Tuesday, 22 November 2011

Ferril’s Folly written by Peter Anghelides and directed by Lisa Bowerman

What’s it about: The search for the fourth segment of the Key to Time brings the Doctor and Romana back to Earth in the present day. In a small village in Norfolk, former astronaut Lady Millicent Ferril has established an observatory, tracking a meteorite from the Cronquist System. It is a meteorite that almost killed her years before – and perhaps left her not entirely human. As Ferril’s power grows, so does her influence. She can control metal. And anything metal – from a suit of armour to a bicycle – is now lethal…

Snooty Fox: There is something brilliant, dangerous and otherworldly about Romana. That description comes around 24 minutes into the play but before then we learn nothing new about her – she could have been any generic companion for all the impression her personality makes on the story. Oddly she is supposed to be one of the cleverest minds on Gallifrey but Romana can’t get her head around what a barman is. I desperately want somebody to write a companion chronicle that allows either Romana to shine through (Jonny Morris’ Beautiful People comes the closest but that was more because it captured the tone of season 17 so brilliantly) but in the hands of writers like Anghelides she is relegated to making some very pitiful, plain observations. I fail to comprehend how the Gallifrey series can utilise the character so successfully in a way that this range completely fails to do. Is it because in the Gallifreyan environment Romana thrives on the political atmosphere with the chance to be theatrical and verbose which both Tamm and Ward thrive at? Maybe Romana simply isn’t the sort of character to be looking back at her time with the Doctor because it hardly ever seems to be relayed with much fondness (compare and contrast with, say, Jo Grant, who recalls her adventures with nostalgic, giddy delight). All I know is the Romana companion chronicles are much like the character – cold as ice and at times unlikable.

Teeth and Curls: As usual the Doctor is giving his advice in the most arrogant of fashion and then changing his mind when things don’t quite go as he planned! He thinks Romana always has the tracer (not true) and hilariously peers up her dress to see if she is lying to him! I enjoyed the Doctor’s attempts to rescue a damsel in distress with the Historical Re-enactment Society because I could really imagine Tom Baker marching through a village with a bunch of old cronies in period dress!

Standout Performance: Much like the story itself there is something remarkably off kilter about Madeline Porter’s performance that really got on my nerves. Its almost as if the characters that she is playing knows they are taking part in a Doctor Who story and play up the melodramatic dialogue to the nth degree. When compared to Mary Tamm’s calmer, more relaxed handling of the script it seems even more over the top and the scenes where we cut from one to the other suggests we are moving from two very different kinds of story. The resulting effect is extremely discordant and I’m not sure there has ever been a pair of actors in a companion chronicle least suited to each other than Tamm and Porter, the switches in mood are extraordinarily distracting. And oddly the script seems to favour Porter rather than Tamm.

Great Ideas: Millicent was devastated by the end of her NASA career, a meteorite striking the shuttle she was manning forcing her to endure a replacement metal limb. Instead of travelling the solar system she endeavoured to travel the world. The meteoroid changed course and struck the shuttle deliberately. The observatory is pointing towards the Cronquist System, a brutal race that are powerfully psychokinetic.

Audio Landscape: What a shame that Lisa Bowerman didn’t used Yason and Fox for this story because if there was ever a story that needed some stylish gift wrapping it is Ferril’s Folly but the events take place with quiet, almost shy sound effects. Listen to the sound effects for the suits of armour dragging Romana along. It should have been a clipped, bold metallic march but instead it sounds more like somebody dragging a sack full of cans along a stone path. The climax seems to consist of a recording of a construction site!

Musical Cues: The first episode gives Brett very little to work with but the action packed conclusion provides some moments to add an exciting jingle to events.

Isn’t it Odd: I think I know the reason this story was postponed for so long…it really isn’t very good. The first ten minutes struggle to generate any interest, coming across as a much blander version of a Pertwee Earthbound adventure with a little bit of The Stones of Blood thrown in for good measure. Knights in armour and statues? It feels like a mishmash of various random elements from other, better Doctor Who stories cobbled together with very little sparkle. I really missed the framing device. Whilst they don’t always live up to their potential of saying something new about the companion, having the narrator tell the story from some future date does at least give the story a sense of importance. By opening on a regular Doctor Who story there is little that is special about this. Its just another Doctor Who adventure with nothing to distinguish it. Millicent’s ‘I have a will of iron too’ made me groan out loud – people really don’t talk like that unless they are the Master. There’s a quick trip down the pub for a chat with some country bumpkins to add some local colour – more dull stereotypes. Even the cliffhanger is a completely random moment of jeopardy that happens simply because they needed a break in the action because the format demands it rather than a moment that arises naturally out of the story. The idea of meat cleavers and brass trays coming to life and attacking people is a fun one but it is a distinctly visual one and there isn’t quite the same joy in listening to somebody going ‘ouch’ over and over as they are assailed by household items as there would be watching it. Audio should encourage the exploration of ideas, not just wind up sounding like an audio recording of a story that would have looked far better than it sounds. It’s the same with the bike that turns on its owner, handlebars curling around his arms, etc. It could have looked awesome but on audio its just somebody screaming in pain which doesn’t quite have the same effect. ‘I think the Cronquist are using Lady Ferril to get to Earth!’ – of course they bloody are because it is just about the most obvious, stereotypical approach the story could have taken. An invasion of Earth. There isn’t a single original idea in this tale. Not one. In the second episode K.9 is an important element in the story’s conclusion and yet the script seems to shy away from naming him. The Cronquist are such a dreary menace we don’t even get to meet any of them! Can you imagine a more featureless Doctor Who monster than one that promises to appear but fails to do so?

Standout Scene: Standout suggests something unique in the story. Get outta here.

Result: I’ve heard of formulaic storytelling but this is ridiculous! Ferril’s Folly leaps into its tale with little of the confidence of the season it is supposed to be taking place in and introduces plot elements and characters in blandly scripted conversations that stack up awkwardly against each other. There is no sparkle or wit to the proceedings, just one very boring chat after another between characters without quirks or eccentricities to make them definable. The second episode lurches into an all action conclusion with metallic nasties coming to life and attacking all and sundry but this is another fail because the sound effects and music lacked conviction and I was growing increasingly frustrated that I could see what was going on. Audio really should encourage the strengths of its medium rather than constantly remind us of the senses we are lacking. However the most annoying aspect of Ferril’s Folly is that it fails to do a single original thing – the characters, the plot, the dangers can all be found in other, better Doctor Who stories. This feels like a hastily tapped off fanfic rushed to fill a hole in the schedules rather than a story that has been gestating for the past couple of years. Considering this is another Romana CC that fails to distinguish her character whatsoever it is a strong contender for the worst companion chronicle yet in what has been the most inconsistent season yet: 2/10

Monday, 14 November 2011

The Sentinels of the New Dawn written by Paul Finch and directed by Lisa Bowerman

What’s it about: Some time after leaving UNIT, Liz Shaw calls the Doctor to Cambridge University, where scientists are experimenting with time dilation. A device hurls them to the year 2014, and a meeting with Richard Beauregard, heir to the Beauregard estate. But there’s something rotten at the core of this family… The seeds of a political movement that believes in a new world order. The Sentinels of the New Dawn are stirring. And their malign influence will be felt for centuries to come…

Intelligent Academic: Liz Shaw is another character with so much untapped potential because her four strong season with the show didn’t begin to scratch the surface of what this strong capable is capable of bringing to the show. This is another of those examples where I am already intrigued about what happened to Lis Shaw after she left the Doctor (and why) so when she starts narrating a story that isn’t set in the heart of season seven but after Lis returned to Cambridge I was completely hooked. She was working in the Department of Applied Mathematics and Physics at Cambridge under Terry Billington, still a PHD at that time and good friend of Liz’s. They were working together on experimental time travel and with Liz’s limited knowledge it looks she is close to succeeding although it worried Liz to be working on something so dangerous. She has to make that difficult first call to the Doctor which was never going to be easy when she left him so abruptly but considering their straight talking relationship his reaction could hardly be too much of a shock. Academia is Liz’s natural home but she still wasn’t sure one year on that leaving had been the right decision and she felt a crushing sense that she had let her former mentor down. Life seemed uneventful after all that hullabaloo with the Doctor and she wasn’t sure now she had adjusted if she wanted to start that up again or remind herself of what she was missing. Liz is cross that the Doctor misled her to the point that she was convinced she was on her own but she forgave as she always used to. The whole experience with New Dawn had been a catharsis for her, dispelling her original doubts of leaving UNIT. She realises that she has moved on with her life and so has the Doctor and there was nothing wrong with that. Terry had inadvertently armed an organisation that wanted to hold the world to ransom and Liz has to shatter her dreams in order to stop that. Terry thought it was professional jealousy and never spoke to her again. Liz never entered her involvement with New Dawn into the official record when she was a UNIT operative but then she so rarely did anything by the book.

