Series One archived: http://www.docohobigfinish.blogspot.co.uk/2012/07/the-fella-series-one.html
Series Two archived: http://www.docohobigfinish.blogspot.co.uk/2012/07/the-fella-series-two.html
The Players...
The Runaway Bride
It’s our first episode without Billie Piper and our first
episode with Catherine Tate! How do you think she fared?
I think on the whole she did very well but given how popular
Rose was in the day it probably wasn’t the easiest companion to follow. What I
didn’t understand was why she was so Tegan at the beginning. Why was she
playing it so aggressively? I don’t remember her being like that at all when
she comes back. By the end, after she was rescued from the Racnoss, she had
mellowed but at the start she was hard to warm to. You can be shocked because
its not every day you find yourself in an alien spaceship on your wedding day
but would you be quite this aggressive about it? I don’t know…
Say you weren’t a fan of Catherine Tate’s comedy and thought
that she was going to come into the show and be shrill and ridiculous…
…this would confirm all my worst fears, yes. And the trouble
was that with certain lines she came out with I could see some of her sketch
show characters – Derek, Lauren and Nan. I found myself looking for her
characters rather than seeing Donna as a person in her own right. When she does
return she comes back and is handled so much better than she is here.
I seem to recall Russell T Davies saying that she couldn’t
come back as she was.
There was no way. She would have been completely one-note. I
can’t imagine she would have been as popular as she was if she had come back
quite this grumpy.
Davies said that this was deliberately done tension because
this was a Christmas special and its supposed to be a bit over the top and
ridiculous. Donna was never supposed to be a long time companion.
I mean it was funny in places.
Yeah I saw you giggling to yourself!
‘Santa’s a robot!’ ‘Where? Gone out for a space walk?’
That was bloody funny!
She is likable though, don’t you think?
But I like Catherine Tate so I was automatically going to
like what she did in Doctor Who because I’m used to seeing her in over the top
roles and enjoy it. If you hate her kind of comedy you are in serious trouble
with this episode. It almost feels like in this story she is Catherine Tate but
in the series she comes back for she is Donna.
What do you mean? She’s like a caricature here but a character
when she comes back?
You took the words right out of my mouth!
Do you think she works well with David Tennant?
Very well because she wasn’t mooning over him! The
emphasis is on how she doesn’t fancy him which makes a lovely change. She says
something about how thin he is…and I think she uses that line later too. I
really liked how she reminded him of the emotional aspect of everything that he
does. I don’t think Rose did because she was rather busy thinking about how
everything was affecting her. Donna reminds the Doctor that there is a cost to
their adventures beyond the pair of them. I really like that and I like that
about her return too. They follow that up a couple of times.
Its quite nicely done for the Doctor too because it reminds
you that he is an alien and doesn’t see things the way that we do. He might not
blink at destroying the Racnoss but to Donna it is a terrible act. Do you think
that was quite a dark ending for the Doctor? He basically committed genocide on
Christmas day!
I guess so but its not like he didn’t give her ample warning
and say the consequences would be on her head.
Would he have been able to have gotten away with something
like that when the Times Lords were still around?
They wouldn’t have been able to stop him! Or they would have
slapped his wrist gently like in The War Games.
They effectively murdered him in that story!
Yeah but he had a great old time as Jon Pertwee with Jo
Grant and the Brigadier! It was like an extended holiday! Mind you didn’t she
say that the Time Lords destroyed the Racnoss? Maybe they would have done it
for him!
The Time Lords do have a very thorny history when it comes
to these wars…
Which is why I say they should be brought back! There’s good
stories there for the taking…
There is a pretty good audio series set on Gallifrey. Which
is more like a political drama on a multiversal scale – a bit West Wing-y. You
could see Lalla Ward and Louise Jameson walking the corridors of Gallifrey
discussing policy! Mind you I think any series set on Gallifrey would be more
for adults than kids.
It wouldn’t have to be. There could be wars and battles on a
massive scale – what did you say again?
Multiversal.
What does that mean?
Across all the different alternative universes…
Ooh yeah! See! That would be good! If they brought the Time
Lords back it would give the show real substance. He wouldn’t just be wandering
alone then but actually go out on missions and stuff.
You want the Doctor to be an establishment figure?
Its like the Key to Time (this is in Simon’s mind because
I have been working my way through season 16 over the last couple of weeks
whilst on my cross trainer), he could have an actual purpose rather than
just floating about finding trouble. In the last season there was a purpose
because it was about his death so there was substance to it beyond just telling
stories. He had to try and find how, when and why he died and do something to
stop it. It felt as though the season was leading somewhere.
And it looks like the next season is going to have the
running theme of Doctor Who, Question Mark. Changing the subject
completely then do you not want to see more mooning over the Doctor next
season?
No. But I know there is.
You don’t know it yet. We haven’t watch it yet.
Al-right. I’ll wait to be pleasantly surprised.
You sound like Marvin the Paranoid Android!
I begin to understand how he feels!
At least its unrequited mooning this time.
I’m sorry but that’s worse! I know why the writers do it
because they want people to get involved with the will they/wont they element
of the show but the Doctor is never going to settle down with anybody so why
bother?
Do you think that’s why Donna was generally quite popular?
She didn’t have time to be giving doe eyes to the Doctor!
She was too busy having fun! Why didn’t they just go for a man in season three?
Then they could have had done with all the mooning altogether.
This is Russell T Davies you’re talking about, right?
The man who wrote Captain Jack giving the Doctor a smacker on the lips?
Good point. We might have entered Queer as Folk, the
Doctor Who Years.
What a terrifying thought! I thought they might announce a
bloke this time round and was initially a bit nonplussed about Jenna Louise
Coleman. Then I remembered that she wasn’t Amy Pond and was happy again. Its like
the Billie Piper thing, I should learn not to judge until I have seen anything.
You should. I thought she looked quite spunky. Then again I
like Amy too.
But I get what you’re saying. It would be nice to have
something different from a young girl again. Not that I have any objection to
young girls travelling with the Doctor but it seems to me that when they do
something different like older women – Sarah Jane, Donna, Barbara, Romana –
they are the most popular!
Like Evelyn.
Now you’re referencing the audios. I have totally converted
you.
I like Evelyn. You made me listen to her in the car!
Don’t blame me for having a memory! It had the singing in it…what was it
called?
Dr Who and the Pirates.
Yeah it was funny and Evelyn had a way of putting Colin
Baker’s Doctor in his place. A rare ability!
We’re totally off topic again!
Whoops.
Did you think much of the story?
It didn’t really feel like a Christmas special to me. I’m
not sure why. It was like a bog standard invasion story with one Christmas tree
thrown in.
They film it in the summer ready to be transmitted in the
winter.
