The Renaissance Man written by Justin Richards and directed by Ken Bentley

What’s it about: To continue Leela’s education, the Doctor promises to take her to the famous Morovanian Museum. But the TARDIS lands instead in a quiet English village, where they meet the enigmatic collector Harcourt and his family. When people start to die, reality doesn’t appear quite what it was. There’s something sinister going on within the walls of Harcourt’s manor, and the stakes are higher than they can imagine. The Doctor is about to discover that a little knowledge can be a dangerous thing…

Teeth and Curls: This is a world away from Tom Baker’s awkward performance in Destination Nerva, as he fiddles with the console and has some wonderfully funny lines to say he feels pretty much like the Doctor we had during the Graeme Williams era. Either I have mellowed a tad since my review of Nerva or Baker feels more comfortable with this script and because everything I say is (naturally) going show me in the better light I will say it is Justin Richard’s fruity dialogue that has encouraged a more fulsome, authentic performance from the man. The dynamics between him and Leela are more akin to that of The Sun Makers here with lots of witty interplay and quick responses. This just goes to show how this pairing could have been had Baker not had such a sour mood throughout season fifteen, they are actually very funny together (‘Come on Leela this way!’ ‘No we will be safer in the wood!’ ‘Come on Leela that way!’).

If you don’t know where you came from how can you possibly know when you’ve arrived? They encounter something that might look and sound like a dog but it might be the dominant lifeform. The Doctor teaches Leela to never judge by appearances. Modesty forbids but he is a man of learning, accomplishment and impeccable style. Odd can wait if someone is in trouble. For a moment it feels as though he is having his tooth pulled out through his ear! He can’t bear small print in a book but can usually get by if the pictures are very good! He even knows a hawk from a handsaw when the wind is in the right direction. He probably needs to reverse the polarity because that’s usually the way it works. For a second the Doctor shows his teeth and because of his joyful mood throughout it has much more of an impact – just like the ‘appreciate it?’ moment in The Pirate Planet. He’s the stranger that walks into town, puts everything right and moves on again – he’s either a Wild West hero or Michael Landon from Highway to Heaven! The Doctor tests Harcourt’s knowledge by asking a question about a made up village and testing the information he thinks he has extracted from his mind. Its lovely to see the fourth Doctor’s overactive imagination tearing down this world – the anarchy of fiction reigns supreme!

Noble Savage: Leela is supposed to be visiting the Morovanian Museum to continue her civilising education but instead gets terribly excited when she meets somebody who she thinks is a fellow huntress! She has many ways to kill a butterfly – catching it in a net and crushing it like a baby Horda or taking it on the wing with a Janis thorn fired from a blowpipe! The Doctor ties to suggest she has an incorrigible sense of humour! He’s still working on Leela’s style. She practically explodes like a can of Nitro Nine when she discovers there is an armoury on site filled with weapons – nothing could get her more excited than an arsenal! Leela only has to use a weapon once to be an expert and she handles a gun proficiently after using one to protect her friends Jago & Litefoot in The Talons of Weng-Chiang. What part of stay close to the Doctor doesn’t she understand? Leela’s knowledge of the hunt has deserted her, stolen by the Professor and she is crippled by the loss. Hilariously the Doctor tells Leela to let him have it and she charged forward like a wench from hell not realising that he meant to let him have her knife. She doesn’t understand why women do not fight during wartime because women make good warriors. Leela asks if no one can know everything then why is he bothering to teach her? He answers that just because you can’t know everything it doesn’t mean you should stop trying.

Standout Performance: Tom Baker is superb in this, the idiosyncratic tone matches his nutty personality and you can tell he is loving every second of this absurdly enjoyable script.

Sparkling Dialogue: ‘What a wonderful armchair! Lovely arms!’ – it seems that Justin Richards is far more in tune with the kind of irreverent eccentricity of Tom Baker than Nick Briggs was and has a way of writing dialogue that should be cringeworthy that Tom can weave his magic spell on and make sound gorgeous!
‘Cow parsley!’ – only Baker could make this sudden exclamation sound like a swear! Its exactly the same way I imagine Tom said 'whippet shit!' with regards to the scripts when he was the incumbent of the role on television!
‘How does it feel not being the cleverest man in the room?’ ‘I wouldn’t know! How does it feel?’
‘Hello! Beryl, isn’t it? You’re looking very yokel!’
‘Runny science again!’
‘What’s that Scruffy? And woof to the family!’ – the very idea of the Doctor getting a phone call from a dog he conversed with makes me howl with laughter!
‘I’m grounded until my crates put back together again, what’ ‘What?’ ‘What?’ ‘No you said what!’ ‘Oh righteo, I was just saying, what’ ‘What?’

Great Ideas: The Archimandrite of Fastidious Nine! Hah! I would love to meet him! The Doctor and Leela land in a quiet English village which gives the opening scenes a lovely flavour of The Android Invasion and Image of the Fendhal. Doors, paintings and cow parsley appearing from nowhere…what is going on? The Professor can assimilate the knowledge of people – the Renaissance Man is knowledge incarnate, knowing everything that is possible to know at the time. It’s a birth of a new era of learning, assimilating knowledge from the best experts and taking it all. Only the Doctor could be arresting for killing a man who is still alive by the policeman that then shoots him in front of him! They have a book that contains the names and feats of every person that made a contribution to history for the professor to absorb. They absorb most of the knowledge using an osmotic process, recreating a specific era and absorb all the relevant data. It’s to preserve knowledge, think how much knowledge dies when an expert dies. If all that knowledge can be bestowed on one man than it need never be lost. Harcourt has created a glorified encyclopaedia masquerading as a theme park. In a great Poirot reveal the Doctor pulls the wool from Harcourt’s eyes and informs him that he is the library of information, reading to answer whenever the real Renaissance Man wants him to. The butterfly effect of erroneous information ripples out and starts to tear this virtual world apart; the Doctor has introduced fiction into a world of fact. An empty space as a metaphor for the huge task of learning? The last scene is a peach!

Audio Landscape: Horse whinnying, clip clopping on cobbles, I love the TARDIS sound landing because it literally sounds like somebody has picked up the ship and tossed it somewhere in time and space and it has landed with a bang, birdsong, a dog barking, a whipping net, ticking grandfather clock, police car arriving, doorbell ringing, snapping twigs, spitfires roaring overhead, bullets whizzing through the air, a siren, dreadful chirpy music in the lift as it grinds upwards to the 12th floor, a wonderful Leela bitch fight on a shiny floor, crickets humming, Beryl’s fractured speech.

Musical Cues: How odd that the 4th Doctor music is now the theme that feels out of place when that was the one that kick started everybody’s adventures with Big Finish. I’m so used to the mad synth guitar of Davison, the disquietingly calm Trial version and the spangly McCoy themes that this – probably the best of all of them bar the original is taking a little getting used to! More Dudley Simpson-esque music from the current champion of Big Finish music, Jamie Robertson. What’s especially impressive is that he has managed to toss his own unique style out of the window (his scores usually approach something blissfully cinematic) in order to emulate the era these stories are supposed to be set in. The quirky dramatic stings take me back to the best of Simpson. Bravo that man. The music goes nutty in the second episode as we tip into a western (the xylophone comes out), experience dreadful muzak and exciting melodrama as the world is torn down.

Standout Scene: There’s an astonishing moment when Tom Baker drops all the frivolity and removes the mask of one of the characters in the twisted reality to prove to them that they aren’t real. Its only because it is surrounded by such madness that a scene of such chilling seriousness can work so well.

Result: A funny, colourful adventure with delightful characters and dialogue, The Renaissance Man would have made a far superior opening adventure for the Fourth Doctor Range. There is such a gulf between my reaction to Tom Baker in this and Nerva because here he made me laugh my head from his first scene to his last and rather than stumbling through an awkward plot he seems to be having the time of his life and its infectious! Coupled with the fabulous Louise Jameson who shows a real flair for comedy and you have a marvellously humorous double act fronting this story. The setting allows for a very domestic audio landscape that was very easy on the ear and Jamie Robertson’s Simpsonesque music continues to shine. Justin Richards is a fine writer who so rarely lets me down, after all these years of telling Doctor Who stories he also seems to come up with something fresh and exciting. Some of the ideas are plundered from his other stories (I detected some concepts from his novels Option Lock and The Clockwise Men) but the tone of the piece is vastly different. Energetic and enjoyable, this isn’t Big Finish at its absolute best but its still a hell of a ride: 8/10

The First Wave written by Simon Guerrier and directed by Lisa Bowerman

What’s it about: Caught in the inevitable path of its own history, the TARDIS arrives on the planetoid Grace Alone, where the Doctor, Steven and Oliver expect to face their fate. What they don’t expect to find is a massacred crew – and a race of alien invaders known as the Vardans. When the Doctor is apparently killed, his companions attempt to survive against the odds. But those odds are narrowing. Their borrowed time has expired.