Good Grief: Impossible for a human to keep up with a lifestyle too intense, he rushes up to Cambridge to see Liz as soon as she calls him and starts talking time travel. He is genuinely glad to hear from her after a year and wants to know everything about what she has been up to and Liz sensed these were real feelings but she could also sense the relief in him to be able to escape UNIT for a few days. The Doctor isn’t as playful as he used to be after the baptism of terrifying invasions on Earth during his early exile, although he could still be mischievous. The Doctor seems shockingly compliant now he has made it to the year 2014 – of course he is. The ability of time travel has been stolen from him and I bet he thinks now he is 40 years in the future that there must have been some developments to allow him to construct a working time craft, the crafty old bugger! Liz knows the Doctor has witnessed ecological disasters as a result of political ideologies and she cannot believe he would smarm his way into the New Dawns without caring what their politics are. The Doctor insists that he can fly the jet helicopter but in reality it would have been Jon Pertwee foaming at the mouth. It’s a nice touch.

Standout Performance: This last week I have been listening to Caroline John’s reading of Elisabeth Sladen’s autobiography and she has blown me away with the quality of the reading. You could be forgiven for thinking that an actress might not put the right amount of effort into reading somebody else’s life story posthumously but John attacks the material as though she actually experienced these events herself and it brings the (top quality, full of tasty titbits and wry and warm observations) biography to life with real brio and determination. It shows the greatest of respect to Lis Sladen and proves that her voice was simply made for audio, the way she can draw you in so completely. With regards the Sentinels of the New Dawn, just listen to her dramatic reading of the moment Liz and the Doctor travel through time – her pacing, her intensity, its absolutely perfect. And her quiet reveal that a man has died in her arms and what a sobering experience it is beautifully done.

Sparkling Dialogue: ‘The Doctor’s hair glinted as it whipped in the breeze’ – I cannot think of a finer description of Jon Pertwee’s man of action being assailed by the elements as he charges down the road in a getaway car loving every second of it!

Great Ideas: With their limited knowledge Liz and Terry had managed to create a time window with the ability to see your stationary position in the past or the future. No great shakes to some people but an extraordinary achievement all the same. Its an ideal way to time travel because you cannot interfere with established time and you can even been seen by those you were observing. New Dawn have peered into the future using the time window and made vast sums of money by playing on the markets. They want to create a wormhole not just into the future but the past as well giving them greater hold over financial and political affairs. They link their device with the original prototype that Liz was working on and acquiring the two Cambridge academics that had pioneered the technology. They plan to make every member of the New Dawn unassailable in their own field. The Helidromus has been built in the New Dawns bio-mechanical laboratory in what was supposed to be a mascot, a symbol for the order but is now being used as Richard’s personal assassin. Among all the philanthropic projects that the New Dawn are involved with providing free medical care to the Third World is the most publicised. What isn’t publicised is the curing of Ebola taking place on British soil of a Third World Country or rather samples being taken to create a biological weapon. It turns out that New Dawn were always going to establish themselves regardless of Liz’s actions in the past but they no longer have time travel technology which limits their ambition.

Audio Landscape: Birdsong, the pouring of iced tea, a waterfall bubbling, the time machine going crazy, a hissing burning, helicopter blades whirling, footsteps, polite chatter, Liz’s door locking, the growling engine of the car, the whooping wings and screaming of the crow, motor launches pulling away.

Standout Scene: To be fair to Finch the last scene is a peach throwing a whole new complexion on the framing device and offering hope for future stories featuring New Dawn.

Isn’t it Odd: This story started off with really good intentions to explore Liz’s life after she left the Doctor and for a while I was absolutely gripped by the two of them coming back together again. The idea of the time window also felt refreshing and having the two of them step through time is an idea to relish considering they never had a chance to do so during season seven. By my interest began to wane when we started focussing on the New Dawn because it isn’t a particularly revolutionary organisation (Doctor Who is packed full of these nut job cults that want to take over the world – hell even Torchwood has flirted with the idea in their last series). Actually it is interesting to note that the New Dawn’s plan is quite similar to that of Miracle Day with the unleashing of a terrible medical disaster and the New Dawn stepping in to cure it and restore order, thus taking control. Perhaps Davies listens to these companion chronicles and thought that was ripe for exploitation (but it is only mentioned here).

Result: I think I am a victim of my own making with regards to The Sentinels of the New Dawn because I had built up the story in my head as a gripping precursor to Leviathan that seamlessly answered all my question that the innovative Lost Story left hanging. Alas no, this is a competently told drama with some moments of inspiration (bringing the Doctor and Liz back together was enough to lure me in) but it is weighed down by some clichéd ideas (another organisation with international aspirations) and a lack of pace or tension. What this story does have is the multi-talented Caroline John on board who is one of my favourite narrators because she gives everything to a reading and managed to force moments of pathos and character out of a script that only feeds her morsels. Had this been read by some of the other companion chronicle contributors I might have been a lot harder on the story but John provides a smooth and easy listen and even when I could feel the faults in the storytelling I relaxed into her exceptional interpretation of it. If you have heard bad things about Torchwood: Miracle Day and cannot be bothered to watch it (I would suggest that you do because there is much more there than people have given it credit for) but want to be kept up to speed then simply slip in this story and listen to the Sentinel’s Ebola scheme and mop up. It is pretty much identical to the Families plan in Miracle Day and will save you the bother of having to watch ten episodes to get to the same revelations. Lacking substance but gorgeously brought to life, New Dawn is a curio that I would suggest every Who fan should listen to at least once. Just so you can experience more of Liz Shaw: 6/10

Sunday, 13 November 2011

The Forbidden Time written by David Lock and directed by Lisa Bowerman

What’s it about: Time Walkers have descended upon the Earth. This alien race, known as The Vist, has claimed an area of time for itself – any species entering into the immediate future will pay the most terrible forfeit. The human race is in a state of panic, but one woman knows the truth. Her name is Polly Wright, and she visited that future many years ago, with the Doctor, Jamie and Ben. She has stepped into the Forbidden Time – and this is her story…

Lovely Lashes: How brave of Polly to get up in front of a room full of press and recount an adventure with the Doctor. I loved the gasps of astonishment as she started talking about Jamie being from the past and how she could spot those who had met the Doctor because they weren’t looking at her as thought she was mad. Polly considers herself well travelled and certainly having travelled further than most people in their lives. Polly calls Ben her sailor and her best friend when she sees that he is alive again.

Who’s the Yahoos: Jamie was like Polly’s younger brother, always getting into trouble and never quite understanding what was going on but fiercely loyal and absolutely fearless. Its interesting to note that when Ben apparently dies Polly is frozen in her tracks screaming (mind you theirs is a special relationship) but Jamie simply accepts the situation. I really liked that because Jamie is a fighter and used to those nearest and dearest to him putting their lives in danger and being killed. Sweetly Jamie admits that he wouldn’t have missed travelling with his friends for anything. Unfortunately Jamie’s first person narration ends when he chucks the voice recorder at one of the Vist which made me chuckle.

Able Seaman: Ben is running a pub now and he and Polly meet up and talk late into the night about the adventures they used to have. Every time they stopped off on Earth Ben always flicked through a current car magazine because he liked to see how the designs changed over the years – so far he has a pretty good grasp over a 200 year time span!

Oh My Giddy Aunt: These days the Doctor is much more likely to trust the people he is travelling with or at least to listen to them. Polly can remember the older, crotchety Doctor who used to brush off her instincts. His ego is also something that has improved because nowadays he admits when he doesn’t know something whereas his former self would bluff through his ignorance. The Doctor can be so alien sometimes, not understanding why Polly has broken down over Ben’s death. Its wonderful that the most undisciplined of Doctors gets to rail against the absurdity of sectioning off areas of time – he will come and go as he pleases and thinks everybody has the right to as well. He tries to bring down all the gravitas of the Time Lords on the Vist but they scoff his attempts to scare them and have never heard of a race who make a claim as grandiose as regimenting the time vortex. When Polly asks the Doctor about his claims he tells her he doesn’t like to talk about his people. He mischievously tricks the Vist into their own destruction but admits he doesn’t like doing that sort of thing but he has certain responsibilities to time and nobody should go around staking claim to sections of it.

Sparkling Dialogue: ‘Well that’s about halfway through the story. I think we should take a break now. Can you be back in five minutes please…’ – is the cliffhanger! Its funny because I was just thinking I could murder a cup of coffee and could do with a five minute break to make one! The audacity of this little wink to the audience really made me chuckle.