But the Charles Dickens one looked Christmassier than this.
Get the snow machine out. And I don’t understand what the spider was doing for
four billion years.
She was in hibernation! They said! She was out amongst the
stars! We didn’t realise because we thought it was just another glowing star.
For four billion years she’s been hanging around in orbit of
the Earth?
She just looked like a star! We didn’t know any better.
Admittedly she was covered in cobwebs but we have to allow them dramatic
licence.
That does not look like a star! I realise that’s how
we depict stars in drawings but a star does not look like that! Tell me
you don’t think a star looks like that up close?
Ummm… Why do we draw them like that then?
A star is a great big ball of fire!
Is it?
You cannot be this lame? You’re a science fiction fan and
you don’t even know basic astronomy? You better omit this bit otherwise you are
going to end up looking like a right tit! Our sun is a star. Think of it that
way.
How interesting.
Hash tag, slaphead.
Don’t hash tag me! Why do we draw the sun as a round ball
with lines coming off it but stars as criss cross points of light in the sky if
they are the same?
Because there is no limit to human stupidity.
Don’t look at me when you say that.
Anybody looking at our sun would just see a star.
Well maybe that’s all they saw when they were looking at the
Racnoss. A little speck of light in the distance. So there. How did this
compare to the last Christmas special?
I’d say it was about on par with that one. The Christmas
Invasion had Mickey and Jackie and Harriet Jones – it was basically all the
best characters from the first series coming together. It felt more like a
Christmas special in that respect.
Not that keen on Donna’s family yet then?
What her mum? She’s alright. Jackie was easier to warm to.
Donna’s mum is always in a grump.
No-one’s better than Wilf, though!
Wilf wasn’t in this one.
Oh yeah. I do feel sorry for Jacqueline King who plays
Sylvia because she is apparently such a lovely woman in real life and yet she
is forced to play this horrid woman.
Who’s Sylvia?
Donna’s mum. You didn’t even know her name!
That’s how much of an impact she had on me! I thought you
were talking about the cat (one of our cats is called Sylvie).
Do you think that this felt a bit like a pantomime?
In places, yes. The spider was way over the top with all
this ‘say I do!’ and ‘snickersnacker!’ It was a pretty impressive
costume though. This was a good story but it didn’t blow me away. Its probably
worth watching once but if I hadn’t seen it for a second time I wouldn’t have
lost any sleep. The next Christmas special I really like and could watch
over and over.
Voyage of the Damned? Really?
Yeah, that’s a classy little story.
What about the one after that?
What’s that?
The Next Doctor.
No. Rubbish.
What about the one after that?
Dot Dot Dot…
The End of Time.
What?
The regeneration story with the Master.
What one?
When David Tennant regenerated!
I can’t picture it at all.
When the Time Lords came back!
Ooh! That one! That was okay. I don’t think they do their
best work in the Christmas specials.
And A Christmas Carol with Micheal Gambon?
That was okay too.
And the last one?
There wasn’t one after that.
There was!
There was?
The Doctor, the Widow and the Wardrobe!
Oh yeah there was. No! That was daft, that one! The start of
that was good and the end of that was good but the middle bit was rubbish. You
fell asleep during that one. During Doctor Who! I rest my case.
Does a bad Christmas special get you less excited about the
new series?
Not really because most of the time it is a one off
companion and somebody new is joining at the beginning of the next series so
there is usually something to look forward to. I give this three out of five.
It was passable and quite funny because Catherine Tate was in it. She was a bit
shrill to start with but she mellowed. It was watchable, fluffy entertainment
but nothing more. If Catherine Tate wasn’t in this it would probably get a more
forgettable two and a half out of five but my interest in her lifts it.
*** out of *****
Smith and Jones
If you take out the Rose references, do you think this
effectively works as a second pilot for the series?
I personally think that this was better than the
first episode of the series. I think David Tennant is a better Doctor but it
also felt a lot fresher and more confident. Tennant has come on so much since
the last series and Freema Agyeman was really good. In fact it is definitely a
better season opener than series one but then they are naturally going to be
more confident two years in.
Is Martha likable?
Yeah I think she’s very likable. She’s very gutsy and has a
can do and get up and go attitude that I really like. None of this wailing
after the Doctor, just ‘lets get it done’ which I approve wholeheartedly of.
Rose was so much a reactionary companion, especially emotionally, but with Martha
you get the impression already that she will always think before she leaps. And
she’s not common! All the better! Its not really fair on the strength of one
episode to say whether she is better than Rose but she’s certainly already
better than Rose from last year.
There are people out there that really hate Martha,
you know.
I don’t understand why though. The actress is competent
enough and the character is lively. I don’t like that already they have
introduced her mooning over the Doctor because its starting to feel that there
has to be some kind of love interest for the Doctor in order to make the show
work…which we know isn’t the case from past experiences.
There is a difference between a likable character and a good
actress, though.
On the strength of this episode I thought she was
impressive. Maybe that’s because its all about her. I don’t think that’s a very
fair question this early in. Ask me that at the end. What she did have was good
chemistry with David Tennant and the character felt as if she was much more on
his level than Rose. That she can think for herself. Its good to see the Doctor
being impressed by Martha because then the audience is too. The Doctor doesn’t
hand out that kind of praise to just anyone. Also she told the Doctor that he
would have to prove himself to her. I liked that.
At the top and tail end of this episode we are introduced to
Martha’s family. Can you remember what their names are?
Leo.
Haha! I though you’d remember him! Anyone else?
Tish…
Do you know what the mums name is?
No they called her ‘mum.’ You didn’t hear her name in this
one.
Even I don’t know what the dad’s called!
That phone call was a clever way of showing all of Martha’s
family off. You know that she has a sister and a brother and can see the brothers
family in the background. Plus a dad and mum who are at war because of this
blond bombshell. That’s quite a modern, dysfunctional family and for some its
quite easy to relate to.
Tell me about it.
I don’t like people screaming at each other in the street
like they did at the end. There’s such a thing as etiquette, you know. We were
approaching Eastenders territory there but it was only for a second and they
quickly moved on so that’s okay. If the dad was any kind of man he wouldn’t
have invited his girlfriend along…and she did look very orange.
Do you think its good for the companion to have this kind of
background?
With the old series there never seemed to be any
consequences about getting up and going with the Doctor. It was a bit ridiculous
especially considering some of them didn’t even go back to the lives they knew.
We never found out what people thought about their disappearances. Plus it does
flesh out the character a bit too. We know now where Martha has come from and
why she might want to get away. I think its useful to have a family presence.
In the old series they tend to have a family in the first
story. For a while there was a period where a family member of a new companion
would be murdered in their first story – in one season that happened three
times. It was like the Doctor showing up was the kiss of death for the
companions family.