Aggressive Astronaut: At the thought of having lost the Doctor and trapped on an alien world, Steven is angry at how his end has finally arrived just like all the others they have lot. When talking about meddling about with time Steven sites the Battle of Hastings and building the Pyramids as two examples obviously recalling his recent adventures with a certain Monk. We’re in Steven’s time, more or less, so this is the perfect opportunity to find out more about the future that he comes from and he discusses the technology and architecture like he has never been away. He mentions that he has been taught by computers (which is a wonderfully sixties view of the future). Steven and Oliver are kindred spirits in the case of neither of them having anything to go home for. Everywhere they have gone people have died, he almost died in Troy and he feels guilt for Katarina’s death because she only came with them to save his life. Oliver’s enthusiasm is infectious and when his friend gives up Steven becomes the one who spurs them on and saves his life. Steven describes his skin as itching with horrid anticipation – that to me was a particularly adept description because who hasn’t felt like that at some stage of anxiety. In a moment of pure selflessness Steven orders Oliver to escape so he can send the message, he knows that his time has finally come just as he knew it always would. Once Steven had a menial job running equipment between the outer planets. It was a joy at first to be the pilot of your own ship but then the silence starts to eat at you, the drubbing routine, your whole life one long tick list. Instead he signed up and went to war to escape the monotony – he was ready to die just to do something different. That’s why he understands what the human traitor Halpen is going through, why he wants to help the Vardans to try and escape his mind-numbing life. He had been so angry when the Doctor felt triumphant at defeating the Daleks because of all the people they had lost along the way. Steven is gripped by guilt and horror at having survived again when another good friend has died. Oliver haunts the TARDIS and we experience the Doctor’s regeneration through his eyes, watching over the Doctor as he changes into his second life.

London Broker: Now it has been some time since The Cold Equations was released I feel compelled to discuss Oliver’s secret. What a fascinating idea it was to include a gay companion from the sixties – a secret that on its first reveal might seem a little underwhelming by today’s standards. Its only when you dig a little deeper and think about just how scared poor Oliver was about something that comes so naturally to himself that you realise how different the world was back then and how such a small like who you decide to fall in love with can define your entire life in a negative way. The thought of going on the run for being a man who fancies a man sounds outrageous but it really did happen and so it’s no surprise that Oliver takes the first opportunity he can to leap into the TARDIS and truly get away. My favourite moment in The Cold Equations comes when Oliver tentatively tells Steven about himself and the astronaut from the future just laughs and says ‘is that all?’ To Oliver it is a groundbreaking revelation and he is frightened at how his friend might react but for Steven it is a completely normal occurrence in the world of the future. It was gently, warmly played and the two angles the characters were coming from were brilliantly defined and deftly emotion. So now we know Simon Guerrier can have some fun throwing in the odd flirty comment (‘you’re such a romantic…’) or reference without ever dwelling on it. Its been an interesting ride over these three stories and it pains me to think it is coming to an end so quickly.

Oliver finds space weird and exhausting and asks if this is how mankind takes to the stars – bouncing along like marionettes! Aliens must laugh themselves silly! Oliver is the inexperienced newbie and that gives him a unique perspective, offering hope when Steven has given up. Its only through his sheer sense of will that Oliver drags Steven to the nearest way station. His deadpan reaction to where Steven first met the Doctor (‘in a city of giant robots’) is hilarious. Steven can take it for granted that they are on an alien planetoid but to Oliver it is magical, they make a good match in that respect because Oliver can shows Steven how much wonder is out there again. Oliver’s ‘you shouldn’t have let me sleep in’ to Steven is very cute. I love the way he condemns the Vardans and their sorry excuse for a plan to conquer all of time and space, saying is that all they managed to conjure up after a glance into the Doctor’s mind and what a wretched way to live that is! He calls them ‘stupid jumped up bits of crackling!’ He admits it wasn’t the Vardan that killed him – it was all his own stupid fault for running away from his problems back on Earth. His body comes apart and melts into the air and he felt a howling agony. He and the Vardan die together.

Hmm: More bad tempered than usual (cripes!), the Doctor is trying to get the TARDIS to a specific time and place. He has a furious, steely expression in his eye when he confronts the Daleks and Steven always fears that look. The Doctor is terrified of the Vardans exploring his thoughts and discovering the secrets of the TARDIS and the location of his home planet. Oliver has known the Doctor long enough to realise that he allowed them to take his life to give them time to stop the invasion of the Earth. He pulls at a thread and the Vardans come apart…nobody can outthink the Doctor even if he says so himself! Steven can see how fail the Doctor is getting, an old man rattling around in a box and on borrowed time. With some horror Oliver realises that the Doctor knew they were going to die here and he brought them anyway – that he thinks more about not altering history than something piffling like their lives. The audience realises the lengths the Doctor would go to and suddenly he stops being a doddery old man and becomes something much more terrifying.

Standout Performance: I’m so used to listening to Peter Purves’ stunning recreation of the first Doctor do you it wasn’t until I was two thirds into the story that I remembered that it wasn’t William Hartnell! It suddenly hit me like a ton of bricks! One day I would like to shake Purves’ hand, not only because he plays Steven with such depth of character but also for giving me the first Doctor back. What a superb actor. Tom Allen gives another strong performance and I’m secretly wishing he will back for more…somehow. Hurrah for the recognisable Lisa Bowerman who provides the voice of the Vardans. With a lowering of her natural tone she sounds like flat, menacing presence.

Sparkling Dialogue: ‘We can’t change history! We can’t! We pull at one thread and the whole carpet of history will come apart at our fingers!’
‘They listened to all our noise…’
‘But they’ve watched hundreds of years of our programmes!’ ‘And think of the damage its done them!’ – what an awesome exchange!
‘It’s a pity. You’re rather magnificent like this…’

Great Ideas: Finding the names of the Doctor, Oliver and Steven on a list of criminals was a terrific ending in The Cold Equations but it hasn’t happened yet. Oliver suggests that they never go and had the Doctor listened to him then the tragic events that unfold would never have happened. The Doctor decides to cut corners and take the TARDIS straight to the asteroid and input their names himself rather than getting them in a whole lot of bother getting caught up in an adventure where that would be the result. Charred equipment and electrocuted bodies greet Steven and Oliver when they have look around – with crushing inevitability they are going to have get involved. I remember when Paul Cornell brought The Vardans back in his horrifically fanwanky novel No Future I wrote: I remember people were appalled when the big villains at the end of the mighty eighth Doctor arc turned out to be the Council of Eight. Okay, they were hardly thrill a minute but they were original and interesting. To end this arc we have the Meddling Monk joining forces with the Vardans using a Chronovore! This is who has been responsible for the troubles of the past four books? It’s not only unsatisfying…its irritating. Three of the most rubbishy monsters in Doctor Who history working together? What’s worse is that they all portrayed as being really stupid. The Monk just wants revenge, the Vardans couldn’t organise a piss up in a brewery let alone an invasion of Earth and Artemis the Chronovore is manipulated into saving the day with a few clever phrases and then when she realises she has been tricked just decides to leave. Even thinking about it now it makes me shudder at how fannish and embarrassing it all was – I think there was even something called The Vardan Liberation Front or some such nonsense. Leave it to Simon Guerrier then to take this potentially ropey creations and give them a whole new lease of life on audio. The Vardans are described as three separate columns of light, the height of a man and made of twisting, crackling energy. He makes them a genuinely formidable force, concentrating on their abilities rather than the embarrassment fandom feels with their appearance in The Invasion of Time. A race composed of pure energy and able to move on any wavelength at the speed of thought. I love the fact that the Vardan reveal should be at the end of episode one – the way the Doctor announces their presence feels like a cliffhanging moment but there is far too much going on here to allow the monster reveal to claim that moment. Its frightening the way Guerrier explains how much noise we make in our transmissions and how they stretch across space and draw attention to the planet. The Vardans made sense of our transmissions, the voices of our long dead and curious and hungry they followed the signals back to their source. They have the ability to root around inside peoples heads. It comes down to the awful choice of having to send a signal to the Earth to warn them of the Vardans but as soon as they do the Vardans will know where they are like moths to a flame. I love the uncertainty of Steven’s plan too – if the signal reaches Earth we don’t even know if they will act on it or take it seriously. It’s a risky, desperate warning and upon its delivery it’s the ambiguity that we don’t know what the result is that really appeals to me. With the TARDIS the Vardans could conquer all of time and space and they want that above everything, even the Earth.