Great Ideas: An area of time that all life forms are to detour, punishment of which is half your lifespan if you infringe upon it. That’s an intriguing hook that I am sure would fascinate the Doctor – what exactly are they keeping secret? It turns out that when you are safe in the vortex you exist at all moments of space and time along with everything else so it is impossible to collide with anything. You shouldn’t build walls across the vortex because it isn’t neighbourly! Time is like a line running in two directions, backwards and forwards but it can be sideways as well. Worlds can have shadows and they have less energy than the originals, not enough for life forms to exist. They can recreate the buildings and geography – everything but the animal life. The TARDIS being connected to the real world and the shadow one at the same time is gorgeous, lending the story a melancholic, decaying quality. An Earth made of dust and shadows, its exciting and evocative (if completely unrepresentative of its era) and once you add the towering, bug eyed Vist stomping through this ashen version of London you have some startling imagery. It’s a place that shatters and crumbles to the touch. When Polly says ‘most of you will know about the existence of alien life by now’ is quite an electrifying line because it could mean because of the Vist telepathic signal or this could be the first companion chronicle to be set in the post Davies era where alien invasions have been exposed internationally. The Vist are disconnected from time, they can walk from one year to another and from the real world to the shadow one. To them time is just like up and down or left and right, they can literally walk through it. For years they have travelled the fields of time watching others drift across them disrupting their subtle energies on which they subsist. They chose to section of areas of time and charge for access, stealing peoples life energy. The creatures have taken control of all time from 2011 to 2019, thinking they can fence of a period of time and stop people trespassing on it like a farmer might with a field! Any living creature passing through that time period has to pay a price to the Vist, a proportion of their life energy. I really like how insane that idea is – these creatures need to feed on life energy and figure a way to make it happen so every person on the planet has to pay. Time and space are a function of each other, they both sprang into being with the Big Bang but before that moment neither existed. By tricking them into going back to the beginning of time to assert their dominance over it they will disappear, as though they have walked off the edge of a cliff. Another potent image – the time wall being weathered away by the vortex, slowly weathering and decaying into nothing.

Audio Landscape: Cameras snapping, the press shouting, walking up on stage, that late sixties TARDIS hum is unmistakable, the TARDIS screaming with explosions, screaming wind, windows smashing, the sucking, guttural noises of the Vist communicating, the shadow world turning into a busy London street.

Musical Cues: This is one of those companion chronicles that has a wall to wall score and it works so well here, ensuring the story’s morose atmosphere never lets up.

Isn’t it Odd: They missed a trick in not suggesting that Polly and Ben ended up together. Of course they did!

Standout Scene: There was no moment that really stood out but the whole story is so focused on its atmosphere and creative ideas there really isn’t a moment where it flags either. Mind you I would have loved to have seen the climax where the travellers return to real time on screen, the picture flickering from the black and white world of the shadow dimension to…gasp!…colour! Wouldn’t that have just have looked amazing on screen.

Result: I find Polly a very absorbing narrator of the companion chronicles for two reasons; one being that given she is one of the characters that has had the majority of their episodes junked there always seems to be a lot learn about the character and her relationship Ben and secondly because Anneke Wills brings a nostalgic, wistful quality to her stories that really drags me in and gives me the kind of feeling I am after listening to this series. The Forbidden Time has a lot of strengths in its favour; a memorable, frightening location, a discomforting new alien race (that I would like to hear more of) which are brought to life with some skill by Lisa Bowerman and an unusual threat to the Earth the likes of which we have never seen before. Add to that the intriguing framing device and Wills and Hines on form and you have a strong audio adventure that pushes its era into a pleasing new direction. Having Jamie record his adventures on the Dictaphone is a really clever idea and it gives the story some a fresh feel, offering moments of unexpected tension as we head literally inside the story that Polly is telling. Kudos for the front cover too, which is evocative and nightmarish: 8/10

Tuesday, 8 November 2011

The Perpetual Bond written by Simon Guerrier and directed by Lisa Bowerman

What’s it about: When the TARDIS materializes in a familiar junkyard in the 1960s, the Doctor and Steven are soon embroiled in a mystery in the City of London. Who are the mysterious bowler-hatted businessmen with their deadly umbrellas? And what secret is young Oliver Harper desperately trying to conceal? Contracts have been signed. A deal is in place. And the Doctor discovers that perhaps not even he can stop a terrible business...

Aggressive Astronaut: Guerrier cleverly ties his new three story arc into his previous one by opening the story with Steven’s agonised reaction to Sara Kingdom’s death. It worked so well in The Daleks’ Masterplan but the series simply cut to the Doctor and Steven arriving in Paris for some respite. This is a lovely point to slip in some companion chronicles, when the wounds are still deep and hurting and Steven is questioning his life in the TARDIS and how safe he is. He remembers Ian and Barbara as kind, intelligent people who had broken down the Doctor’s defences and when push came to shove he was never certain whether he really tried to get them home. Seeing sixties London through Steven’s eyes is an appealing experience because he doesn’t recognise the cars, the aircraft or the currency as that of his time and describes them in an almost alien fashion. Steven admits he is not the greatest musician and it isn’t too long before we could find that out in its fullest as he belts out The Ballad of the Last Chance Saloon! Isn’t it wonderful that Steven has no objections to Oliver joining them, rather than considering him a third wheel he welcomes the companionship.

New Boy: Oliver Harper bursts onto the scene, an uppity stocks broker with a big secret and it’s a great way to portray a new companion. Unsure whether you like him very much but desperate to know what he is hiding. He loves his job and likes the uniformity of everybody wearing the same clothes and doing the same thing. Oliver feels as though he has let his bank manager down because of what he had done – he knows he can’t be a part of this world anymore. Oliver enjoys dressing up Steven in the style of a sixties banker and tells him that he scrubs up well enough. Oliver has the manner of a king in this environment with Steven the clumsy servant catching up. Clearly Oliver has been brought up with a very strict moral code and when he realises how underhanded this business is he is the sort of person to yell ‘it isn’t jolly well fair!’

Hmm: Light glints in the Doctor’s eyes as he realises the TARDIS has brought him back to where his adventure with Ian and Barbara started – 76 Totters Lane. He finds it rather chucklesome that he spent all that time trying to get them home and now they have left him he lands there completely by accident. He wonders if the TARDIS has brought them there as a kindness, a chance to catch up with old friends, after having lost Katarina, Bret and Sara. Steven knows that a good mystery is a far better tonic for the old goat than catching up with old friends! Steven wonders if the Doctor had lost so many people recently that he just accepted losing him as a matter of fact. Guerrier portrays the Doctor in an intelligent light, figuring out a plan before any of the trouble kicked off and using Steven and Oliver as pawns to get everybody in the right place. I can just imagine Hartnell loving this material, grasping his lapels with pride as he unveils his masterplan from beginning to end. He knows this story hasn’t come to an entirely satisfactory conclusion what with all those people being shipped off to another planet and their families never knowing where they have gone and he doesn’t patronise Steven into trying to suggest otherwise. There was a strain of powerful honesty between these two characters during season three (there had to be considering what they went through together) and I am pleased that Guerrier has tapped into that.

Standout Performance: Purves has a three man job of playing Steven (with his usual thoughtful charm), Hartnell’s Doctor (which is about as close to getting the real thing in my book – he really has the essence of the character as played by Hartnell and it sells these stories as genuine first Doctor adventures for me) and the bulk of the narration. And he doesn’t break a sweat. People who consider Purves little more than a presenter (there is absolutely nothing wrong with that, that takes its own kind of skill) should give this story a listen because he’s absolutely sublime, giving the material some real heart. Tom Allen steps into the TARDIS as Oliver Harper and I like him, I’m not sure I’m supposed to like him entirely (he is a bit jumped up) but I like his no-nonsense morality and the fact that he is running away from something life changing that he cannot even share with the Doctor and Steven. I want to hear more of him and you cannot ask for more than that in a debut story (compare and contrast to, say, Tegan in Logopolis and I could have happily thrown her into the part of the universe that was being destroyed by the Master!).