But did they deal with the emotional consequences of that or
were they all happy and smiley again and ready for the next adventure?
Adric, Nyssa and Tegan all lost family members (umm…a
brother, father and aunt) but yeah they had a second where they stared into the
camera, upset, and then its barely mentioned again.
How shit is that? Talk about missing out on dramatic
opportunities.
There was a Mr Saxon reference in this –
Yeah! I spotted that. I just can’t remember where I spotted
that. She was standing right next to a poster at the end near the TARDIS.
This must be right near the election then.
If I remember rightly then from the point she leaves to the
point she comes back its been something like four days.
Its quite clever that we are seeing the consequences of
something that they are yet to participate in, huh?
Well her entire year is set over four days in real time so
squeezing all those adventures into that time, including when they meet the
Master, is quite a novelty. It’s a real contrast to Rose who was gone for a
year because nobody really notices that Martha has gone because it has only
been a day or so. Nice for Russell T Davies to look at the time travelling game
from both angles.
One thing that didn’t make sense to me was that if this is a
few days away from the election then how did he give orders in The Runaway
Bride to fire on the spaceship? If he’s not Prime Minister surely he can’t give
those kind of orders?
Trust you to think up such a small detail like that! How do
you know that The Runaway Bride isn’t set after this?
Touché.
The Runaway Bride might have been set at the same time as
The Sound of Drums.
But it was Christmas. Its not Christmas at the end of this
series when the Master is Prime Minister.
Don’t think about it.
Tell Russell T to think about it more!
There is something I’m going to say and as soon as I do
you’ll fly off into a rage.
I promise I wont.
This is the sixth story in a row set in London.
Is it?
Love and Monsters, Fear Her, Army of Ghosts, Doomsday, The
Runaway Bride and now Smith & Jones.
I didn’t really notice I have to be honest. Fear Her was
just set in one street with little reference to it being in London aside from
the cuts to the Olympics. I don’t think you notice so much because there are
three companions in that little run so there is enough to distract you from the
familiarity of the location. They make up for it in the next one because they
head back into the past.
That’s London as well!
I suppose it is, yeah.
But a very different kind of London. And then after that
they are off to New New York. And then Old New York. And then back to London
again.
It does seem a little absurd that the Doctor has a time
travelling police box that can go to any alien world and they keep ending up in
the same spot. I don’t think the Doctor spent this much time on Earth when he
was exiled there!
Actually that’s a good point! What did you think of alien
space rhinos?
‘Judoon platoon upon the moon!’ Did he make up that name
just so he could use that rhyme? I thought they were very alien…sort of.
Considering they looked like giant rhinos. I really like it when shows make a
real effort with their costumes rather than just putting one piece of make up
on their faces like Star Trek. It must be really hard to make a face like that
operate in a way that it appears to be talking and animated and the poor actor
must be bloody hot inside. They weren’t just aliens for the sake of it either,
they had a reason to be there and they were a bit different too being space
policemen. It does seem odd that they developed from Earth based creatures.
Well you can say that about a lot of aliens in a lot of
shows though.
That’s true.
Looking at it objectively there is no other show that would
feature a hospital on the moon with space rhino police chasing a blood sucking
old woman, would there?
But that’s part of the joy of Doctor Who, don’t you think?
That it can do all this crazy shit and get away with it?
Definitely. Did you like it when they have guest stars like
Anne Reid in the roles of the villains?
Without a doubt. My interest perked up again when she
appeared because I really like Anne Reid and the other work she had done and
she was clearly having a blast playing this role. You would never suspect an
old lady to be the villain of the piece so I was laughing when she pulled out
her little straw! She reminds me of one of the old style Doctor Who villains
from the classic series. She was over the top but not too over the top that you
could take her seriously.
It is what they used to do in the sold series- give all the
best roles to the top actors at the time. Even this series they are dotted
about.
I can’t think now…Mark Gatiss? Was he this year?
Yep. Well remembered.
Umm…Deirdre Barlow! She was in that one too!
You mean Thelma Barlow?
Her too.
There’s the guy from Father Ted in Gridlock. The guy from
Shameless in The Shakespeare Code. Derek Jacobi and John Simm as the Master.
It’s a good show for that though, isn’t it? You don’t have
to commit to a long term part and you can just come in, play a quirky role and
have fun for a couple of weeks.
Does the calibre of the actors surprise you?
I don’t think they had many famous stars in the first
series, did they? It seems to have become popular to appear in Doctor Who the
more popular it has become.
Come series four there is a well known guest star in every
episode. Come The Unicorn and the Wasp they have shoved in as many guest stars
as possible!
Oh I love The Unicorn and the Wasp. Can’t we watch
that one next?
Of course you can’t! Although I can’t wait until we get to
series four. I love that year too.
Going back to this episode though I thought it was a really
good season opener. It feels fresh which is really important at the beginning
of a new year and David Tennant came back with real enthusiasm. It set a good
tone for the series as a whole. It wasn’t too deep and meaningful which was
nice, it just wanted to give you a rollicking good time whilst introducing
Martha and it did that really well. I can’t remember if I spotted this Mr Saxon
stuff the first time round. I don’t think that I did. Maybe you told me.
I didn’t know myself the first time round. I didn’t even
know the Master was coming back in Utopia! I nearly pissed my pants with
excitement!
Anyway that’s all coming up later. I’ll give this story an
energetic four stars out of five because it made me feel happy watching it.
**** out of *****
The Shakespeare Code
Let’s get this out of the ay first…you’re not the biggest fan of Shakespeare, are you? You philistine.
The Shakespeare Code
Let’s get this out of the ay first…you’re not the biggest fan of Shakespeare, are you? You philistine.
That is right.
Why is this?
I hardly understand what he is saying in his plays and I don’t like poetry at all.
Do you remember when we watched the Le DeCaprio Romeo & Juliet?
Oh yeah. I didn’t understand what was going on!
You made me turn it off halfway through!
Well
I could kind of understand what was happening because of the visuals
but its annoying to watch something when you are constantly on the edge
of understand what its all about. It feels like everybody else has been
let in on this big secret and I’m plodding about trying to grasp at it.
That’s how Shakespeare makes me feel. So yeah, not a fan. I’ll help you
to push this one along a bit because visually this episode was
absolutely stunning. The sets were amazing, the CGI London looked like
it had come from a film, the effects were amazing…but it did bore me a little bit because of the subject matter. Perhaps bored is too strong a word. I wasn’t bored, I was disinterested. Perhaps all this conjuring powers with words was a bit silly.
But you loved Harry Potter and that is based on exactly the same premise. Magic with words.
No its not, its different.
It is exactly like Harry Potter. They even reference Harry Potter in the script just in case you didn’t get the parallel.