Audio Landscape: Walking on a gantry, feet on sands, howling wind, TARDIS hum, materialisation noise and the doors opening, steam hissing, the glorious electrifying tin foil crackle of the Vardans, Halpen screaming and becoming a Vardan, discordant interference when the Doctor gets involved, ringing phone, the TARDIS going nuts during the first Doctor’s regeneration.

Musical Cues: The momentum of the piano score as Steven explains about the Vardans is hair-raising. Just listen to the spine tingling music when Steven orders Oliver to get away before he sends the message – absolutely stunning. Fox and Yason are just the best.

Standout Scene: Another striking cliffhanger for the companion chronicles range, a moment of sheer euphoria as Oliver whips Steven into shape and convinces him that they have to save the Earth without the Doctor. It’s a triumphant moment for the character, signalling his departure. There’s a wonderfully emotive montage of Oliver’s finest moments in the trilogy that gave me goosebumps throughout. Oliver appearing to the Doctor before he regenerates is a fantastic shock moment, a phenomenal way to end his story.

Notes: Fascinatingly the Vardans learn the location of Gallifrey in The First Wave – this is probably where they put in motion their plan to invade the planet.

Result: As soon as I see that writers name next to that director with those musicians and I add in the words ‘first Doctor era’ I know I’m in for something very special. Some people might moan about the fact of two Simon Guerrier scripts in such close succession but when they are of the quality of The First Wave and The Memory Cheats that argument just doesn’t hold up. Oliver’s inclusion in the range has been a fascinating experiment of an all male TARDIS crew and a handling of some intriguing historical (and sexual) politics and my only issue with it has been that he did not have a longer run. Guerrier does a massive service to Doctor Who fans by bringing back the Vardans not as some ridiculous in joke but as a genuinely malevolent force that wants to subdue the planet. Their spine tingling electric crackle and blink of an eye powers really works on audio and they make an impressive enemy. Like all of Guerrier’s companion chronicles director Lisa Bowerman injects an unsettling atmosphere to the proceedings, a spell of anxiety that sets my teeth on edge waiting for the moment when everything goes wrong. What starts as a an investigation into their own involvement in this period ends with a futile race against time to prevent the Vardans from attacking the Earth and I was literally on the edge of my seat as the Doctor’s friends defied all the odds to oppose these flesh crawling nasties. There’s real momentum to The First Wave, wonderful dialogue and complex characterisation – its another masterpiece for season six. Simon Guerrier can write all of the chronicles for all I care if he can keep this standard up: 10/10

Weight loss - 3 stone and a half since Christmas!

Okay this a little bit of ego stroking but I've lost three and a half stone since Christmas and I want to shout about it! Its not completely off topic because Big Finish has helped! Listening to the stories whilst I excercise has helped me shed those pounds!

Big Finish - An Introduction

Hi there. This is an article for those of you who haven’t really explored Big Finish or Doctor Who on audio before and want to know what treasures are to be discovered when you eventually give it a go. Remember this is a purely subjective article but hopefully this will give you an idea of what I found when I began on my Big Finish journey and if you half as much fun it will be more than worth your time and will open up a whole new avenue of Doctor Who storytelling. I have added links to each section to reviews of each story discussed but you can find all of the stories to purchase at http://www.bigfinish.com/

Where to listen?

I’ve heard a lot people say that they have had trouble listening to audio dramas because there isn’t a visual hook and whilst that is a valid argument (I had the same problem at the start) there are so many instances when sticking on a Big Finish CD can pass the time very agreeably. I have listened to stories on monotonous car journeys, long walks, long flights on a plane, stuck a family occasion (although you have to be sneaky not to be noticed…), whilst I’m exercising (in fact Big Finish was partially responsible for me shedding seven stone) and that time before I’m asleep and I’m tucked up in bed thinking ‘what now?’ Now don’t get me wrong I thoroughly enjoy listening to Big Finish audios and have no trouble visualising the adventures myself but these examples are just a few examples of when audio drama is in fact a far more malleable form entertainment than television because you simply cannot lug the TV around with you like you can and iPod! Audio drama may not be for you and that’s fair enough but I would at least suggest you give the top polling stories a chance (head over the The Time Scales, an excellent Big Finish polling site for the stats) because they are some of best Doctor Who stories you are likely to experience. There's something for everybody.

Innovating the television characters

The Fifth Doctor –Given a new lease of life on audio, Peter Davison is finally freed from the shackles of Eric Saward’s script editing and given a chance to breathe with companions who actually like him! Peter Davison barely bothers to inject that youthful naiveté into his Doctor anymore and instead plays him at the age he perhaps originally should, as a slightly crabby but gentle and unassuming man who is enjoying his time roaming around the universe. He develops a particularly strong relationship with Nyssa (to a point where you might actually question that there are romantic feelings there) and enjoys a riotous domestic life with his two young ‘daughters’ Peri and Erimem. Squeezing so many stories into that gap between Planet of Fire and Caves of Androzani might not be possible but it does confirm that the wise old Doctor and the youthful American student would have made a great pairing for a longer period. His best stories see him at his heroic best (Loups-Garoux, The Son of the Dragon) and when he faces a terrible adversity that he can barely comprehend (Creatures of Beauty, Spare Parts) and he has shown a surprising flair for comedy too (The Kingmaker, Castle of Fear). Davison and Sutton has recently been reunited with Janet Fielding and Mark Strickson for a very popular and unbroken run of adventures featuring the quartet. Whilst I have found these adventures of variable quality I would heartily recommend The Emerald Tiger, The Jupiter Conjunction and Prisoners of Fate, Equilibrium and The Entropy Plague. Matthew Waterhouse has recently joined the fold in two superb adventures, both of which are well worth checking out: Psychodrome and The Iterations of I.

The Sixth Doctor - I cannot believe Big Finish are still managing to milk old Sixie for fascinating  newcharacter insights. After a decade worth of releases he is still the superior audio Doctor (for me) and is still managing to surprise. I have always been a fan of Colin Baker’s Doctor - I am not one of those people who was appalled by his violent streak and acidic nature on the TV. Actually I found it a refreshing return to a Doctor I could believe in after three seasons of the fifth Doctor being awfully nice to everybody. However I wont deny that Big Finish have managed to take a controversial character (and wronged actor) and managed to mould his era into something far more appealing to the masses and a characterised his Doctor as something far less abrasive and more approachable. Maybe he lost a little of his edge but considering he went from the bottom of most peoples ‘best Doctor’s’ poll to the very top in some cases prove how successful this transition has been. His stories are a constant highlight of the Big Finish schedule and his performances are simply sensational throughout. He was verging on being my favourite before Big Finish came along but afterwards it sealed the deal. His best stories are hard to name because there are so many but the absolute finest include The Holy Terror, The One Doctor, Dr Who and the Pirates, Jubilee, Davros, The Wormery, Arrangements for War, The Reaping, The Raincloud Man, Patient Zero, Legend of the Cybermen, The Forth Wall and The Wrong Doctors. If you hold the sixth Doctor in low regard, these may well give you food for thought. Recent adventures that have thrilled have included Breaking Bubbles & Other Stories, The Widow's Assassin (which clears up the post-Mindwarp continuity in an ingenious fashion) and Masters of Earth. Colin's regeneration story is to be released in the coming months which is an exciting prospect for fans of the character.

The Seventh Doctor – My mother always told me if you’re not going to say something nice don’t say anything at al. Obviously I never listened to that advice and yet I still have some very nice things to say about Sylvester McCoy’s audio interpretation of the seventh Doctor. I wont lie, things got off to a pretty shaky start with some inconsistent performances ranging from the average (Dust Breeding) to the downright abominable (The Rapture, Unregenerate, The Dark Husband). But it would seem in his take over Nick Briggs has decided to rejuvenate the character and he has succeeded by splitting his stories between solo seventh Doctor stories (without companions he is utterly beguiling) and stories with Ace and Hex (which with two solid trilogies behind them are currently one of the best loved Big Finish teams). It's almost as if somebody sat McCoy down and told he had to try harder and come stories such as A Thousand Tiny Wings he is giving his best ever performances in the role. Recent years has seen him teamed up with a fascinating character in the form of Elizabeth Klein, expertly played by Tracey Childs. It would be no exaggeration to suggest that he has arguably been the Doctor the Big Finish audience has been most excited about of late. Go figure. Check him out in The Fires of Vulcan, The Fearmonger, LIVE 34, The Architects of History, A Death in the Family, Robophobia and Protect and Survive for this eccentric little fellow at his best. Recently Sylvester McCoy has teamed up with Lisa Bowerman in the Bernice Summerfield range for two highly successful box sets featuring the Daleks and Sutekh. And don't forget to check out his sparring with 'the other Doctor' (three guesses who that turns out to be) in UNIT Dominion.