Sparkling Dialogue: ‘Puff your chest out like your people own half of Cornwall!’ – Oliver’s advice on how to carry yourself in the trades market.
‘The Engine of the World of Trade!’
‘Just as long as Steven and the Doctor never stumbled on my secret…’

Great Ideas: I love Oliver’s assertion hat deals are made by verbal agreement because a gentleman’s word is a bond – how things have changed since then! The aliens have infiltrated the stock market and are buying human cattle, live stock to be exploited. They are one of many alien races investing in the Earth whose banks are still suffering after the world wars. Certain members of Parliament know exactly what they are and what they are doing and the rest think they are an alien business in the more parochial sense as of they are from Hong Kong. The government were practically giving their people away and they certainly offered them a good price. Isn’t this a lovely, quirky Doctor Who idea that simply wouldn’t be handled by an other show? The complete randomness of Steven and Oliver breaking into song really made me giggle. Those who fail the quality test are returned to Earth with their minds wiped but the condition doesn’t always hold. In true Invasion of the Dinosaurs style, the politician that Steven and Oliver bring back to expose this nasty slave trade business is one of the people who is shadily conducting this business with the aliens. Each unit, each human being had food, water and lodgings and days off based on a fifty hour week – ironically many of them are doing much better than they would on the Earth!

Audio Landscape: I love the sixties glamour and pizzazz of the opening with phones ringing, deals being made, it really catapults you into the world of the high flying stock market. The swirling dust of Kembel, rain falling, a lift pinging and opening, cutlery and crockery clinking and laughter and conversation in a café ambience, a huge echoing hall with people talking over each other, umbrella guns emitting laser beams, screaming and pandemonium in the stock exchange as the aliens stomp their way to power, bus bell and engine, people vanishing from the floor.

Musical Cues: There is a lightness and bounce to the music that is perfect for this kind of effervescent storyline that doesn’t want to get too bogged down in moral implications and simply tell a nice, frothy story.

Standout Scene: I love the cliffhanger because it takes the one route that we would never consider, having the Doctor turn on Steven and agree to have him sold off into slavery to save his life. It helps that Peter Purves captures the very essence of William Hartnell’s performance and you can really imagine Billy putting his heart and soul into the anger and threat this climactic moment is laced with.

Result: I wondered if Simon Guerrier would be able to replicate the success of his phenomenal Sara Kingdom arc but I shouldn’t have worried because he has written another entertaining story albeit in a very different style to his previous companion chronicles. The idea of introducing a new companion to the Hartnell era is a deliciously ambitious one and to make it a never seen before all male trio added to my excitement. Oliver is a curious fellow and one of the first lines out of his mouth is a big mystery that hooks you in immediately but he isn’t explored in any great depth here because the plot demands a furious pace – all the sensitive character examination comes in the dynamite second instalment, The Cold Equations. This is a light and bubbly adventure that skips along very amiably and it must have come as a relief for Guerrier to write something this bright after the darkness of his previous arc. Purves and Allen make for fine narrators and take a fair share of the action each and there is a very fluid exchange between them that hasn’t always been the case with some of the other duos in this series. Despite the heavy subject matter this does feel quite slight and my strongest recommendation would be to buy this to experience again Purves’ awesome interpretation of Hartnell’s first Doctor. It really is something special: 7/10

Monday, 7 November 2011

Poll Results

I have done a poll results post for nearly a year now so I thought it was time to put them all in one place. Thanks yo everybody who votes on the polls - its really interesting watching the trends each week with the people that follow the blog.


What is your favourite Brigadier story?

1) Inferno
2) The Spectre of Lanyon Moor
3) The Invasion
4) The Mind of Evil
5) Mawdryn Undead
6) The Three Doctors
7) The Green Death
8) Spearhead from Space, The Silurians, Battlefield, Old Soldiers & Masters of War
9) Sympathy for the Devil
10) Web of Fear, Terror of the Autons & The Time Warrior
11) Ambassadors of Death & Robot
12) The Daemons & Terror of the Zygons
13) Planet of Spiders & The Warkeepers Crown
14) Claws of Axos, Day of the Daleks, The Time Monster & Invasion of the Dinosaurs
15) Minuet in Hell

No votes - Colony in Space, Dimensions in Time & Downtime



Who is your favourite original Big Finish companion?

1) Evelyn Smythe - 40%
2) Charley Pollard - 18%
3) Lucie Miller & Hex - 11%
4) Erimem
5) Klein & Tamsin
6) C'rizz - 1%

No votes - Amy & Thomas Brewster



What is your favourite trilogy so far?

1) Cobwebs/Forest/Snake - 27%
2) Tiny Wings/Fittest/History - 20%
3) Destiny/Lurkers/Family - 18%
4) Patient/Paper/Planet - 12%
5) Spires/Titan/Legend & Mousetrap/Daleks/Scutari - 6% each
6) Brewster/Axos/Evolution - 4%
7) The Key 2 Time & Castle/Summer/Daleks - 2% each



What is your favourite story from the latest sixth Doctor Brewster story?

1) The Feast of Axos - 45%
2) The Crimes of Thomas Brewster & Industrial Evolution - 27% each



What is your favourite Big Finish spin off series?

1) Companion Chronicles - 28%
2) The Eighth Doctor Adventures - 21%
3) Gallifrey - 19%
4) The Lost Stories - 14%
5) Jago & Litefoot - 8%
6) Unbound - 3%
7) Dalek Empire, Cyberman and Sarah Jane Smith - 1% each

No votes - UNIT & Excelis



What are your favourite companion chronicles?

1) The Mahoghany Murderers & Peri and the Piscon Paradox - 22 votes each
2) Home Truths & The Transit of Venus - 18 votes each
3) Find and Replace - 17 votes
4) The Guardian of the Solar System - 16 votes
5) Solitaire - 15 votes
6) The Blue Tooth & The Glorious Revolution - 13 votes each
7) Old Soldiers & The Drowned World - 12 votes each
8) Mother Russia - 11 votes
9) Ringpullworld - 10 votes
10) Frostfire, The Doll of Death & The Suffering - 9 votes each
11) The Catalyst, Resistance, The Magician's Oath & Bernice Summerfield and the Criminal Code - 8 votes each
12) Shadow of the Past & The Perpetual Bond - 7 votes each
13) The Prison of Peladon, The Time Vampire & Quinnis - 6 votes each
14) The Stealrs from Saiph - 5 votes
15) Here There Be Monsters & The Prisoner's Dilemma - 4 votes each
16) The Beautiful People, The Darkening Eye, Helicon Prime, Echoes of Grey & A Town Called Fortune - 3 votes each
17) Empathy Games & The Invasion of E-Space - 2 votes each
18) The Great Space Elevator, The Emperor of Eternity, Night's Black Agents & The Forbidden Time - 1 vote each

No votes - Fear of the Daleks



What is your favourite Lost Story Season One story?

1) Leviathan - 30%
2) Paradise Five & Point of Entry - 20%
3) The Nightmare Fair - 16%
4) The Song of Megeptera - 10%
5) The Macros - 3%

No votes - Mission to Magnus (for the record this would have had my vote if it weren't for Point of Entry!), The Hollows of Time



What is your favourite Big Finish Doctor?

1) The Sixth Doctor (Colin Baker) - 37% (25 votes)
2) The Eighth Doctor (Paul McGann) - 22% (23 votes)
3) The Fifth Doctor (Peter Davison) - 15% (10 votes)
4) The Seventh Doctor (Sylvester McCoy) - 8% (8 votes)
5) The Fourth Doctor (Tom Baker) - 1% (1 vote)



What is your favourite recurring monster?

1) The Daleks - 33% (19 votes)
2) The Cybermen - 17% (10 votes)
3) The Sontarans - 15% (9 votes)
4) The Autons - 12% - (7 votes)
5) The Weeping Angels - 10% (6 votes)
6) The Sea Devils - 3% (2 votes)
7) The Ice Warriors, The Yeti, The Silurians & The Slitheen - 1% (1 vote each)



What did you think of the opening two parter - The Impossible Astronaut & Day of the Moon?

1) Not Perfect but almost there - 30% (20 votes)
2) The best of the best - 26% (17 votes)
3) A few faults but bloody good! - 23% (15 votes)
4) Too much cleverness - 10% (7 votes)
5) I was expecting more - 4% (3 votes)
6) Do me a lemon, that was as bad as it gets! - 3% (2 votes)
7) This is not a show I want to watch - 1% (1 vote)



What did you thinki of The Curse of the Black Spot?

1) 7/10 Swashbuckling! No where near as bad as people say! (16 votes) - 39%
2) 8/10 Yo ho ho! Thoroughly entertaining! (12 votes) - 29%
3) 9/10 Shiver me timbers! Almost perfect! & 5/10 A distinctly average bunch'a'Pirates! (4 votes each) - 9% each
4) 4/10 Worst. Siren. Ever. (2 votes) - 4%
5) 10/10 Oh Argh! It doesn't get better than that! & 3/10 Argh I'd rather be stuck in a rum barrel! & Gah! Bring Celebrity Wrestling back me hearties! (1 vote each) - 2% each



What did you think of The Doctor's Wife?