I liked the witches and I liked everything up until the number bits…
The number bits? I thought you were complaining about the words?
The
numbers at the end of his play. How did the numbers at the end of his
play conjure up the Carrionites? It just felt a bit silly, a bit too magic for Doctor Who which always seems more grounded in logic.
Maybe in the old series but I think a wave of the hand to explain a plot has become much more common in the New Series.
Did
you say this was written by the same guy who wrote The Unicorn and the
Wasp? I much preferred that story because I love the time period and the
genre. And I understood all the difference title dropping.
That’s because you’ve seen a ton of Agatha Christie’s and you’ve never bothered with Shakespeare.
Maybe it would be more fair to say this is tailored for somebody like you, then.
Yeah I got all the references. Mind you they weren’t exactly obscure ones.
Ooh,
get you. He said ‘ooh I’ll nick that one’ after every one so I did get
that they were quotes from the plays. But I didn’t understand them in
context like you did so my reaction was more ‘meh’ than ‘yeah!’
You
think an aficionado of Shakespeare would get more from this then?
Because I really liked this one and assertion of the power of words. I
realise it is numbers that make up the universe but words are what give
it meaning.
Oh very profound.
I wish words were what made up the universe but science disagrees with me. Give me a crossword over Sudoku any day.
I like words. I just don’t necessarily think we need a story built around them.
That’s the silliest thing you’ve ever said. We’d all be watching mime if that was the case.
Oh you know what I mean. I thought the theatre set was incredible.
That wasn’t a set. That was the actual Globe Theatre in London. You can visit and see plays.
Really? Maybe we’ll have to pay a visit one day.
Its good that they went there so we had the full Shakespeare Experience, if you know what I mean.
I
thought Martha was very good in this one again. She contributes a lot
of the ideas where Rose wouldn’t have done and the Doctor continues to
be impressed by her. I don’t think Rose would have known that a sonnet
has 14 lines. Even I knew that. And when Martha stepped forward and
wagged her finger and shouted ‘Carrionite!’ it was one of the
brilliantly funny moments where you want the world to swallow you up
because its so embarrassing. And all the stuff about stepping on
butterflies was fun because nobody ever asks those sorts of questions.
They just step out of the TARDIS unfazed and off they go.
There was another guest star in this episode.
I think there was two!
Sorry?
Two guest stars. Obviously I recognised Kev from Shameless but I think one of the Carrionites was somebody I recognised too.
I think you mean Jane Duvitski.
From Waiting for God and One Foot in the Grave. Yeah.
Its not her.
Are you sure?
No, its not her. I thought that before and I looked it up.
She looked very similar.
Oh come on, Jane Duvitski isn’t that ugly!
It’s
the eyes. There was a point where Martha said that she knows that the
world didn’t end in this time period but I didn’t understand his
explanation.
He
was basically saying that time is malleable. At its simplest if you go
back in time and change something then the future will change.
But it doesn’t change.
But it would. I guess every time they go back in time they are making it how it is supposed to be. How it is now. With Love Labours Wonne vanished into the ether.
But the world didn’t end in 1599 or whenever this was set. What’s happening now has happened.
I suggest you don’t watch The Aztecs, then.
But
I don’t get it. There’s no way that Russell T Davies is ever going to
not set stories on modern day Earth. Its his favourite thing. So to
suggest that the past could be where it all ends, it just seems a bit
pointless. When they go back into the past it would be much better if
they just concentrated on a few characters and made us care about their
fate rather than threatening to bring the apocalypse down.
Its like Back to the Future when the photograph changes. It can change. That’s why they have to stop it. You like everything to be logical, don’t you. It all has to slot into place.
Yeah, I’m a numbers man. Screw words.
You could be best friends with Christopher H. Bidmead.
Who?
Never mind. This is science fiction, though. Its not reality.
Its more fantasy, this one.
If you liked the witches and the guest stars and the effects and the scenery then there is quite a bit you liked about this one.
I
think it was just theme and the silly bit with the numbers. I liked how
explosive that ending was with all the witches circling about.
Everything else was pretty good. I’m going to give it another four
because I’m not going to drop points on the fact that the subject matter
wasn’t for me. Because as a piece of television it was practically
flawless. Its my fault if I don’t understand or like Shakespeare. Not
the episodes fault.
I
suppose its like somebody else watching The Unicorn and the Wasp who
doesn’t like Agatha Christie. They aren’t going to get a lot out of
that.
Yeah,
the fools. I liked the bit at the end when Elizabeth the First showed
up. Couldn’t we have a story that explained why she wanted him dead? I
do like the ones set in the past. Everybody seems to up their game.
Are there any other historicals this year? I can’t think…
There’s Gridlock…
…and then we’re back to the 1930s. Not really a historical but it is back in time.
Then its…
…Lazarus.
Then its…
42. Then its Human Nature, isn’t it? Pre-First World War. Love that one. What do you call that decade? What do we call this decade?
The Tens?
That
sounds stupid. We had the Noughties (even though I don’t like the sound
of that) and then the Twenties and the Thirties and so on…
The Teenage Years?
What about 2011 and 2012 then?
Does it really matter?
I’ll have to look it up.
**** out of *****
When they first arrived it was raining and they were clearly outside.
Evolution of the Daleks
Gridlock
As we were watching this episode you seemed to be having terrible problems with the plot. Or at least the setting. Can you elaborate?
When they first arrived it was raining and they were clearly outside.
I think that was artifical rain.
No
don’t think. Don’t assume. But if they are outside then why would
anybody get in a cat and join that big massive motorway? Why didn’t they
just sail off into the sky and go that way?
And it really bothered you that much?
It really, really annoyed me.
But
then you were okay with it by the end because they explained that the
motorway was on a higher level. So it must be artificial rain and an
artificial environment.
But
that still doesn’t make any sense. Why create an artificial environment
that looks like outside down there when there is in fact a real outside
up the top? Why didn’t anybody think ‘hang on a minute, I’m going round
and round in circles for years, I’m getting off because this is
ridiculous!’ Some of them had been doing for 23 years! You would think
that by the time they got to a lay by they would have given up and
thought ‘d’you know what I’m getting out. I honest don’t care where I
end up as long as it isn’t spending another two decades in a tin can!’
So you think there was something inherently flawed in this episodes logic.
It
made them all look stupid. Its like you and I heading off to Scotland
for a weeks holiday but spending a couple of years on the motorway
trying to get there. Its bloody ridiculous. Nobody would behave like
that. We heard there were jobs going in Scotland so we thought we’d take
a chance. What, you heard there were jobs 24 years ago? Bloody morons. I
get the idea behind this one but the premise is really flawed and it
tied me up in knots rather than just sitting back and enjoying it. And
then to have those giant crab things! That was just something else!