The Eighth Doctor – A massive draw for Big Finish was in convincing Paul McGann to return to the role after the aborted series following the TV Movie. This was a very exciting time because this was the one Doctor that we could genuinely say hadn’t had any time to evolve and he hits the ground running in Storm Warning proving what a romantic adventurer he would have been. His relationship with Charley was much lauded during their first two seasons together and climaxed on a fantastic cliffhanger in Neverland, one of the most popular eighth Doctor stories. Unfortunately things took a turn for the worse after that and the Divergent Universe is one of the few times when Big Finish could have said to have jumped the shark. Suddenly the eighth Doctor was unlikable, Charley had become an angst ridden hang along and he was stuck in a dead end universe with little of interest. Things did get better once he left the Divergents behind but it wasn’t until the advent of his own range that the eighth Doctor truly found his feet again. Paired up with Lucie Miller, enjoying snappy hour long stories and some lovely story arcs – suddenly the eighth Doctor was the one to watch again. Throughout Paul McGann has given a respectably diverse number of performances and proven what a great choice for the part he was. When paired up with a companion that compliments his incarnation, he sparkles. His best includes The Stones of Venice, The Chimes of Midnight, The Natural History of Fear, The Girl Who Never Was, Human Resources, Grand Theft Cosmos, Orbis, Death in Blackpool, To the Death and The Silver Turk. The Dark Eyes series has been a massive commercial success for Big Finish but has received mixed reviews as it has progressed but for sheer ambition and scope it is well worth checking out this 16 part epic.

Susan – Since the range has favoured the early years of Doctor Who, Susan has appeared in a prolific number of companion chronicles where her relationship with her Grandfather has been explored in much more depth than there was time for on television (Here There Be Monsters, Quinnis). Where the real gold lies however is her reunion with the Doctor seven regenerations down the line when he is in eighth regeneration (An Earthly Child). David has died and Susan has a son called Alex and has a lot of questions about being left behind. They share several adventures together where they get to explore how they feel about each other so many years after they parted and enjoy Christmas festivities (Relative Dimensions) and suffer tragedy (To the Death). Older Susan is more assertive, resourceful and a joy to be around. All the attributes that Carole Ann Ford would have liked when she played the part in the sixties. Check out The Library Alexandria, Farewell Great Macedon & The Flames of Cadiz for some excellent historical adventures featuring Susan.

Ian – The original regulars were some of the best, weren’t they? Ian translates so beautifully to audio and William Russell returns and gives a masterful performance each time. In the companion chronicles the focus is on his feelings towards Barbara and it is hinted upon beautifully in The Transit of Venus before he finally coming to terms with it in The Rocket Men. Just listening to Russell's narration will transport you back to the magical early days of the programme, and he remains the most consistently strong performer on the company's pay roll.

Vicki – We get to meet an older Vicki and discover what happened to her after The Myth Makers in the very first companion chronicle, Frostfire. She is also paired up with Steven (a much underrated pairing) in The Suffering. Maureen O'Brien has proven quite elusive compared to some of the other actors that take part in the companion chronicles but that only serves to make her rare appearances all the more appetite whetting.

Steven – One of the highlights of the soon to be concluded companion chronicle range was that it allowed Steven to shine like never before and gave Peter Purves a chance to prove what a splendid actor he is. Many remember him as the effusive Blue Peter presenter but it is worth remembering that he was one of the stalwart performers on the show when the lead actor was suffering serious health problems. Simon Guerrier champions this character and uses the dramatic  conclusion of the Daleks’ Masterplan to kick-start a trilogy of adventures that sees the Doctor and Steven attempting to heal from all the losses they have suffered. They gain a new friend in Oliver Harper and for a time this the rarest of things – an all male TARDIS crew. I realised just how many female companions Steven travelled over the course of the chronicles because we get to enjoy adventures when he is travelling with Vicki (The Suffering), Sara Kingdom (a thrilling trilogy of stories – Home Truths, The Drowned World & Guardian of the Solar System) and a gorgeous historical with Dodo (Mother Russia). Ian excepted, of the companions featured in this range I would say Steven has been given the most consistently excellent material and has leapt from the range as an even stronger character than before. I get genuinely excited with each new release he appears in. See also Return of the Rocket Men, possibly his finest adventure and the double bill of The War to End All Wars & The Locked Room to find out about Steven's life after he left the Doctor.

Sara – Who would have thought there was such mileage in this companion that barely spanned the length of a story? With Jean Marsh on disquieting form, Simon Guerrier writing a trilogy of thematically linked adventures that progress into something very special and a general feeling of what we missed out because she was killed off almost as soon as she joined the show, this is a character that Big Finish have done a massive service to. Home Truths, The Drowned World and Guardian of the Solar System are all justifiably considered Big Finish classics now.

Polly – Often forgotten because much of her material is missing, Polly (and Ben) are some of my favourites because they brought such a feeling freshness and sex appeal to the show. It was a time when fighting monsters was more important than character development so Big Finish step in a provide some much needed backstory for the character (Resistance) and recapture the wonderful chemistry between the actors at this time (especially in The Forbidden Time which is equally impressive since Anneke Wills is playing most of the parts!). For an example of the giddily enjoyable fourth season crew of the second Doctor, Polly, Ben & Jamie check out The Selachian Gambit & House of Cards, two tales that are made out of pure sunshine. I'm very much looking forward to more Companion Chronicles and Early Adventures from this under utilised character.

Jamie – If you don’t want to explore far into Big Finish then I beg of you to at least listen to one of Frazer Hines readings and how perfectly he captures Troughton’s voice and style of acting. It’s uncanny and could only come from a man who had great affection and love for the man. We’ve had some dreary Jamie chronicles (Helicon Prime) and some riveting ones (The Glorious Revolution) and whilst there isn’t a great deal to explore during the fifth season (the dearth of stories set during that period is apparent), the sixth season has been filled out with a number of superb stories that highlight the Jamie/Zoe relationship. There is some dramatic mileage in looking at his life after he left the Doctor as well. Such a thread was picked up in the main range for a trilogy of stories which takes an older Jamie who only has the memories the Time Lords left him with who travels with the sixth Doctor who claims to know him intimately. It’s an excellent trilogy that builds to a great climax but perhaps the fate of Jamie might not be what fans hoped for. We’ll see – check it out City of Spires, Night's Black Agents, The Wreck of the Titan & Legend of the Cybermen judge for yourself. Last of the Cybermen is worth a listen too, even if it is just to see how nostalgia driven stories aren't always a good thing. Frazer Hines' enthusiasm for the show continues to shine through in every story he features in.

Victoria – There’s been very little of Victoria bar the chronicle The Great Space Elevator which was fun but dispensable. If you want to hear Deborah Watling in a mildly villainous role then listen to Three’s a Crowd, but it isn't Big Finish's finest hour. After listening to Power Play, the Lost Story which was supposed see Victoria joining forces with the sixth Doctor and Peri, was mercifully pulled from the schedules. A mercifully short Big Finish career, her acting leaves a lot to be desired these days.

Zoe – For a long while Zoe was the poison chalice with two pretty forgettable tales (Fear of the Daleks & Echoes of Grey) but the recent release of The Memory Cheats has turned that all around. Here we meet an older Zoe who is in prison and informed that she used to travel in time and space, which her photographic memory cannot reconcile. Zoe turned up in Legend of the Cybermen too in an unusual role that might just knock you for six. The final Companion Chronicle for some time proved to be one of the best and an astonishingly good Zoe story, Second Chances.

Liz – Liz Shaw is definitely a character that deserved some extra time and we get to meet her after she has left the Doctor back at Cambridge and enjoy new stories during the superior season seven (The Blue Tooth, Shadow of the Past, The Sentinels of the New Dawn, Binary). It’s nice to see more of her personal life and to learn about her childhood but what really struck me was her reunion with the third Doctor. Caroline John's unexpected death cut short her involvement but it pleases me to say that her final story, The Last Post, was absolutely superb and easily her finest companion chronicle of the lot. A much missed actress.

Jo – I know Katy Manning was initially reluctant to return as Jo Grant but I’m really glad she has because she gives the sunniest performances of all the returning companions and her love for Jon Pertwee and the show shines through in every story. You could do no finer than Find and Replace, one of the very best companion chronicles, for shot of pleasing nostalgia and to see the depth of feeling between the third Doctor and Jo. The Many Deaths of Jo Grant proves that she has something of suicide complex when it comes to her love for the Doctor, and The Scorchies is a real highlight of the range that shows just how delightful and versatile an actress Manning is. A recent disaster (The Defectors) shows that sometimes Manning can miss the mark but then you have to question whether teaming her up with Sylvester McCoy was ever a good idea.