1) 10/10 - A moment of triumph (34 votes) - 50%
2) 9/10 - Practically everything I could have hoped for (18 votes) - 26%
3) 8/10 - Touching and classy, classic Gaiman (7 votes) - 10%
4) 7/10 - Entertaining but not everythin I had hoped & 6/10 - Only pushes my buttons in places & 1/10 - Just dreadful, I want my money back (2 votes each) - 2%
5) 5/10 - Very average & 4/10 - Pushing the boundaries too far & 2/10 - Sentient TARDISes its been done before! (1 vote each) - 1%



What did you think of The Rebel Flesh?

1) 7/10 - A few issues but very watchable (11 votes) - 25%
2) 8/10 - Visually stunning and thoughtful (8 votes) - 18%
3) 9/10 - Spooky and atmospheric - just how I like it! (6 votes) -13%
4) 10/10 - Exactly as NuWho should be! & 5/10 - Average bunch'a'gangers! (5 vote each) - 11%
5) 6/10 - Fun but hardly engaging (3 votes) - 6%
6) 3/10 - Needs several rewrites & 2/10 - Dull in the extreme (2 votes each) - 4%
7) 4/10 - I've seen worse but continues this seasons downfall & 1/10 - Fear Her II, The Edge of Reason (1 vote each) - 2%



What did you think of The Almost People?

1) 8/10 - The Ending raised the bar considerably! - 29%
2) 9/10 - Gripping viewing throughout! - 25%
3) 10/10 - The ending was just the icing on the cake & 7/10 - Better than last week but still a few problems - 18% each
4) 6/10 - Enjoyable but flawed - 4%
5) 5/10 - Even the ending couldn't help & 4/10 - Another loser - 2% each



What did you think of A Good Man Goes To War?

1) 8/10 - Climactic and exciting (21 votes) - 36%
2) 10/10 - Modern Doctor Who at its finest (9 votes) - 15%
3) 9/10 - Practically perfect & 7/10 - Engagaing but still not quite right (8 votes each) - 14%
4) 6/10 - Didn't deliver on its promises but still above average (7 votes) - 12%
5) 4/10 - Another yawnathon with a few noteworthy moments (3 votes) - 5%
6) 5/10 - Distinctly biege (1 vote) - 1%



What is your favourite Lost Story (so far...)?

1) Farewell Great Macedon - 42% (14 votes)
2) Leviathan - 18% (6 votes)
3) Point of Entry - 12% (4 votes)
3) The Fragile Yellow Arc of Fragrance & Animal - 6% (2 votes each)
4) The Nightmare Fair, Paradise Five, The Song of Megeptera, The Macros & Crime of the Century



What is your favourite Jago & Litefoot story?

1) The Mahoghany Murderers - 30%
2) The Bellova Devil - 13%
3) The Spirit Trap, Litefoot & Sanders, The Theatre of Dreams, Swan Song & Chronoclasm - 8% each
4) The Bloodless Soldier, Dead Mans Tales & The Man at the End of the Garden - 4% each

No votes - The Similarity Engine, The Necropolis Express & The Ruthven Inheritance



What is your favourite Jonathan Morris story?

1) The Eternal Summer - 21% (12 votes)
2) Max Warp, Cobwebs & Theatre of Dreams - 10% (6 votes each)
3) Flip Flop, The Haunting of Thomas Brewster, Mary's Story - 8% (5 votes each)
4) Bloodtide - 7% (4 votes each)
5) The Glorious Revolution - 3% (2 votes each)
6) The Cannabalists, Deimos/Ressurection of Mars, The Crimes of Thomas Brewster, The Mists of Time, The Beautiful People & The Great Space Elevator - 1% ( 1 vote each)

No votes - A Perfect World, Hothouse & The Spirit Trap



What is you favourite Marc Platt audio?

1) Spare Parts - 30%
2) Frostfire -17%
3) The Cradle of the Snake - 12%
4) Auld Mortality - 7%
5) Loups Garoux, A Storm of Angels, Point of Entry & Relative Dimensions - 5% each
6) Valhalla, Mother Russia, The Doll of Death & Paper Cuts - 2% each

No votes - The Skull of Sobek, Time Reef, An Earthly Child, Quinnis & Thin Ice



What is your favourite Rob Shearman audio?

1) Chimes of Midnight - 30% (22 votes)
2) Jubilee - 29% (21 votes)
3) The Holy Terror - 20% (15 votes)
4) Scherzo - 8% (6 votes)
5) Deadline - 6% (5 votes)
6) My Own Private Wolfgang - 2% (2 votes)
7) The Maltese Penguin - 1% (1 vote)



Who is your favourite Big Finish director?

1) Lisa Bowerman - 38% (16 votes)
2) Barnaby Edwards - 22% (14 votes)
3) Nicholas Briggs - 11% (5 votes)
4) Ken Bentley - 7% (3 votes)
5) John Ainsworth - 4% (2 votes)
6) Gary Russell & Nicholas Pegg - 2% (1 vote each)

No votes - Jason Haigh-Ellery & Ed Salt



Of the Top Ten winners of this years BF Survey on GB, which was your favourite?

1) A Death in the Family - 23% (14 votes)
2) The Chimes of Midnight - 20% (12 votes)
3) The Holy Terror - 18% (11 votes)
4) Spare Parts - 10% (6 votes)
5) Farewell Great Macedon - 8% (5 votes)
6) Dr Who & the Pirates - 6% (4 votes)
7) The Mahoghany Murderers - 5% (3 votes)
8) Homes Truths & The One Doctor - 3% each (2 votes each)
9) Solitaire - 1% (1 vote)



Of these Big Finish heavyweights who is your favourite writer?

1) Rob Shearman - 25% (12 votes)
2) Jonathan Morris - 12% (6 votes)
3) Jacqueline Rayner & Simon Guerrier - 10% (5 votes each)
4) Paul Cornell & Paul Magrs - 6% (3 votes each)
5) Alan Barnes, Nicholas Briggs, Mark Gatiss, Nev Fountain, Eddie Robson & John Dorney - 6% (2 votes each)
6) Barnaby Edwards & Cavan Scott & Mark Wright - 2% (1 vote each)

No votes - Gary Russell, Justin Richards, Marc Platt, Joseph Lidster, Mike Maddox & Steve Lyons



Since they have all had audio adventures in one way or another, which Doctor do you think is best represented on audio?

1) 6th - 52% (32 votes)
2) 8th - 26% (16 votes)
3) 1st - 8% (5 votes)
4) 5th & 7th - 4% (3 votes each)
5) 3rd Doctor - 3% (2 votes)

No votes - 2nd, 4th, 9th, 10th & 11th



What did you think of Let's Kill Hitler?

1) 8/10 Witty and clever but not quite there - 30% (19 votes)
2) 7/10 Needs a few tweaks but otherwise good - 23% (15 votes)
3) 9/10 Practically perfect! - 22% (14 votes)
4) 3/10 I was expecting so much more - 6% (4 votes)
5) 10/10 The best of the best & 6/10 - Above average but only just - 4% each (3 votes each)
6) 2/10 Bloody daft - 3% (2 votes)
7) 5/10 Not great, not terrible, just sort of there & 4/10 Continues this seasons decline & 1/10 The Nadir of all NuWho - 1% each (1 vote each)



What did you think of Night Terrors?

1) 7/10 Minor niggles but I still really enjoyed it - 33% (16 votes)
2) 8/10 Very, very good - 18% (9 votes)
3) 6/10 Not bad - 14% (7 votes)
4) 9/10 Rivetted but something kept it back from perfection - 12% (6 votes)
5) 5/10 About as middle of the road as Who comes - 6% (3 votes)
6) 10/10 This is everything I want from Doctor Who, 4/10 Let me down & 3/10 Very poor - 4% (2 votes)
7) 2/10 Nearly switched off - 2% (1 vote)

No votes - 1/10 I wish I had watched Red & Black



What did you think of The Girl Who Waited?

1) 10 - Absolute Perfection - 23% (11 votes)
2) 9 - Brilliant but not quite perfect & 7 - Tries hard but doesn't quite succeed - 21% each (10 votes each)
3) 8 - Hugely enjoyable - 19% (9 votes)
4) 6 - Above average but only just - 4% (2 votes)
5) 5 - Some good bits, not enough, 3 - Very Bad, 2 - Just wrong & 1 - The worst - 1 vote each (2% each)



What did you think of The God Complex?

1) 9 This is what I want to see! - 37% (12 votes)
2) 8 Really Good - 6 votes 18% (6 votes)
3) 7 Not bad at all, a few niggles - 15% (5 votes)
4) 10 It doesn't get better than this! - 12% (4 votes
5) 4 Not great - 6% (2 votes)
6) 6 Could have been better, still watchable, 5 As vanilla as these things come, 3 Too many problems for me - 3% (1 vote each)


What do you think of Closing Time?