We’ll get to that later. Does Doctor Who have the budget to pull off this kind of effects heavy show?
Again
I thought it looked amazing, just like the Shakespeare episode. There’s
no part of this that doesn’t look authentic and you can well believe by
what is up on the screen that this is a real culture. It was just the
writing that got me. Even the crabs looked fine in CGI although the idea
of giant crabs sitting down there is just…
I said we’ll get to that later.
I
assume that the budget went up as the success of the show grew. They
could pull off a proper alien world now. They just shy away from it for
some reason. This was not an alien world. All we saw was a cat!
Nonsense! You had men who were red and white! A woman who was black and furry! And Boe!
She was also a cat.
She wasn’t a cat! She was all black and furry! Maybe she was a cat…weird looking one though.
So two cats and albino and a big head. I want an alien world with alien people!
You will next year. We’re going to Planet of the Ood.
With more humans on it.
And Ood. Oh there’s no pleasing you, you miserable old git. What do you want – a Star Wars style Cantina?
Yeah! Bloody right I do!
You’ll get one of them by the end of the era too!
When?
Just before the Doctor regenerated. Jack was in a bar and it was full of aliens.
That’s not a very nice thing to say about Russell Tovey’s ears.
So in your face. Why did the Doctor lie to Martha about Gallifrey.
He
didn’t want to let her in, I guess. And he didn’t want to have to go
through the pain of talking about the loss of his planet all over again.
Apart from Adric did he ever lose any companions like Rose?
A couple of one hit wonders in the sixties but nobody else. Everybody else choose to leave.
So
I don’t suspect its something that he’s used to. He doesn’t want to let
anybody else get that close again. It was quite nicely done when he did
tell her the truth though because we got the emotion of the moment
without having to listen to the whole story all over again.
Its not like they can’t mention Gallifrey this series given that the Master is back at the end of the year.
And the Daleks appear in the next one.
You really like Martha, don’t you. I can just tell.
She’s
strong minded and quite sassy. She’s able to head off and do her own
thing and she’s a thinker. Yeah, I do like her. It was great when she
ripped the patch off that woman’s neck. Plus she isn’t common.
Oh dear.
At the moment she’s not swooning too much around the Doctor.
She wasn’t really around him much though.
I
don’t mind this ‘one more trip’ stuff because again I don’t think he
wants to be attached to somebody. He doesn’t want to replace Rose and
what she meant to him. He doesn’t want to go through the whole process
of getting to know somebody again because he knows they will leave him
eventually.
Even though he is reluctantly starting to really like her.
Well you can’t not, really.
Did you know about the Macra.
No, I did not.
Does their inclusion bother you since this is a moment for the classic series fans?
It was stupid.
Why?
The explanation was that they feed on gas or something. Giant crabs? Feeding on gas? They had no purpose to be there.
They
needed a danger down there so why couldn’t the danger be a classic
series monster? And actually that’s another alien. See – there are a lot
of aliens in this one!
You cannot classify a giant crab as an alien!
That is an alien! It’s a Macra!
No it’s a crab. It doesn’t count.
You just don’t like to be proven wrong.
Hmm.
For a more gentle viewer like myself it was more than a little
ridiculous having giant crabs down there eating cars. I don’t think it
made a lot of sense, really. It was just a bit too out there for out
there’s sake. There were quite a few holes in the plot, I think.
There was a nice futuristic landscape at the end for you. They are trying to create some nice science fiction vistas.
But it was just a city. It looked gorgeous but I want to visit somewhere truly alien. They aren’t trying hard enough.
Would
you rather they just visited some quarry and said it was an alien
planet? Or go to the Stargate forest? How many forests did they visit in
Stargate and you never complained once. They even did quarries in Star
Trek.
They have the money and the budget to do alien worlds now. They just have to get on with it.
Well
we’re visiting an alien planet by the end of the series when we visit
the planet Utopia. Even though its just a quarry with a few CGI effects
thrown in. So you better be happy. Then you are going to the Planet of
the Ood. And the world where he creates his daughter! And Midnight! So
ner!
Its supposed to be a science fiction show but it always seems to centre around humanity.
And the library planet! Four planets next year! Ner ner ner!
But why are there humans at all of those places.
Because
people don’t think the way you think and if you did something like The
Web Planet or The Happiness Patrol now – characters dragged up and a
Bertie Bassett monster – they would switch off an think its ridiculous.
Maybe its got a little too safe because of it, I don’t know but the
point stands that keeping that human element keeps people watching.
All
I’m asking is that they go to an alien planet. Not New Earth or a space
station. An actual alien world where there are no humans about.
Its not going to happen. Stop dreaming.
Its like arriving on the Klingon homeworld on Star Trek and its full of humans!
Oh
fuck off! Those Klingon episodes are little more than Shakespearean
dramas with Mars Bars on their heads. They don’t act in the slightest
bit fucking alien. Its just Hamlet and Macbeth and Henry V with
pretensions of being science fiction.
And breathe.
Sorry
about that but you push me. I don’t understand your criticism because
you’ve watched years and years of Star Trek where they’ve visited
hundreds and hundreds of worlds where they are just humans in costumes.
Here you’ve got cats and crabs and big heads and black, white and red
people! At least they are trying! Next year you get the Adipose which
was a bit different.
Set on Earth.
Never mind that we’re talking about aliens now. Then the Pyroviles. A bit different. The Ood. Very unusual. Then the Sontarans.
All those are on Earth except the Ood.
I’m not talking about whether they are on the Earth!
Oh I’m sorry.
Then you get the Hath.
With humans.
You are trying to rile me.
Sorry.
Then a giant wasp.
That episode I can forgive because it’s a very good episode but again it on the Earth and with humans.
The Vashta Nerada…skeletons.
With humans.
Then it’s the unnamed creature in Midnight.
Attacking a ship full of humans.
Then the bug monster in Turn Left.
On Earth.
Actually there’s an alien world at the beginning of that one too.
Then you’ve got the Daleks. It’s a whole menagerie of fascinating, interesting and very unusual monsters.
You are starting to sound like Sarah Jane and Rose when they had their monster bitch fight.
Well you try and get my back up.
Why,
for example, with the Sontaran episodes (even though I like that one)
couldn’t they have arrived on a planet right in the middle of the war
and the Sontarans and the Rutans.
Well remembered.
It would turn people off.
Why?
I
think you’re asking a lot. You’re asking a lot of Doctor that you don’t
ask of any other science fiction show. How many science fiction shows
have you ever seen where it is primarily science fiction in the way that
you are asking? None at all. Not one. Because it wouldn’t work or
retain an audience. Star Trek is full of humans and there is a massive
human element to it. Stargate is all about humans and human mythology.