Sarah – Oh my lovely Sarah, the ultimate Doctor Who companion. Fully deserving of her own Big Finish series which ran for two seasons, Sarah Jane Smith returns as an older pricklier and paranoid personality. Not the Sarah we remember from the TV series but Elisabeth Sladen runs with this darker version, one who has pissed off far to many people and is constantly on the run. The variable first season led to a much stronger second year and all the David Bishop scripts are well worth seeking out because he nailed the character and the tone of the series better than anybody else. Fortunately he wrote the whole of the second year which was a vast improvement on the first. It's not Sarah Jane quite as you know her but if you want a completely different take on the Sarah Jane Adventures then these are well worth a try. If you just want to dip into the range then I heartily recommend Test of Nerve and Fatal Consequences.

Leela – And we all said that Leela staying behind on Gallifrey was a joke. Gary Russell championed a series a drama on said planet and featured Leela in a pivotal role as Romana’s bodyguard and close friend. Louise Jameson sounds as if she has been put in cryogenic storage in the intervening years because her voice has barely aged, she’s still got that savage charm and childlike wonder that made Leela such a joy on television. What’s more over the course of four series of Gallifrey we get to discover the fallout of her relationship with Andred, enjoy her friendship with Romana, engage with her head butting with the Time Lords and cheer as her intelligence and instincts always win through. Leela has recently been reunited with Tom Baker for a much lauded but extremely variable set of adventures that have focused on nostalgia over innovation. Jameson's contribution has been the most consistent and enjoyable aspect of the series and the better adventures (The Renaissance Man, The Wrath of the Iceni, The King of Sontar, White Ghosts, Requiem for the Rocket Men) have recaptured the Doctor/Leela interaction with sparkling accuracy and Jameson and Baker have developed a formidable chemistry. Check out the hugely popular Foe from the Future from the Lost Story range too.

Romana I – A surprisingly absent character from the schedules, which was rectified just before her untimely passing earlier this year. The series of 4DAs were a fitting tribute to a memorable character and a fine actress. The chemistry between Romana and the Doctor has been a delight in stories such as The Auntie Matter, The Justice of Jalxar (that also see her joining forces with Jago & Litefoot) and Phantoms of the Deep. Her companion chronicles have pretty much been a wash out however but that is no fault of Mary Tamm who is a fine dramatic narrator, they have mostly bombed thanks to some dreary scripts that fail to highlight the character at her best.

Romana II – Oh Lal-la! I could listen to Lalla Ward reading a shopping list and still be entertained. She’s a fantastic actress and she brings a great deal of charisma and theatrical gravitas to her stories. She heads up the Gallifrey range where Romana is now President of Gallifrey and trying to handle the multitude of political problems that this role throws at her. Although the range has taken a dive in quality in recent years, the first three years was Big Finish's finest serial, a complex, creative, dramatic series that was spearheaded by some formidable performances. She’s also teamed up with several of the Doctors (Sixie in The Apocalypse Element, Five in The Chaos Pool, Eight in Shada) and enjoyed great chemistry with all of them. The quintessential Romana and a great draw for Big Finish.

Adric – Without giving anything away if you want to learn something unusual about Adric then check out The Boy the Time Forgot. A controversial story, but one you will never forget!

Nyssa – There has been a wealth of Nyssa adventures travelling solo with Peter Davison’s fifth Doctor that more than supports his notion that she was the companion most suited to him. Along the way she has returned home to Traken before it was destroyed (Primeval), fallen out with the Doctor over the death of Adric (Spare Parts), been tortured physically and mentally (Creatures of Beauty), enjoyed a romance (Circular Time), met a twisted version of herself (The Eternal Summer) and generally stood on her own two feet with plenty to do (a failing of the TV series that gave all the good stuff to Tegan). We then catch up with Nyssa after her decision to stay on Terminus for (so far) nine adventures with Tegan and Turlough where she and the Doctor share a special, almost romantic connection. Prisoners of Fate and The Entropy Plague form a pair of Jonathan Morris stories that feature the best material the character has ever seen.

Tegan – As soon as Janet Fielding agreed to resurrect the character (she held off for a long time…) we have enjoyed a wealth of material featuring everybody’s favourite (ahem) Aussie. Never a favourite of mine because of her depressing attitude, I have been really impressed at how much humour Big Finish have injected into the character – so much so that she is often the best aspect of each story (a complete contrast to her time on television) She is particularly funny in Heroes of Sontar (the end of episode one is hilarious) memorably flirts with a guard in Hexagora and makes a dramatic reappearance in the superb Emerald Tiger. Check out The Elite and Children of Seth as well, two riveting Lost Stories that would have greatly enriched season twenty.

Turlough – Due to Mark Strickson’s availability Turlough’s appearances have been sporadic but there have been a handful of stories where he is travelling with the Doctor solo (post-Resurrection of the Daleks). It's confirmed what I always expected, that Turlough was a character whose potential was wasted on television and had much depth that warranted further exploration. Phantasmagoria, Loups-Garoux and Singularity are all great stories if you are a Turlough fan and give him lots to do, especially the middle story where he is treated to a gentle romance. It is a shame that since he has returned to the main range full time he has often been sidelined or lacked much presence, especially in comparison to the stories listed above. The two stories that have highlighted his character have both been prime duds, Kiss of Death and Eldrad Must Die!

Peri – Peri has been served extremely well by Big Finish and my appreciation for the character has improved tenfold since she started appearing in these audio adventures. Perhaps televised Who does not quite have the space between Planet of Fire and The Caves of Androzani to squeeze in the fifteen or so adventures the fifth Doctor, Peri and Erimem had but I’m sure glad they took the risk anyway because it confirmed what we all thought all along that there was a great number of stories to be had with Davison’s Doctor and his new American assistant. The Peri/Erimem sisterly relationship was a joy to listen to because Peri was finally let off the loose allowed to be the wild sister with the crazy ideas whilst Erimem was always trying to rein her in. Then at some very dramatic junctures (one of the best also being a tale written by Nev Fountain) Erimem would reveal her darker morality and it would be Peri who was appalled. It was an interesting relationship and it was a shame it was cut short in the changeover between Gary Russell and Briggsy just as it was getting really exciting (the run of stories from The Council of Nicaea through to The Bride of Peladon was extraordinary). Not content with that we have also had a number stories featuring the sixth Doctor and Peri which for the most part have taken place between Revelation of the Daleks and Trial of a Time Lord (where there is clearly a large gap where adventures can be slotted in). With some terrific writing and a focus on the two of them working together as a team, this duo simply sing together on audio and Colin Baker and Nicola Bryant have a very natural chemistry that is a joy to listen to. If you honest feel that the Sixie/Peri combination doesn’t work give …ish, The Reaping & The Year of the Pig a try. Finally Big Finish also gave Peri a homecoming story where we get to meet her mum and friends and see how she doesn’t quite fit in with them anymore. The Reaping is an extraordinary tale and it left me gasping with emotion by the end. Throughout all of these tales Nicola Bryant has supported the character with breathlessly energetic, charismatic and thoroughly charming performances. Then in a moment of insane genius Big Finish decided to bring to life the missing season 23 that we never got when Doctor Who was taken off the air for 18 months and it transpired to be a spot on bridging gap showing how the relationship between Sixie and Peri mellowed in their second season. Not only that but there were absolute masterpieces (Point of Entry, Leviathan) and some real duds (The Hollows of Time, The Macros) so it felt like a real Doctor Who season. Throughout Baker and Bryant shine. Add Peri & the Piscon Paradox to her list of triumphs which is by far the script that asks the most of her but she injects it with sassiness, humour and great pathos. Of all the companions that was transplanted from the television to Big Finish I would say that Peri (by some margin) has been treated to the most development. I think she’s rather wonderful. An astonishing development in this year as a trio of stories post Mindwarp. If that entices you get yourself a copy of Nev Fountain's The Widow's Assassin to find out what really happened. For the ultimate Peri experience, Peri & the Piscon Paradox is still the outright winner.

Mel – Another character that has shown considerable development on audio, Mel was considered something of a joke after her six stories on television and starting with Steve Lyons’ superlative Fires of Vulcan she has been treated to some excellent material that has cast a whole new light on the character. The One Doctor shows how comedy really can work on audio and Bonnie Langford is more than ready to parody her own character. Bang Bang a Boom! might not have been the greatest Doctor Who story but Langford manages to be the best thing about it, and she provides another memorable turn in The Juggernauts. Recently Mel has featured in a much anticipated trilogy of adventures with Sixie, one which started extremely well (The Wrong Doctors) but had a slightly iffy conclusion (The Seeds of War).