1) 7/10 A few problems but otherwise great fun! - 27% (8 votes)
2) 8/10 Really good - 24% (7 votes)
3) 9/10 Nearly the best - 13% (4 votes)
4) 6/10 Above average, could have been better - 10% (3 votes)
5) 5/10 Pretty balnd but okay, 4/10 I expect more than this - 6% (2 votes each)
6) 10/10 Perfect Doctor Who, 3/10 Boring & 2/10 What is this? A sitcom? - 3% (1 vote each)



What did you think of The Wedding of River Song?

1) 8/10 Really good fun - I like! - 31% (14 votes)
2) 9/10 Practically perfect madness! - 22% (10 votes)
3) 7/10 Entertaining but with some problems - 15% (7 votes)
4) 7/10 Better than I was expecting - 9% (4 votes)
5) 2/10 Ugh! - 6% (3 votes)
6) 10/10 Absolute genius!, 4/10 Let me down & 3/10 A whole season for that? - 4% (2 votes each)



What is your favourite Sarah Jane Adventures story?

1) Death of the Doctor - 54% (23 votes)
2) Whatever Happened to Sarah Jane? - 11% (5 votes)
3) Goodbye, Sarah Jane Smith - 7% (3 votes)
4) Enemy of the Bane, The Wedding of Sarah Jane Smith & The Nightmare Man - 4% (2 votes each)
5) The Temptation of Sarah Jane Smith, Mona Lisa's Revenge, The Empty Planet, The Curse of Clyde Langer, The Man Who Never Was - 2% (1 vote each)



What is your favourite Torchwood episode?

1) Children of Earth - 58% (21 votes)
2) Captain Jack Harkness - 11% (4 votes)
3) Kiss Kiss Bang Bang - 8% (3 votes)
4) Countrycide & Miracle Day - 5% (2 votes each)
5) They Keep Killing Suzie, Meat, Reset & Fragments - 2% (1 votes each)















































Wednesday, 2 November 2011

Peri & the Piscon Paradox written by Nev Fountain and directed by John Ainsworth

What’s it about: The Doctor and Peri journey to Los Angeles 2009 to do battle with a Piscon. His name is Zarl, and he's a fish of utmost evil. Zarl is going to steal all the water of Earth and sell it to the highest bidder. Or blow up the San Andreas fault. Or the planet. Or something like that. He's a bit vague on that point. Fortunately, to stop him there’s help from an unexpected source: a future version of Peri. She knows Zarl's dark secret. But should the future Peri be on Earth at all? Something smells fishy – and it's not just Zarl.

Young Busty Babe: This story is the ultimate Peri experience and Nev Fountain clever uses his tale to explore her past, her present and her possible futures. Its is definitely worth mentioning in the review of her best story that Peri has been served extremely well by Big Finish and my appreciation for the character has improved tenfold since she started appearing in these audio adventures. Perhaps televised Who does not quite have the space between Planet of Fire and The Caves of Androzani to squeeze in the fifteen or so adventures the fifth Doctor, Peri and Erimem had but I’m sure glad they took the risk anyway because it confirmed what we all thought all along that there was a great number of stories to be had with Davison’s Doctor and his new American assistant. The Peri/Erimem sisterly relationship was a joy to listen to because Peri was finally let off the loose allowed to be the wild sister with the crazy ideas whilst Erimem was always trying to rein her in. Then at some very dramatic junctures (one of the best also being a tale written by Nev Fountain) Erimem would reveal her darker morality and it would be Peri who was appalled. It was an interesting relationship and it was a shame it was cut short in the changeover between Gary Russell and Briggsy just as it was getting really exciting (the run of stories from The Council of Nicaea through to The Bride of Peladon was extraordinary). Not content with that we have also had a number stories featuring the sixth Doctor and Peri which for the most part have taken place between Revelation of the Daleks and Trial of a Time Lord (where there is clearly a large gap where adventures can be slotted in). With some terrific writing and a focus on the two of them working together as a team, this duo simply sing together on audio and Colin Baker and Nicola Bryant have a very natural chemistry that is a joy to listen to. If you honest feel that the Sixie/Peri combination doesn’t work give …ish and Recorded Time a try. Finally Big Finish also gave Peri a homecoming story where we get to meet her mum and friends and see how she doesn’t quite fit in with them anymore. The Reaping is an extraordinary tale and it left me gasping with emotion by the end. Throughout all of these tales Nicola Bryant has supported the character with breathlessly energetic, charismatic and thoroughly charming performances. Then in a moment of insane genius Big Finish decided to bring to life the missing season 23 that we never got when Doctor Who was taken off the air for 18 months and it transpired to be a spot on bridging gap showing how the relationship between Sixie and Peri mellowed in their second season. Not only that but there were absolute masterpieces (Point of Entry, Leviathan) and some real duds (The Hollows of Time, The Macros) so it felt like a real Doctor Who season. Throughout Baker and Bryant shine. Add Piscon Paradox to her list of triumphs, this is by far the script that asks the most of her but she injects it with sassiness, humour and great pathos. Of all the companions that was transplanted from the television to Big Finish I would say that Peri (by some margin) has been treated to the most development. I think she’s rather wonderful.

Peri feels that she had to run away with the Doctor because her mum and her stepfather were both trying to be backseat drivers in her life. If she had to be honest the main reason she ran away was Davy Silverman. Davy was her guy back home, floppy blond hair and a sweet smile but he wasn’t the brightest guy. He wasn’t interested in the world outside of the States and when it came to college Peri had decide either the big wide world (leaving Davy behind) or the little piece of dirt she came from. Of course she took the former option – who would turn away from a chance to roam in time and space? Coming to 2009 is the nearest she has gotten yet to going home (not that she wanted to) and she wonders if this trip home could combine alien hunting with shoe hunting! She doesn’t get an awful lot of evil monsters asking after her welfare but she better prepare herself for a number of slavering horny aliens treating her very delicately! When Peri learns that her future self does marry Davy Silverman its almost enough for her to leave the Doctor and resume the life she has put on hold – not of course realising that this isn’t her self after she left the Doctor but a completely different Peri Brown. Every time she leaves the TARDIS in heels optimistically hoping not be chased by monster and every time she ends up running for her life and her ankles screaming out for flats – what a marvellous piss take off Peri’s outrageous fashion sense! When Peri has to put on the screaming long lost daughter act to her older self it didn’t take much of a stretch! She finds herself jealous of her older self because she treats and is treated like an equal to the Doctor and is appalled that her solution to the Zarl problem is to murder him. Peri wonders if her own morality has changed since travelling with the Doctor since she has been hunting with her father but the idea of holding a gun now seemed wrong. Her father left her before she was ready to say goodbye. I loved Nicola Bryant’s excited delivery of the fight scene where you can really tell the younger Peri is getting a kick out of fighting dirty with her older self. Peri turns on herself and scathingly criticises her life, saying that she denied her children by leaving Davy and they were the one thing she desperately wanted in life. Peri doesn’t understand regeneration when the Doctor starts babbling about it but he tells her not to worry about it and that he will explain it later – or hopefully he wont have to. Perhaps they should have had that conversation before the events of The Caves of Androzani. When the older Peri sees the younger one for the first time she is appalled at what she is wearing – high heels, cut off shorts and a leotard! She thinks she looks like she has been dressed by a committee on an internet chat room. Turns out our Peri didn’t look too hard at the older Peri’s ID when she tried to persuade her that she is a secret agent because she only flashed her Blockbuster membership card.

Older Busty Babe: Peri describes her older self who remained on the Earth in less than salubrious terms. Sunglasses hooding her eyes like a giant fly, oil black hair falling around her face which was sculpted by unnatural cheek bones and extreme dieting. When she first sees herself she recognises it as a face she used to look at every day but has changed beyond recognition, like seeing an old TV actress you used to watch when they were younger as an older woman. She holds herself like Audrey Hepburn in Breakfast at Tiffany’s. Peri is clearly a playful sort of gal as she tries to convince her younger self that she works for the American version of UNIT that deals with alien insurgents. Peri’s children are Micheal who is an aid worker, theatrically inclined Janey and Paul wants to cure cancer and make other medical breakthroughs. Young Peri always thought that she would abandon the quiet life and settle down but her older self says she clearly doesn’t know herself very well because once she got a taste for it she couldn’t turn her back on the universe. Her younger self is more savvy than she gives her credit for and she can see through the lies about her children – she knows that the older Peri has made them up from her dreams as a child of what her children should be. Her describes herself as Doctor Perpaguilliam Brown, forty several years old and she is currently resting between her third and fourth marriage and ninety first and ninety second diet! She’s one of the few relationship counsellors who can point to her doctorate on the wall and say ‘yep that’s me!’ but she doesn’t put it on her wall because she is a Doctor of botany! She’s got her own agony aunt show akin to Jerry Springer and by the sounds of it just as stimulating! It’s the number one show for its time slot on cable and is famed for getting celebrity couples to come on a work out their marital issues. Peri compares the Doctor’s ability to regenerate and become a completely new person to Madonna!