Buffy is all about humans. The X-Files is all about humans. All with the
odd alien/supernatural bit in it. I think you are being picky for the
sake of being picky and asking for something that will never exist and
has never existed as far as you have seen.
(Stony silence)
You say that you like blatant arcs and you can’t say that the You Are Not Alone mention at the end isn’t blatant.
It was good. Gives you something to look forward to.
So you absolutely despised this episode then?
I didn’t despise it. I’ll give it three out of five.
Are you kidding me? You are nuts. After all those complaints?
It was funny in places and the effects were good and some of the characters were fun. The story was flawed.
It feels like Russell T decided what the ending was going to be and
then tried to construct the rest to lead to it but it doesn’t quite
work. And the rain bugged me because it made me think they were outside.
Its weird how you cling onto these obscure details.
I’m quirky like that.
*** out of *****
Daleks in Manhattan…is that a ridiculous title?
Not really, that’s what it was a about. Perhaps it’s a bit too self explanatory.
Yeah but couldn’t it have been a bit more exciting? It sounds more like a Dr Who Experience in America.
Like what then?
I just think we can pitch a little more mature than Aliens in London or Daleks in Manhattan or Dinosaurs on a Spaceship.
The Daleks’ Evolution? Nah that implies that they all change.
That’s the title of the second episode.
Is it?
Yup.
But they don’t all change.
Don’t take it up with me! Empire of the Daleks?
Empire? There was only four! That’s too silly.
Pig Slaves of the Daleks?
Really? I
thought the title was fine. It wouldn’t put me off because it know it
has Daleks in it. I don’t really remember titles anyway. I think people
that worry about things like that have too much time on their hands.
Cheers.
You certainly do!
If I hadn’t of told you that they hadn’t have taken the actors to New York would you have known watching that?
No.
When you think about it though a lot of those locations could be
doubled in England. A park. A brick wall. A sewer. Everything was
superimposed in really well. I’ve been to New York several times and I
thought they captured its flavour rather well. For a British show to
block off an area of New York to film is probably a bit difficult.
That’s what they’ve done this season though. But then the show is bigger in America than ever before.
I
really enjoyed the setting I have to say. I enjoyed the atmosphere more
than I enjoyed the story. The way people dressed and talked, it really
takes you back to the 30s.
What about the Hooverville stuff?
I
honestly didn’t know anything about that until I watched this so I
learnt something interesting. I knew about the Wall Street Crash but
beyond that I wasn’t privy to any of the detail about the slums in the
park.
Sydney Newman would be delighted!
Who’s he?
Never mind. The fact that you liked the setting is a good start because that is the thing you usually moan about the most.
I
didn’t like the pig slaves, if you are fishing for a complaint. I
didn’t see the point of them. What was the point of turning them into
pigs?
Are you only saying that because you thought Lazlo was hot?
Umm, I would never be that shallow.
If they hadn’t turned Lazlo into a pig would you still have had a problem with it?
Probably not.
Hah!
No I would! I would! It does seem a bit ridiculous! Why go to all that effort to turn them into pigs? Why not just hypnotise them or something?
Pigs are quite brutal, aren’t they? So they’ve got quite an effective little army backing them up.
What do you mean pigs are brutal? What sort of pigs do you hang around with?
They call them swines! They tear at each other!
(Simon pauses to laugh his head off)
They are brutal!
When was the last time you were attacked by a vicious pig?
Okay then would wolves have been more acceptable?
Surely it would be better to leave them as people. If they had just brainwashed them they could have moved about unnoticed.
Like they do in the second episode.
Yes! Although we haven’t seen that yet.
What did you think of the continuation of the story of the Cult of Skaro?
I
enjoyed that. I like the fact that there is a running story for the
Daleks now rather than just new ones turning up every time after the
Doctor has wiped them out forever at the end of each story. When were
the Cult last in the show?
Only in Doomsday. Only four got away.
That’s right and there’s just one left at the end of this story.
And where did he go?
He fleeeeew into the time vortex! We’re getting ahead of ourselves here!
Okay, sorry. I just can’t resist you saying that. Do you think there were too many elements in this?
What do you mean?
Well
when I was watching I thought there was too much going on. You had the
Hooverville stuff, the pig slaves, the experiment, the stuff with
Tallulah –
Three Ls and an H
- it was really busy and bit too all over the place.
I
didn’t think that at all. There’s a whole other hour yet to finish the
story off so there is space for more to happen in the first episode. Two
parters allow for more set up.
I think this might have worked better as one episode.
The
Hooverville lesson was only to set the scene, its really nicely done.
You’re too harsh. Why do I get the feeling that this one wasn’t enjoyed
so much by the fans?
Because you are amazingly perceptive?
No
because you always go into those episodes on a downer…your questions
about it accentuate the negative. I rather liked this episode.
Do you think had this been a single episode they would have taken all the Hooverville stuff out?
Well
duh. They would have had to have taken 45 minutes out. Scene setting
would have gone out the window. They would have been beamed into the
sewer or something.
Beamed?
Umm…what’s the word?
Materialised. Beamed is Star Trek!
Whoops.
They would have materialised right into the sewers and fallen straight
into the hands of the pig slaves and the cliffhanger to this episode
probably would have been in the first five minutes or the episode.
Oh if only!
That’s why I like it when they have multiple part stories and arcs because there is time for the story to breathe.
Unless
its written by Steven Moffat. Then it has to sprint about all over the
joint. I’ll be very interested to see how you find the end of the season
then because that’s practically a three parter.
I remember. I look forward to it.
What about Tallulah?
Three Ls and an H. I liked Tallulah a lot. ‘Its either that or a spear’ – see if I can remember the dialogue that is a memorable character.
Or memorable dialogue. Do you think she would make a good companion?
Umm…yes and no. I’m not sure. She’s quite a novelty and it might wear off in other settings.
She kind of performed Martha’s role in this story, didn’t you think? Martha didn’t really do a lot.
She got captured a few times.
Ooh bestill my beating heart, a companion that gets captured. That’s new.
I think she does more in the second episode.
I think you could be right.
Sometimes
it gets dull with the companions so its nice when somebody is as
prominent as Tallulah. They do it quite a bit, don’t they. Bring in a
big name guest star to shake things up a bit. When its all about the
companions you end up with episodes like Father’s Day.
You really hated that one, didn’t you?
Could you tell? Mind you aren’t fond of it either.
I know and thanks to watching it with you I hate it even more now. Do you think the musical number was needed?
I enjoyed it. It added a bit of colour.
Would your father approve? (Simon’s dad is a professional choreographer)
Probably. I give this episode four out of five.
Excuse me? You don’t wrap this up until I’m finished!
Then ask your next question instead of going on about musical numbers.
I don’t appreciate your rudeness.
You haven’t got any more questions, have you?