Ace – This is one character that Big Finish went careering off in the wrong direction with and after a plethora of books and comic strips with the character I was starting to get Ace fatigue. They began by trying to get Sophie Aldred (who was clearly middle aged by this point) to pretend she was sixteen again and piled on the angst (The Rapture) and the dreadful ‘oh wicked!’ slang (Colditz) which turned an awful lot of people off her adventures. With the introduction Hex however things have turned around considerably for the character and they have allowed her to mature into a mentor for the young Scouse, which is role that Sophie Aldred seems much more comfortable with. Her recent turn in A Death in the Family where she gets to enjoy a tragic romance is probably Aldred’s best ever performance in the role, she’s phenomenally good. For more quality material with Ace check out The Magic Mousetrap, Enemy of the Daleks and Protect and Survive. I personally think there is a little too much Ace material out there...if you played all her TV and Big Finish stories, read her books and comics back to back it would probably take you a few years.

Original characters

Evelyn – Simply one of the greatest gifts that Big Finish has given us, Evelyn Smythe was the first original companion to be introduced by the audio dramas and remains one of the most popular to this day. Played by the meticulous, delightful and erudite Maggie Stables who shares gorgeous chemistry with Colin Baker, Evelyn has taken us on a roller coaster of emotions and this is the closest I imagine us ever seeing the Doctor getting to one of his companions. It’s an intellectual as well as an emotional connection that bonds them and they sometimes argue as though they were man and wife! Evelyn is a university lecturer with penchant for chocolate and a lust for something more – she’s kind and thoughtful but also has a crabby side that you don’t want to be on the wrong side of! Introduced in a historical gem (The Marian Conspiracy), Evelyn has walked through the dangers of Daleks invading Gallifrey (The Apocalypse Element), Silurians (Bloodtide), Vampires (Project Twilight), murderous pirates and the Doctor’s singing (Doctor Who and the Pirates), politics and war (Arrangements for War), Burke and Hare (Medicinal Purposes), space walking (The Feast of Axos) and she has always come out smiling! There is a saddening arc in her middle period (Pirates through Arrangements for War) where she is sickened by all the young lives that they have lost on their adventures and has to try and find a way to understand how the Doctor copes with that that allowed us to see both characters in a new light. She’s a marvel and I would welcome her return at any time. We’ve already had her departure story (Thicker than Water) and her very last story (A Death in the Family) but she was too good a companion to let go of so she pops up every now and again to show these young whippersnappers how its done. Check out Jubilee, Pirates and Arrangements for War for Evelyn at her best. Maggie Stables tragic death is still one of the biggest blows to Big Finish for she had so much to offer as an actress. See my tribute to Evelyn here and why Stables made her such a delight: Why I love Evelyn Smythe.

Charley - Miss Pollard goes on quite the journey when she steps into the TARDIS in Storm Warning and leaves in Blue Forgotten Planet. An Edwardian Adventuress with a passion for travelling and saved from the Doctor from the R-101 crash, she proves to be the one of those companions that clings onto out hero for as long as possible. Whilst this might sound like a ridiculous path for a character to forge it is only when things get extremely complicated for the character (so around The Girl Who Never Was) that she has really becomes one to capture the attention in a very captivating way. Charley becomes now a fighting girl, hanging on by the tips of her fingers and tumbling into one unfortunate situation that she has talk her way out of after another with Time itself unsure what to do with her. Given how bored I was with the character during the latter McGann era this is nothing short of a miracle. I can’t think of a single instance where a companion has felt so tired and with a single revolutionary step finding myself falling in love with them again but in a whole new way. What’s even more interesting is how India Fisher’s performance adapts with a new evasive Charley and she goes on to give her strongest turns against Colin Baker. Its a barmy experiment to have her switch from the eighth Doctor to the sixth but one that has paid off. Charley had a phenomenal two seasons with McGann, an inconsistent run in the Divergent Universe and onwards with C’rizz before catapulting into sixth Doctor’s life where she went out at her peak. It’s a shame about the middle section of her time in the audios but taken as a whole Charley has been the poster child for Big Finish companions. A complicated companion whose very presence in the TARDIS is an issue, who declared her love for the Doctor and who broke a vital rule leaping into his past. For her best check out The Stones of Venice, Chimes of Midnight, Neverland, Other Lives, The Condemned, The Raincloud Man, Patient Zero & Blue Forgotten Planet. Charley has been popular enough to return for a second time in her own series. A cold, complicated affair with a gorgeous trip home to catch up with her parents after all this time (The Fall of House Pollard), no second series has been mooted yet.

Hex – Played by the eye catching Philip Olivier, Hex is pretty much the saviour of the seventh Doctor line which was getting a bit stale until he came along like a breath of fresh air and shook things up. Hex is a staff nurse at a hospital in London when he first meets the Doctor, so he’s capable of providing medical assistance when they need arises. He’s cheeky but also vulnerable, resourceful but sometimes crippled by his humanity – Hex comes across as a normal bloke in some very tough situations. There was a little run of lacklustre tales after he first arrived (Dreamtime, The Dark Husband) but the recent trilogies have really opened up his character to a whole new world of hurt and Oliver has delivered some stunning performances. His character really came into focus last year when he was written out of the main range in a dramatic trilogy of adventures, one that really got the Big Finish fans in a stir. Check out The Settling, The Angel of Scutari & A Death in the Family for the best of Hex. Gods and Monsters cannot be missed if you want to find out how he departs, although it remains a patchy adventure crippled by continuity. Don't get me started about Hex's extra time in the series, or rather his alter ego Hector. Such a decent character that Big Finish simply could not let go, the trio of stories that feature Hector and write the actor out of the series are probably Olivier's weakest.

Erimem – Probably the weirdest spec for a companion yet – an ex Pharaoh of Eygpt and introduced in a deliciously dark tale that sees Erimem trying to stay alive as politicians plot around her. It’s a great match for the fifth Doctor and Peri because she pairs up with Miss Brown to taunt the Doctor and they share a sisterly bond that makes the fifth Doctor’s era feel more domestic than ever (but this time in a very positive way). Her morality clashes with Peri on occasion and she would happily hurt somebody should they stand in their way, in that way there is a sense of Leela-like savagery to the character and also in the way the Doctor is mentoring her and teaching her to read and write. For some top notch Erimem action check out Eye of the Scorpion, The Kingmaker and Son of the Dragon.

C’rizz – Given all these successes there was bound to be one failiure and for Big Finish the only character that never really took off was C’rizz. He’s an alien from another universe with huge personal issues (he killed his girlfriend) and has a taste for murder when he thinks somebody’s soul needs saving. It’s not the fault of Conrad Westmaas who struggles gamely to breathe some life into C’rizz (and sometimes he even succeeds – a true testament to his skill as an actor) but this character turned up just when the eighth Doctor and Charley were at their peak and nobody wanted a spare part crowbarring their way into their relationship. There were some dramatic moments and his departure certainly caused a stir but on the whole he was a pretty forgettable character. However looking back he had a string of pretty good stories (from Faith Stealer all the way through to Absolution he had a better than average hit rate with only a few stinkers). Try The Last, Terror Firma and Memory Lane for some intriguing C’rizz action.

Lucie – The only character that even approaches Evelyn is Lucie Miller played by the sassy and smart Sheridan Smith. Her relationship with the eighth Doctor started off on a fractious note but over their first season they warmed to each other greatly. By the second and third season she was supremely confident, funny and clever and bringing as much to the series as the Doctor was! Her departure in Death in Blackpool is one of the few times that Doctor Who has reduced me to tears (it had a more profound effect than that but check out the review for the reason) and the two parter at the end of season four that saw her leave the series permanently still haunts me to this day. She’s a girl from Blackpool who speaks her mind and loves the Doctor through and through. Lucie’s best comes in the form of Human Resources, Grand Theft Cosmos, Death in Blackpool and To the Death. She's bleedin' marvellous!

There are some other original companions that have cropped up but usually for a few a stories only but some of the more memorable are Oliver Harper (London banker who accompanied the first Doctor and Steven and a man with a big secret), Thomas Brewster (a cockney scamp who plagued both the fifth and sixth Doctor’s over two separate trilogies), Tamsin (a failed actress who had the unenviable task of replacing Lucie and whose story took some dramatic turns) and Flip (a recent addition and companion of the sixth Doctor – a young Londoner who is bored with her life and wants to get out there and have some fun with the Doctor). One story for each of them worth selecting - The First Wave (writing out Oliver in dramatic style), The Feast of Axos (is Brewster a villain or hero?), The Resurrection of Mars (the Doctor & Tamsin's ideologies clash with memorable results) and Wirrn Isle (Flip proves her bravery and risks her life to save humanity). Scavenger is worth pointing out because suddenly Flip becomes one of the most memorable companions when it appears she has plummeted to her death.