An English Gentleman: There is a very interesting parallel with the Doctor and Davy – Peri has swapped one floppy haired, blue eyed bloke for another. Except this time he did want to see the world and beyond. He’s an alien but he likes to drink tea and play cricket, he talks like Prince Charles and pretends he’s English. Brilliantly the Doctor has an outer space Facebook called his Vortex Page in which he has tagged many aggressive aliens in the hope that one of them would vlog about their evil plans! Peri calls his half moon specs his ‘granny glasses.’ Killing is not in his nature and he can’t murder Zarl no matter how much he wants him to. He admits he is slightly envious of how human beings know that when they get older they know roughly how they will turn out but he never knows what his next persona will be.

Softer Six: Whilst the fifth Doctor might be more quietly charming this story reveals that the sixth Doctor is far more hilarious and poignant than his predecessor. The older Peri describes the sixth Doctor as having a blond perm, dressed in a horrible coloured coat, yellow trousers, waistcoat and spotted neckerchief – the spitting image of her Aunt Mona! As tactful as ever the Doctor tries to get into Peri’s good books by complimenting her plastic surgery: ‘Nice nose by the way! I’ve had several new ones myself!’ He stands next to the console proudly and strokes his lapels like a Dickens character. The Doctor cannot tell her how they parted but he does say that she didn’t end up on 20th Century Earth – nice way of getting out of an awkward explanation involving death by brain transplant and marriage to Brian Blessed, Doc! He suggests sneaking up on Zarl and discovering what his plan is but can’t help bellowing his name in indignant fury when he sees him. When confronting his former self in his Zarl suit he can’t resist saying ‘we meet again, Doctor!’ Irritatingly he is lumbered with his amiable, helpful fifth incarnation who tries his very best to co-operate with him and make Zarl’s plans as easy as possible. Cue some very funny scenes as the sixth Doctor has to try and avoid his previous selves very obliging suggestions. His former selves capacity for reasonableness really gets to him! When Peri suggests changing Zarl’s motive the Doctor agrees that he has come across villains that have changed their plans at the drop of a claw! He scoffs at Peri’s faith in him to come up with brilliant ideas just as he comes up with a brilliant idea of how to beam back to the TARDIS at the point that the Doctor kills Zarl. When even the suicide plan fails to convince his earlier self he goes for the one tactic he knows will rouse an action from his placid fifth incarnation – attacking Peri. In all his incarnations preservation of his companions is his absolute priority. The Doctor looks pained at the memory of Peri’s supposed death on Thoros Beta, it really affects him to hear that she genuinely did die. He finally gets the chance to say how sorry he is for what happened to her – his people have messed about with her timeline so much and he feels awful about it. He asks the older Peri to travel with him again, he doesn’t want her to walk away from him with so much unsaid.

Standout Performance: Nicola Bryant really sells the idea that there are two different Peri’s in this tale with one bright, enthusiastic and full of life and the other older, heavier and unhappy with how her life has turned out. It stretches the actress in all the best ways and when she has to play scenes with herself there isn’t a moments pause where you think that there isn’t two Nicola Byrant’s in the studio. Saying that once you reach the second episode it is delightful to hear the chirpy, effervescent tones of Colin Baker who attacks the superb material with his usual vigour.

Sparkling Dialogue: ‘I’ll never say cricket is boring ever again! At least until you make me watch it.’
‘It’s the people that you miss that help you make sense of yourself.’
‘Something happened here Peri. Something that gave you two futures…’
‘He wont even try to defeat me! He even offers to clean up after me! I’m dressed as a fish and I’m fighting an even wetter fish!’ – the sixth Doctor on the fifth Doctor’s geniality.
‘How can I tell her that the Doctor isn’t always there to save you?’

Great Ideas: The TARDIS has a console room which is two parts NASA and one part gameshow studio! Piscons are like Pescatons only less violent and they both originate in the star system of Pikos. The Pescaton planet was destroyed by an exploding sun and the Piscon planet was only slightly luckier, turned to desert. They head around the universe finding water and selling it to themselves. Naturally this means that the Earth, which by a total co-incidence happens to be around 70% covered in water, is in danger again. I loved the idea of an American shopping mall in 2009 being described as something trying too hard to be happy like someone smiling so hard they look insane. Peri figures there must have been a dreadful epidemic when she left the Earth and the TV advertisers are forced to used gaunt, stick thin models because there are no healthy ones left! I adore the idea of telling the same story twice from two different Peri’s point of views – I’ve seen shows which have retold the same story from various cast members points of view after the event but never the exact same story told in real time back to back. The very idea that Zarl who was menacing the fifth Doctor and Peri in the first two episodes is actually the sixth Doctor in a monster suit fulfilling the role because he accidentally killed the creature is wonderful. The Piscon paradox is the sixth Doctor defeating Zarl before his fifth incarnation has a chance to do so – he can still remember defeating Zarl in his fifth incarnation so he has to make sure that he still remembers it that way! Most life bearing planets have a lower gravity than Earth and any alien visiting this planet would most likely look like a man in a big sweaty monster suit. The zipper up the back is exactly the place where the Doctor would put a universal translator. He can see out of the mouth and his eyes are mostly obscured by cheese wire! This is very funny, fourth wall breaking, stuff. He doesn’t know how people can wear monster costumes for a living considering his feet are pooled with sweat and he can barely see where he is going! Zarl’s odd suicidal plan in the first half of the story suddenly makes sense as Peri and the Doctor conspire to have him killed in the only way the fifth Doctor would deem acceptable – suicide! We thought that the older Peri was a an amoral alien killer in the first half but actually she shoots Zarl aka the Doctor because his earlier incarnation calls his bluff and blatantly refuses to shoot him! Even small moments like Peri kicking her younger self and breaking her tooth and finally getting the explanation for how that happened is very clever. During the Doctor’s trial there was some confusion over the fate of Peri – in the first instance she was seen as inconvenient to the plotters, a corrobative witness that could have derailed their show trial and her death was perpetrated on Thoros Beta. It was a policy of assassination and she was killed. Some of the conspirators were scared the Doctor would hunt them down and they adjusted events, rescued her and let her live her life as the Warrior Queen to King Ycarnos. Then there was another order from the incoming President – Romana decided that Peri being married to a Warrior Queen was a fate worse than a fate worse than death. The CIA wiped her mind save for her adventure with the Doctor and put her back where she came from like Jamie and Zoe. It was a very chaotic time on Gallifrey and Peri was not taken out of time once but several times and every botched retrieval created its own separate time stream hence no temporal; shorting when the two Peris came into contact during this adventure. There are now five Peris in existence – one of them stayed on Earth and wound up in a violent marriage with Davy, one died on Thoros Beta, one married King Ycarnos and turned up again in Bad Therapy and the who knows what the other two are up to. Perhaps one of them wound up travelling with Sixie and Frobisher in the pages of Doctor Who Magazine.

Audio Landscape: The bustling shoppers in an American mall, smashing through a café window, fishy feet clumping along, a car screaming to a halt, a torpedo shaped spaceship rising from the sea and blasting into the clouds, squelching Peri’s fighting in the mud, clapping studio audience, the crashing ocean, the Doctor inside the monster suit, police siren, crackling electrical fire.

Musical Cues: There is some wonderful comedy music during the first half of the story as the Doctor and Peri try and pursue Zarl in his evil schemes to half inch the Earths water. The music in the Are You Being Served themed café is sleazy jazz which seems about right! In the second half the music gets better and better as the older Doctor and Peri try and improvise a plan to make sure the first half of the story plays out as they remember – the music is funky, fun and really suits the sparkling mood of the piece. When the Doctor is attacked by the Piscon party the music is almost cinematic in its scope. There is an astonishing theme for Peri’s final speech to her younger self, seething with emotion.

Isn’t it Odd: What’s intriguing about Peri & the Piscon Paradox is that it only works as a two disc story with all the most satisfying material coming in the second half once the first half has cleverly set itself up. Not that you realise that the first half is set up, it feels like a quirky piece that sees Peri’s future and under other circumstances would make a mildly enjoyable if unremarkable companion chronicle in its own right.