I do! Did you like the cliffhanger?
(A few moments of Simon and I breaking into an all male choir mimicking Murray Gold’s music at the end of the episode)
A
human Dalek is an interesting idea. Its an unusual spin but I think
anybody watching will know that they wont change the Daleks. Like ever. They’re iconic. You cannot change something like that.
But they did change them into fat coloured ones in series five.
I liked them. I can’t wait until we get to that story so I can give those Daleks a little praise.
Why? They were shocking!
They were a bit more stylish. Anyway back to Daleks on Broadway…the
big fat colourful Daleks were just a variation on a theme, this would
have been a permanent change in making them humanoid. Its okay for one
episode but I don’t think it was ever going to be permanent. I can’t
imagine them turning up too often with those slimy tentacles on their
faces.
So you knew at this point, his introduction, that this person was going to be dead by the end of the next episode.
Pretty much, No point watching it now, is there?
Go on then wrap it up.
Nice
setting, good characters, interesting developments…not bad at all. I
preferred this one to Gridlock. At least it had some kind of logic to
it.
Logic be damned, you are one weird bloke.
**** out of *****
Evolution of the Daleks
Before
we start I want to tell you a little story about the writer of this
episode. I want to see what you think about it. This two parter was not
very popular with the fans at all, its probably the most loathed two
parter of the New Series. And the writer, thinking that she had done a
good job, went online once the episode had been broadcast and after she
read the comments that were left she was left in tears and in serious
doubt that she had any ability to write whatsoever. She did write again
for the series, she wrote the Sontaran two parter, but it took Russell T
Davies to calm her down and convince her to never go looking at what
the fans think again if she is going to write for the show again. Do you
think we have the right to be that vicious about these things? Like
these people who are sending death threats to Steven Moffat? Do we have a
right to claim this series as our own and persecute those that
contribute towards it?
I
think people have a right to say if they don’t like something. You’ve
paid money for a television licence which means you have worked hard in
order to pay for a product. But that doesn’t mean that people have a
right to be rude. Not personally rude and vicious about the writers or
the actors or whatever. That’s when it tips over into abuse.
People do though. Steven Moffat has been hounded off of Twitter…
That’s
because some people are freaks who don’t realise that this stuff isn’t
for real. Its fine to invest in this stuff but not the point where you
are insulting people and threatening their lives. There is something
very wrong with that. What about that guy online who went on a massive
rant about Doctor Who magazine finding everything ‘completely insulting!’ and calling people who enjoy the latest series ‘fucking nuts!’ –
what a fruitloop he was! (Here’s the link if you have the stomach for
it…) These hardcore fans think that this show is just their domain but
it really isn’t, its something that is enjoyed by a lot of people now
and as a result the tone and the style of the series has had to change.
I’m sure some fans of the classic series feel that the show has gone mainstream.
But
it has. Its for everybody now. And I think that some people don’t like
that. It was probably a lot more fun when it was a secret cult that you
whispered about in corners of rooms rather than everybody discussing the
latest episode by the water cooler.
But it always was pretty mainstream. At its height 16 million people tuned in.
Yeah
but not when it went off air for so long. Then only the hardcore fans
stuck with it. Now its sleek and sexy and has a lot of money thrown at
it – it isn’t the same show that they knew. Fundamentally it is, but its
never going to be that creaky old plutonic show again and the fans that
get worked up about that should just go and watch their old DVDs
instead. Its moved with the times. People don’t have the right to be
rude and abusive. You can say why you don’t like something without
personally attacking people. I think some (not all) of these hardcore
Doctor Who fans lack the social graces to make that distinction.
People say things like ‘so and so should die’ or ‘Steven Moffat should be dragged through the streets in chains…’
These
people need to get a grip. Its just a television programme. There are
so many things out there that are worth getting passionately angry
about. Poverty, racial abuse, domestic violence. Not Doctor Who. There are worse things in the world than a bad episode of television.
There
is a sense of ownership about Doctor Who though, isn’t there. Actually
no I think Star Trek fans are the same. Actually I think it might be
science fiction in general. Okay let’s talk about the episode before we
write 1000s of words off topic…did you think that this was quite an
interesting use of the Daleks?
The
irony of this conversation is that I thought much of this episode was
pretty terrible. But I shall try and be constructive rather than rude.
Lets say it wasn’t to my tastes. I did enjoy the first half a great deal
and it promised a lot by introducing this human Dalek guy but I felt as
if I had wandered into an episode of Star Trek.
What do you mean?
Remember
when they first introduced the Borg. They were scary. And then in
typical Star Trek fashion they decided to make them more human over
time. Allow us to get to know them. Taking away everything that made
them scary in the first place. I felt the same thing was happening
here. ‘I’ve got all these human emotions and that music sounds lovely…’ –
no! No! No! No! You are a Dalek! The idea is you’re supposed to
exterminate everybody and be the masters of everything. That’s your
thing.
I suppose your argument works until they went the other way and turned human beings into Daleks.
When?
The army at the end in the theatre.
Oh yeah, the army of twelve! They weren’t Daleks!
They
had Dalek guns! What were you watching? That’s what the whole plot was
about…turning people into Daleks. That was the big twist.
There
must have been too much going on then because I didn’t get that at all.
I just thought they were zombies. I think the Daleks should just go
around killing people. Its what they do best. I get that the writer was
trying to do something a little deeper with them but I kind of like them
shallow. That whole plot with the human Dalek that looked like Dr
Zoidberg from Futurama was a bit naff – ‘Wobwobwobwob…’
I
tell you it is awfully like an old Patrick Troughton story where they
did the same thing. You had the Daleks pretending to want the human
factor when in fact they wanted to plant the Dalek factor into humans.
Oh so it wasn’t even original?
Not really. Evil of the Daleks had humans going around pretending they had Daleks suckers with their arms.
At least if they had done that I would have figured out what the zombies were supposed to be!
So you don’t think they should do anything interesting with the Daleks?
Yeah, interesting. Just not this.
You didn’t like it the last time they tried to give the Daleks a psychological angle when they opened up its casing in Dalek and it wanted to touch the sunlight…
You’re
just trying to get me angry now, aren’t you? To turn me into one of
those psychotic Doctor Who fans! Yeah, that was pretty bad too. Again
its trying to make the aliens human. What is wrong with being a badass
alien?
But you did like it when Dalek Caan went off in this story and went nuts.
Yeah
but let’s be honest all of the Daleks are nuts all the time. That one
was just out of his casing and even more nuts. Just let the Daleks stay
alien and let them kill people.
But that’s what they always do. Isn’t that a bit old?
