champagne was in the middle of a riot. When Bev tries to take charge Bernice reminds her that they got shot of Brax because he was manipulating them all and they don’t need anyone else doing it. Bernice can offer some rare and beautiful and much more exciting than a gangbang – the truth!

Jason (bloody) Kane: Jason and Benny are monogamous when they can be but they have been through too much in the past to take a totally pragmatic approach and she knows that if he plays away (which he inevitably will) he still loves her and will be coming home to her. Poor Jason, the one time when a sex virus hits the Collection and he is off world! Then when he does turn up all he wants to do is curl up with her and cuddle because he’s tired. I often forget that Jason is bisexual and he has apparently visited Hass in the past and tickled his fancy bits in some research for his alien pornography!

Brilliant Bev: She cannot recall a time when she was happier. She’s running the Collection now and in a relationship with Adrian – it’s the most stable she has been for a long time. When Adrian makes Bernice promises not to tell Bev that he has been shagging Doggles naturally the first thing she does is pop over for a gossip! Adrian’s is tearing himself up because it is Bev that he wants and having to resist other women is the hardest thing he has ever had to do. Adrian tries to tell Bev gently that despite her public persona they don’t want another Braxiatel.

Standout Performance: I was rather impressed by Sam Stevens’ handling of Doggles because the character as written is thoroughly unlikable and he doesn’t really do anything to change that. This is exactly how I would expect the dirty, slimy, horndog to sound like.

Sparkling Dialogue: ‘Whatever you were talking about you can share with the class. Come on, out with it!’ and Minko unzips his flies!
Adrian: ‘I don’t know what’s got into me Benny!’ Doggles: ‘I do!’
‘Watch out for the Gell Guards!’ is the end of a dream Bernice is having!

Great Ideas: Bernice gets to fly about inside one of Brax’s pocket universes where Hass goes to escape from everybody when he’s not tending to the gardens. The Draconians have put on their fighting shoes which is a very important mention for the next season. Even poor Joseph is infected with this amorous virus and tries to give Bernice a sensual massage in exactly the same method Jason uses (rubs your shoulders for five seconds before going exploring). Joseph and his drone mates have been recording all the sex and passing it on to the men folk of the Collection (don’t worry Bernice gives him a thorough purging!). Time jumps are buggering up the spread of the virus (‘Oh great I was nearly finished!” cries one person when his companion vanishes ‘Can someone finish me off?’). Unsurprisingly as soon as people start having it off with each other like rabbits the applications to leave the Collection (which were starting to worry Bev) cease. The Collection is pining without Brax and falling about at the seams – that’s what the time jumps are all about. Hass told Bev that the ground is literally breaking up beneath them and advised planting Simpson’s thinweed all over the place so it can tangle through the soil and keep them together. Hass accelerated the growth cycle because he didn’t know how long they had and the pollen that has been released in the air has made everybody as randy as rabbits!

Audio Landscape: Crickets, taking a shower, birdsong, heaving breathing with two students in the missionary position, fizzing champagne and tinkling glasses, lots of groaning and kissy noises, Joseph communicating with his fellows.

Isn’t it Odd: With Doggles and Adrian trying it on with Benny and the good Professor herself suggesting that she and Jason aren’t always faithful I started to wonder if I had stumbled into an episode of Torchwood – home of loose morality! Listening to Benny and Bev getting down to some heavy snogging really doesn’t appeal (don’t get too PC on me – the thought of Doggles and Adrian doesn’t exactly float my boat either!).

Standout Scene: Bernice finally gives in when she realises the antidote is going to take so long…and she chooses Doggles!

Notes: This is the first appearance of Doggles and Hass in the audio series. Doggles first appeared in the anthology Something Changed where he caused some damage to the timeline with history machine. He is a brilliant man but lacks social graces and has a particular penchant for a certain Professor Summerfield… Hass is the Martian gardener who has taken over from Mr Crofton who died during the Axis Occupation. In one of the alternative realities created by Doggles’ history machine he was turned into a Yesodi and when things returned to normal he retained that appearance. He now has to wear a pressure suit at all times but can come out of it in Brax’s secreted pocket universes. Bernice is still singing ‘butterflies and cake’ from the last story.

Result: Gay sex, straight sex, lesbian sex, alien sex, multi-generational sex…there’s certainly plenty of sex in The Summer of Love! Its odd that I have been clamouring for a story on the Collection and as soon as I get one it happens to be the weakest of the season. This is like an episode of Are Being Served where the staff of the Ladies and Gents Departments actually are talking about sex and wind up having an orgy in the Grace Brothers canteen! Its all a bit sleazy and puerile and like deciding to swallow leaves a bad taste in your mouth. I can understand what Simon Guerrier was getting at in penning this script; he’s trying to make the Collection a fun place to be but I’m not sure if adopting the lowest possible tone was the best idea. What really works is the emergence of ongoing regular characters from the novels that have been completely ignored in the audios so it is terrific to see Bev and Adrian’s relationship brought to light and Doggles and Hass make memorable first appearances. And once again Guerrier characterises Benny herself really well. The Summer of Love is a tawdry affair but it does have its moments. Lets have something with a bit more depth next time: 5/10

But it from Big Finish here: http://www.bigfinish.com/74-Bernice-Summerfield-Summer-Of-Love