Standout Scene: For a second Doctor Who touches on domestic violence in a very bold and exposed way. The assertion that the Doctor went from being a fun floppy haired guy to a violent and abusive bully when he regenerated just like Davy did when he married the Peri who stayed on Earth is a jaw droppingly shocking parallel. Nicola Bryant plays both the furious younger Peri and the heartbroken, defeated older version in a confrontation teeming with strong emotion and its my favourite ‘acting’ moment in any Big Finish audio. We learn that the reason Peri has a new nose is because Davy beat her so badly he smeared it across her cheek. ‘To hell with the Web of Time! I’m telling you now girl – run! Run away! Get in that TARDIS and run as far and as fast as you can! Don’t come back home! Davy’s not your answer! He’s only the answer if the question is who just through me down the stairs? Keep on running or you’ll find out what I did. Cute blond guys have a habit of turning into unstable violent guys real quick! And they can do it right in front of your eyes!’

Notes: Its great that the Doctor recounts not just the monsters from Peri’s televised stories (Sil, the Borad) but also the ones from her Big Finish Missing Adventures (the Ice Warriors, the Tractators).

Result: A magnificently written comedy masterpiece that probes deeply into Perpeguilliam Brown and ultimately has some very deep things to say. Peri and the Piscon Paradox is my favourite companion chronicle because it takes the format of the range and turns it on its head brilliantly, not only breaks down the fourth wall but obliterates it and walks through to shake your hand (the sixth Doctor notes he is an underrated performer!) and offers more surprises, cheats and twists than a whole series of stories. The dialogue sparkles for its entire running time with too many laugh out loud moments to mention but what really impressed me was when the comedy was stripped away and we focus on the awful realisation of what has happened to the older Peri. Some of my most favourite Big Finish scenes occur during the course of this audio and they brought to life with absolute conviction by Nicola Bryant and Colin Baker who once again prove themselves to be one of the strongest pairings on audio. Few stories can claim to tie up messy continuity threads from twenty years ago with this degree of success but we finally hear what happened to Peri after the Trial and Fountain pleasingly leaves all the alternatives untouched. Imaginative, clever, silly, serious, hilarious and thought provoking, Peri and the Piscon Paradox has it all: 10/10

Tuesday, 1 November 2011

Quinnis written by Marc Platt and directed by Lisa Bowerman

What’s it about: Before Totter’s Yard, before Ian Chesterton and Barbara Wright, before the Chameleon Circuit was broken… the Doctor and Susan travelled alone. The planet Quinnis in the Fourth Universe appears, at first glance, to be an agreeable, exotic refuge for the two travellers. But the world is experiencing a terrible drought, and the Doctor becomes its unwilling rainmaker. Meanwhile, Susan makes an ally in a young girl called Meedla. But friends are not always what they appear, and the long-awaited rain isn’t necessarily good news…

An Unearthly Child: Told from the point of view of Susan jailed on Earth with her son Alex, Susan keeps looking back at her childhood and remembering what happened when she was his age and had the chance to travel the stars. However much her Grandfather made the choice for her he was right, travel can broaden the mind but it can also lead to danger and trouble too. Interestingly it would appear that Susan was far more independent and less pathetic before Ian and Barbara fell into their lives to act all paternal to her – the boundless enthusiasm for travelling is still there but she also feels more resourceful and less of a teenage whiner than she would become. Perhaps its because her Grandfather wont put up with that nonsense whereas the teachers from Coal Hill are willing to humour her. The Doctor really used to treat Susan like a child and wont let her have more trinkets from Quinnis because he thinks that she already has far too much stuff cluttering up her room in the TARDIS! When the rain and sea lash the Doctor and the TARDIS away Susan is numb with shock at the fact that she has lost her home and her only family. The fortune maker comments that the young are always the easiest to beguile, revealing Susan’s naiveté in being hoodwinked by the Shrazer. Susan has the impossible decision to make; take the Shrazer with them in the TARDIS or watch her grandfather die – after she makes her choice I was dreading the Doctor’s reaction. Susan might just wish she was dead herself than face his blazing fury! She is awkward with her grandfather for ages, embarrassed that because of her they so nearly lost the TARDIS.

Hmm: The Doctor was full of bluster in these days but he sounded as though he knew what he was talking about and Susan was naïve enough to believe him. When the Doctor sifts through his pockets Susan couldn’t believe the delights within, various coinery and notes and a seemingly bottomless paper bag of Turkish delight! The Doctor’s penchant for overestimating his own abilities gets him into terrible trouble when he suggests it would be easy to make it rain and improve their crops and within a day they want to see it happen. The Doctor refuses to listen to superstitious twaddle which shows great impatience and disrespect on his part and of course leads to him having egg on his face! The Doctor wants Susan to have proper supervision and friends of her own age and thinks about an appropriate time period and planet to send her to school.

Standout Performance: There a handful of actors that take on the role of their respective Doctors where it just feels right for them to do so because the connection between them and the deceased actors was clearly so strong. When Frazer Hines reads a Troughton story my toes positively tingle and when Katy Manning reads for the third Doctor my heart melts. And finally when Carole Ann Ford reads for the first Doctor, getting his grumpiness and charm so perfect, it feels like a touching remembrance of the original incarnation.

Sparkling Dialogue: ‘You come from the dark and there is dark ahead of you too…’
‘And I couldn’t tell my tears from the rain.’

Great Ideas: The Doctor talks about portals leading to other universe if you know where to look – CVEs? The planets sun overhead, the TARDIS landing in a market town parked under an arch that bridged the busy main street – it’s a nice bustling location that accentuates the feeling that the Doctor is setting off into an exotic universe full of wonders to explore. The whole town is built on a rising crisscross of viaducts that go nowhere, half finished. Nice to see the TARDISes chameleon circuit was working at this point, disguised as a market kiosk. The Shrazers sense a disaster before they happen; they smell blood and tears before they are shed like carrion birds with a second sight. When their portents of disaster come true they feed on the misery they have been waiting for. Meedla fed on Susan’s grief when she thought her grandfather and the ship were lost. The vegetation attacks the town and starts tearing the supports of the bridges apart. The Doctor’s uncompleted plan as the towns rainmaker was to seed the clouds with ice and adopts that plan to attack the weed.

Audio Landscape: Suddenly those adventures that the Doctor and Susan had before they met Ian and Barbara are magicked up with some exotic spice by director Lisa Bowerman and sound engineer Nigel Fairs and Quinnis represents the sort of uproarious, striking world I would imagine them excitedly exploring. Birdsong, chickens clucking, Bridge town market is a loud bustling place of chatter and laughter, cheering, dancing and chanting as the Doctor promises to make it rain, a crackling, burning house, clawed footsteps, thunder rumbling, a flood of rain, oinking little piglet, flapping wings, rubble falling into the water, thunder splitting across the sky, the squawking bird trying to escape the winds.

Musical Cues: As ever the music for the companion chronicles is vital in setting the mood of the piece and the unusual woodwind instruments lend the planet a glorious mythological quality. I enjoyed the sudden dramatic violin strings.

Standout Scene: Basically any moment where the Doctor blusters his way out of trouble and charms the local populace. It reminds me of the loss of William Hartnell and the wonderful character he brought to life in the 1960s. This was a Doctor so full of quirks and colour and Marc Platt really pulls that off in his script.

Notes: Susan mentions the planet Quinnis in The Edge of Destruction so it is nice to finally get to experience their adventure on that planet.

Result: David Richardson and the companion chronicle team must always be looking for inspiration in various eras to set these tales in and I’m surprised it has taken this long to set a story before An Unearthly Child before the series began because that was the first slot that came to mind when I first heard the idea. It’s a risky business for sure but this series can pride itself on taking risks and succeeding (a story with Jago & Litefoot, King Peladon) and Marc Platt has already proven himself to be a the master of the first Doctor tale (Frostfire, Mother Russia) but also the best writer for Susan (An Earthly Child, Relative Dimensions) and he has already dipped his toes in these waters in a very different universe (his superlative unbound tales Auld Mortality & A Storm of Angels). We’re in safe hands and the atmosphere that Platt conjures through his writing is definitely one of unbridled joy for the Doctor and Susan to have shaken free the chains of Gallifrey and the chance to explore exotic new worlds but also an unpredictable danger that they are new at this and finding their feet in exploring new cultures. Quinnis is an intriguing planet to visit and I love the fact that it is Susan’s humanity that gets them into trouble this time, its one time she falters that you can’t really blame her for at all. The imagery is startling; screaming birds feeding on tears and blood and mutant weed dragging the city into the waters and at the heart of it all the Doctor, more charismatic and intelligent than ever, clutching his lapels in the face of these problems and thinking through solutions. This is a very enjoyable, quirky piece which manages to juggle nostalgia and quench your thirst for imaginative storytelling in one confident swoop: 8/10