Discovering excellent writers

Big Finish has worked with plenty of established writers (Paul Cornell, Mark Gatiss, Gary Russell, Paul Magrs, Alan Barnesc) but it also introduced me to a minor arsenal of writing talent whose other works I have now actively sought out. Amongst my favourites are…

Rob Shearman – A man who revels in the grotesque, the unpredictable and darkly humorous, Rob has probably the highest hit rate of any Big Finish writer and his standard is extremely high. He writes clever mystery tales inject with jet-black humour and memorable characters and there is often a stinging emotional content to be found too. Charley had to live through the crashed airship that she escaped thanks to the Doctor, Evelyn discovered the Doctor with his legs cut off left to rot in the Bloody Tower and Frobisher learns the hard way that you cannot save everybody all in Rob Shearman’s stories. His best? Probably The Chimes of Midnight but Jubilee, The Holy Terror and Deadline are all must listens too. You would be mad to miss this guys work. It is a crying shame that we have seen nothing from Shearman in past couple of years.

Joe Lidster – Like Shearman there is a grittiness to Joe Lidster’s audios that bites you because we simply aren’t used to this kind of angst and real world horror in Doctor Who. He brought Peri home to America, gave Ace a brother, reunited the fifth Doctor and Tegan and turned Evelyn into a monster – all with some emotional fireworks! His best works standout because they really get under the skin of the characters (Master, The Reaping, Daisy Chain) but sometimes that angst can be pushed a little too far into soap opera territory (The Rapture, The Gathering). He’s definitely one to check out because his audios are so controversial and making people talk is always a good thing. He's busy working on the Dark Shadows range these and pumping out great story after great story for the range, in particular the stomping serial adventure Bloodlust which proved a critical success for Big Finish.

Nick Briggs – I hadn’t read anything of Nick Briggs’ until I started listening to Big Finish but I soon came to realise that, Terry Nation aside, this man is the King of the Daleks. His Dalek Empire series is a thing of beauty because it captures the Dalekmania of the sixties so beautifully but at the same time employs modern day arcs and dramatic device to tell a truly epic, action packed story. His Cyberman series worked less well because there clearly wasn’t quite the same passion for the material but it was still a very worthy stab at bringing the metal meanies to audio. Individual main range tales range from the experimental (Creatures of Beauty), to the snooze worthy (Sword of Orion) to the piss-yourself-with-excitement (Patient Zero) and you could do a lot worse than to check out all three to see how versatile he is. Above that though give Dalek Empire a try, I know there are a lot of people who refuse to touch the spin material but this one is more than worth your time, its essential listening. of late he has written a prolific number of 4DAs and coupled with his heavy workload as producer and actor, the scripts have started to suffer. Certainly The Dalek Contract/The Final Phase were not a patch on his similarly end of season epic Lucie Miller/To The Death a couple of years back.

Eddie Robson – A sparkling character writer with lots of memorable tales under his belt, Eddie writes pure entertainment and fills his stories with sunshine. Situation Vacant is still one of the funniest, quirkiest oddball stories Doctor Who has ever produced, his debut story Memory Lane has some striking imagery and Human Resources saw the eighth Doctor adventures end their first season in true style. A consistently strong writer, his recent companion chronicles (The Apocalypse Mirror, The Jigsaw War) have perfectly captured season six.

Jonathan Morris – I once referred to Morris as my modern day Robert Holmes and the more I hear his work the more impressed that I get. He has the ability to conjure up creative plots at the drop of a hat but also has a terrific grasp of character, can write with real pace, inject very funny humour and his dialogue is top notch too. Its hard not to turn reviews of his stories into love fests because he sets the bar high and very rarely disappoints. What impresses me with this releases is the versatility of the mans work because often with the strongest writers for this company you know what to expect and they deliver in spades (Rob Shearman is going to write something blackly funny, Nick Briggs a terrific action adventure, Simon Guerrier something creepy and atmospheric) but let’s take a look at the many styles and genres that Morris has turned his hand to very successfully. Nostalgia trips (Bloodtide & Hothouse), puzzles (Flip Flop, Cobwebs), companion introductions (The Haunting of Thomas Brewster), morality tales (The Cannibalists), comedy (Max Warp, The Beautiful People), dark fairy tales (The Eternal Summer), modern day entertainment (The Crimes of Thomas Brewster), character tales and historicals (The Glorious Revolution, The Curse of Davros), action adventure (Deimos/Ressurection of Mars), Lost Stories (The Guardians of Prophecy) and atmospheric chillers (The Spirit Trap, The Theatre of Dreams). He’s a superb writer that still gets me excited when his name turns up in the schedules because I find it synonymous with a high quality adventure. Big Finish are lucky to have him and I am glad they are exploiting his talent to the full. His recent stories - Prisoners of Fate & Mastermind, have been the best of their ranges. Recently Morris has contributed to Survivors range, brought Adric back with style and written Nyssa out even more emotionally than Terminus. He's still my favourite Big Finish writer for sheer consistency and quality.

Simon Guerrier - Massive respect for Simon Guerrier - again a top bloke (he answered my interview questions in record time and with such charm too!) and he has written the best companion chronicles which truly take the era they are set in allow you to look at them in a brand new way. He's given Peter Purves and Jean Marsh a chance to claim some absolute classics and manages to get into their characters heads with absolute authenticity. Oliver was a great new companion who brought a great deal to the range too. Not only that but he also oversaw two of the finest years of the Benny range offering some really exciting developments and encouraged some of the best writing seen in that range. A really talented guy. Check out any of his companion chronicles (or better still all of them!) and you’ll see what I’m talking about.

John Dorney – A one off companion chronicle that knocked everybody’s socks off (Solitaire) propelled John into the limelight and he has barely stopped working for Big Finish since. He has proven adept at writing Lost Stories (The Foe from the Future, The Elite), for Benny Summerfield (Dead Mans Switch), for those intrepid investigators Jago & Litefoot (the emotive Swan Song)… His writing is literate, witty, fast paced, character led and full of meaning. A fantastic catch for Big Finish whose recent adventures (The Fourth Wall, Beautiful Things & The Justice of Jalxar) have all maintained his high standards.

Matt Fitton - A relative newcomer to Big Finish compared to the rest of the writers I have listed, he has nonetheless been contributing for a few years now and proving to be the breakout talent in that time. Not everything he touches turns to gold (the best of the Big Finish writers couldn't make the Hector arc work) but anyone who can bring the following list of stories alive is wielding some considerable talent. The Wrong Doctors, Equilibrium, The Fall of House Pollard, Return of the Rocket Men, Masterplan.

Audio experiments

You might think that Big Finish simply try to tell stories that sound like off air recordings of television stories but their work is far more immersive than that. Once you stick one of their stories on you are entering a world of sound that will whisk you away from where you are for journeys throughout all time and space. Like the series they spawned from Big Finish has stretched the limits of its format and experimented with some pretty imaginative storytelling. We’ve had a story being told over two CDS that can be listened to in any order (Flip Flop), a story where nothing is what it seems to be (Omega), a story told out of order (Creatures of Beauty), a story that has been made up (or has it? The Memory Cheats), four episodes each devoted to a different character (A Death in the Family), bedtime storytelling (Legend of the Cybermen), alternative universes (Klein’s Story), two Doctors in one story but never meeting (Project Lazarus), a two hander (Solitaire), literate madness (Ringpullworld), a musical (Dr Who and the Pirates), Russian doll storytelling (The Natural History of Fear, Brotherhood of the Daleks), temporal shenanigans (The Kingmaker), anthologies (Circular Time, 100…), Christmas specials (The One Doctor, Death in Blackpool, Relative Dimensions), stories with alternative Doctors (the Unbound series)…the list goes on. If you ever wanted to see the flexibility of audio then give some of these stories a try. Sometimes Big Finish experiments are one trick too far as the recent Locum Doctors experiment has proven, nostalgia for its own sake rather than to drive decent stories.

Spin Off Ranges

Bernice Summerfield – The range that kicked big Finish off and astonishing it is still going strong today! Of all the spin offs this is my absolute favourite because as well as taking a character who worked perfectly well in the books and transplanting her on audio it also created its own cast of characters, unique situations, arc storylines and also sees the return of countless Doctor Who monsters (everything from Draconians to Daleks!). Bernice Summerfield is a failed academic and wife when the series begins, trying to keep her life in some kind of order and during the course of twelve seasons (so far…count them!) she has managed to find a secure job, a whole host of friends, become a mother, face all manner of emotional trials, realise that her best friend is in fact her greatest enemy, lose her home and then lose all of her friends too! Its been a hell of a ride for Benny but one thing has remained consistent throughout her time and that is the quality of her ever improving series. With the superlative Lisa Bowerman at the helm there is a quality actress driving this through all of its ups and downs and another joy of the series is the amount of fresh printed material that Big Finish released that runs side by side with her audios adventures. The Bernice Summerfield range is a fully immersive independent series (the Doctor has never appeared in it) and its best to start right back at the beginning and let this beguiling series walk you through the life of this wonderful ex companion. Personal favourites include Oh No It Isn’t (handily the first story), Just War, Death and the Daleks, The Masquerade of Death, Timeless Passages, The Judas Gift & Absence but I would say there are only a handful of stories that don’t make the grade. Check out my love letter to the series here - http://docohobigfinish.blogspot.co.uk/2013/01/the-bernice-summerfield-range_4410.html

Companion Chronicles – Mentioned several times here, this is a standout range that Big Finish should be extremely proud of. The amount of actors and actresses that they have managed to tempt back to reprise their roles is astonishing (stretching as far back as the very first televised series) and the consistent gems they keep knocking out speak for themselves. They are narrated adventures of the Doctor’s friend, usually told with a framing device and then working in a story set during their time with the Doctor and often with a string in the tale. It is a chance to get close to these old companions and learn things about them denied by their time on the TV show – this is where they really take the limelight and we learn their deepest thoughts. Its an extremely diverse range and the way it hops about from era to era is exciting because you get the chance to experience the many different tones each era of Doctor Who had but also a chance to try out new genres in eras that were never considered at the time. With Marc Platt, Jonathan Morris and Simon Guerrier contributing a fair whack of these adventures the quality is high and the riches to be found are manifold. Highlights for me are Frostfire (a rare Vicki story), The Catalyst (Leela at her best), The Transit of Venus (Ian telling a tale on the high seas), Find and Replace (a warm UNIT nostalgia tale with a great role for Iris Wildthyme), Solitaire (a gripping two hander for Charley and the Celestial Toymaker), any of Simon Guerrier’s first Doctor stories that have justly become known as the crème de la crème, Peri & the Piscon Paradox, The Rocket Men & its sequel, The Last Post, The Scorchies and Mastermind.

Jago & Litefoot – Who would ever have imagined this series taking place? Its something that fans have always dreamt about happening back in the day because these two characters were so entertaining and well defined. How could it possibly live up to the hype? But it did and then some and this blissful series has proven to be a real hit for Big Finish with the theatrical Henry Gordon Jago and the mannered George Litefoot taking on all manner of supernatural forces in Victorian London. The tone of the series is pure gothic horror with plenty of vaults, catacombs, midnight sojourns from graveyards and bodies rising from the dead and the writing his been intelligent and full of memorable dialogue. Not a single story is below par but the best to my mind are The Mahogany Murderers, The Bellova Devil, The Theatre of Dreams and Beautiful Things but I promise you this – once you’ve listened to the first story you will not want to miss out on a second of the available stories featuring this wonderful duo. Interview with Trevor Baxter here - http://docohobigfinish.blogspot.co.uk/2011/06/trevor-baxter-interview.html

The Lost Stories – Oddly this is probably the least consistent of the spin off ranges (at least in terms of the quality of the scripts themselves because some of these ideas should have been left on the drawing board) but its also the range I get the most excited about and produces the most surprising results. Literally pouncing on the ‘what’ if’ format, here we have audio recreations of stories that almost made it to screen at the time and are now available to listen to. What if Colin Baker’s original season 23 was made? Now you can listen to it! What if the show wasn’t cancelled after season 26? Here it is for your pleasure! Some of the stories have been an absolute delight (Leviathan, Point of Entry, Farewell Great Macedon, The Elite, Guardians of Prophecy and The First Sontarans) and others have missed the mark (I didn’t enjoy any of the McCoy ones) but overall its an enchanting look at what might have been. My best advice here is to read the synopsis of the story and see which ones appeal to you the most but the two ‘seasons’ are worth trying to listen to in order for the full impact.

Dalek Empire – Which ran for four season and saw Nick Briggs takes us on a whirlwind tour of the galaxy in this exciting space opera. With characters as strong as Susan Mendez (a Dalek slave who speaks for the people and knows who to get inside the head of the Supreme Dalek) and Karlendorf (Gareth Thomas nailing the role of the gruff ex knight) you are led through a myriad of twists and turns with seasons that enjoy real dramatic momentum and climax on something spectacular. Of course the stars are the Daleks and in that respect its almost Skarosian pornography – they are loud, powerful, murderous and manipulative. Seasons two and four are my favourites but again this is a pretty consistently good series.

Gallifrey – A political drama more akin to an outer space West Wing than anything we have ever seen before, Gallifrey is one of the most intelligent and marbled of ranges with massive doses of imagination. With a cast that consists of Lalla Ward, Louise Jameson, Miles Richardson & Lynda Bellingham it is the range that is to be feared!

Jago & Litefoot - Check out the reviews of this formidable series that has gone from strength to strength. Powered by two delightful performances from Christopher Benjamin and Trevor Baxter, fronted by producer David Richardson and director Lisa Bowerman and with stories that refuse to compromise creativity or innovation because the series is set in the Victorian era, buying this series is one of the best treats you could give yourself. Pretty much every tale is worthy of a mention but the absolute highlights include The Bellova Devil, The Theatre of Dreams, Swan Song, Beautiful Things, The Night of 1000 Stars, Murder at Moorsey Manor,

The Early Adventures -

Survivors -

Genres

Whatever genre you want you will be able to find somewhere in Big Finish’s back catalogue. Comedy (the hilarious parody The One Doctor and the less subtle Bang Bang a Boom), historicals (The Fires of Vulcan, The Council of Nicea, The Angel of Scutari), action adventure (The Apocalypse Element, Enemy of the Daleks), crime (The Condemned), documentary (LIVE 34), horror (Night Thoughts, The Holy Terror), mystery (Cobwebs), political drama (The Fearmonger), romance (Arrangements for War), hard science (anything written by Christopher H. Bidmead), supernatural (Winter for the Adept, Master), literate storytelling (Legend of the Cybermen), thrillers (Project Destiny), soap opera (The Rapture)…whatever you might be looking for you will find it here somewhere.

Filling the gaps in TV continuity

Can the first Doctor walk on hot coals? Ever wanted to know how Susan really felt about being abandoned by her Grandfather? Or why Ian was so close to Barbara? How Steven got over the death of Sara so quickly? How did the second Doctor feel when Zoe made a choice that affected so many lives? Why Polly and Ben never got together? What that outrageously sexist Prison in Space story was really like? If Zoe ever got her memory back? How did the third Doctor really feel about his exile? What Liz felt about abandoning the Doctor and going back to Cambridge? How much Jo Grant really loves the Doctor? If Sarah Jane kept seeing Harry after they both left the Doctor? What happened between Leela and Andred? If there were any gaps between adventures during the hunt for the Key to Time? Why Romana regenerated? How did Romana II end up back on Gallifrey? What Nyssa really felt about Adric’s death? Does Tegan really have a sense of humour? Could the fifth Doctor fall in love? Has Turlough ever been in love? Did Peri ever get to go back to Baltimore? Is the sixth Doctor too heartless? How would Mel cope with a historical crisis? Could the seventh Doctor manipulate people too far? Was Ace really an only child? Were there anymore adventures for the fourth Doctor and Romana after season sixteen? What would happen if the fourth Doctor and Leela had a clash of ideologies? Did Victoria really meet the sixth Doctor? What happened between the Doctor and Peri that allowed them to mellow between Revelation of the Daleks and The Mysterious Planet? You can find out all these things during selective Big Finish adventures…

Putting together excellent stories

There has been so much talent that has been poured into Big Finish’s back catalogue its hard to know where to begin so lets start with the music. Music has always been an important part of Doctor Who and with a list of musicians such as Jamie Robertson, Alistair Lock, Russell Stone, Yason & Fox writing for the audios we are never short of genuinely cinematic, emotional, catchy soundtracks that make for superb special features on the main range stories. Many of these scores are worth listening to independently because they are great music in their own right. Then there are the directors who bring all the talent together – my favourites rarely let me down and often produce absolute gold. Lisa Bowerman (A Thousand Tiny Wings), Barnaby Edwards (The Chimes of Midnight), Nick Briggs (Legend of the Cybermen), Gary Russell (The One Doctor) and John Ainsworth (A Storm of Angels) are my absolute favourites but there are so many good directors working for this company I would be here all day to list them all.

The people you have to thank are the guys behind the scenes so I’d like to mention Gary Russell (who kick started this phenomena in true style), Nick Briggs (who took over the reins and has continued the high standards) and David Richardson (producer extraordinaire who has contributed far more to so many of the companies best ranges more than people will ever know). I know there are names I have forgotten but alas my memory isn’t what it was! These are the people who deserve the credit.

Have fun guys and I hope this helped a little!