Clearly not since
they are still popular. And besides don’t be shy when you are going to
do something like this. Its like they went to do something audacious
with the Daleks but got scared and suddenly backtracked. This was a dead
end development. Mind you they had to, didn’t they? You could have had
an army of those willy heads turning up everything time the Daleks
appeared. The army of Zoidbergs! ‘Wobwobwobwob!’
You don’t want the Daleks humanised, do you?
No, I like the new ones.
What the Fatleks?
Yeah, they are colour coded. An ideal marketing opportunity!
The action sequences were quite ambitious in this episode. They staged action in Central Park and on the Empire State Building.
Don’t get me started on those electrified poles!
What?
The
lift went down, they were looking at it, it went from 0 to 50 in about
30 seconds but then took forever for it to travel the last 50 whilst she
got the poles together. The pacing was terrible. The bit in the park
was quite well done. Except they only killed one person.
They certainly wouldn’t have been able to pull off flying Daleks in the classic series.
They
might have done. They could have had the Daleks wobbling on strings.
Given some of the stuff you have shown me it wouldn’t have stopped them.
What was that one called with all the moths and ants?
The Web Planet.
If they can try and pull that off would try anything.
I remember you were doing the funny Menoptera hand movements for ages after we watched that.
Huh?
(I demonstrate)
Hahaha! Oh yeah. Poncy moths.
I’ve totally lost track of what we were talking about.
Action
sequences. I tell you what was a good action sequence. In that episode
Dalek when he went around those corridors killing everybody and
electrifying the water and causing a massacre. That was a good action
sequence. That Dalek was doing what comes naturally to them. And in the
one where they moved the Earth…there were loads of good action sequences
in that one. The electrified poles don’t really compare.
How about Martha this week?
She’s
okay but she’s going down that route of mooning after the Doctor all
the time. I like the fact that she gets things done but every scene
seems to want to mention that she’s in love with the Doctor. He’s quite
abusive of her here. Donna would tell him that he’s behaving like a knob
but Martha just takes it.
She does get there by the end of the season.
Yeah,
I remember. She eventually tells him where to go. But it’s a bit odd to
suggest that Martha is this independent new assistant and very capable
in one breath but in the next she’s desperately seeking the Doctor’s
approval and mooning over him. I want one without the other. I want
Donna.
Is that the rudest mask ever?
It was alright. I don’t find it as rude as you do.
I’m sorry but they do look like twitching penises!
Really?
They do!
Well they are pretty ugly willies then.
Willies are ugly!
That’s true. I thought he so looked like Dr Zoidberg from Futurama.
Oh go on I know you want to do it again…
I kept expecting him to run around going ‘wobwobwobwob…’
Okay I want to see if you were paying attention, which you clearly weren’t. What was the Dalek plan?
They
were adding Dalek bits to the Empire State Building so the lightning
could put lots of energy into the bobbly things to do something with the
Dalek DNA. Or something.
So you weren’t really paying attention then?
They were trying to put Dalek DNA into humans.
I told you that earlier!
Damn.
I was hoping you’d forgotten. Normally I’m really good with plots but I
think I lost interest with this one. Had they come down looking like
Daleks I might have realised what was going on – like those ones in the
latest Dalek episode with the bits coming out of their heads. That would
have given me a big clue as to what was going on. Instead they looked
liked people. Plus I thought there was supposed to be thousands of them.
There were only twelve! Where was the rest? Plus what was the point of
the pig people?
Dalek Caan vanished at the end. Where has he gone?
He fleeeeew into the time vortex! You only wrote that question so I would say that, right?
Its so cute.
You’d
think if he was able to beam back into the Time War he would do more
than save Davros. I would meet up with the other Daleks and say ‘hey guys, the Doctor is going to be along shortly…’
Do you think the Daleks should shoot first and say exterminate later?
Yeah! I remember screaming that out whilst we watched! Bloody get on with it!
Do you think they come across as a bit stupid when they don’t kill the Doctor when they have the opportunity?
That’s
the sign of a good villain, though. Its classic. They always have the
good guy in their clutches and never quite get around to finishing him
off.
That’s
why its quite funny when they actually do do it in The Stolen Earth its
quite surprising because its practically an accident.
The
Daleks are a bit like my old dog when he eventually caught the rabbit.
When he finally got him he didn’t know what to do next!
When that Dalek does shoot the Doctor he spares us from a soppy moment as well. It’s a double coup.
Oh
yeah! That endless road that he runs down! Don’t get me started on
that. All I can say is DON’T PROMISE AND NOT DELIVER! If you are going
to regenerate, get on with it! Don’t beam yourself into a hand! Oh look
what you’ve done. I’ve become a screaming Doctor Who fan!
Is
the Doctor a big fat failiure in this? Because he says he’s going to
going to get the Dalek technology off the Empire State Building and he
doesn’t. He says he’s going to help the Daleks out and most of them blow
up. And he says he’s going t help the human Daleks and they all die.
You mean all twelve of them? What happened to the other thousand?
They
all died as well. Remember when they all fell down dead…that’s’ what
happened to all the others that were in the sewers all over New York.
I’m
not buying it. So you are telling me there are thousands of bodies
lying around in the sewers? Yeah the Doctor is a bit rubbish. But then
to be fair he’s trying to navigate a rubbish plot. He’s got no choice.
Even Martha points out ‘I can’t help but notice that the Dalekanium is still attached to the roof…’ Yeah thanks, Martha. What have you been doing?
She killed all the pig people!
Kudos on the killing Martha. But don’t use silly electric poles next time.
Is
it getting a bit old that one Dalek always survives? Or is it like the
Master when you know he will always be back at some point?
Well
it is a big old universe and they have been in the past and the present
and the future so it would be pretty hard to wipe them all out. No
matter how many times they tells us they have been.
Wrap it up then…
The
set up was good but they wimped out with the second half. Either make
the Daleks something different or don’t. Don’t try it and say actually
we’d rather not.
Dead End of the Daleks?
Pretty much. Don’t make the Daleks human. This isn’t Star Trek.
One of the best things about Doctor Who is that the monsters are just
evil. They are indiscriminately evil and kill and that’s scary. Dr
Zoidberg wasn’t scary. I didn’t like it. I’ll give it two and a half –
not as low as a two because it did look good. Pretty much every episode
of Doctor Who now has a certain level of competence but after the first
part…this could have been a lot better. And the Doctor was too
hysterical. No two stars.
** out of *****
The Lazarus Experiment
The Lazarus Experiment
The Doctor dumps Martha back home. Is that fair?
Not
really, I suppose but he did only promise her one trip. And another
one. One to the past and one to the future. It didn’t occur to him to
offer her an extended trip because he still has issues about Rose. It
wasn’t unfair more than it was a bit thoughtless.
Its
just circumstances really because had he met her before Rose that might
be having a gay old time about now. Anyway, we’re back in contemporary
London after a few trips away –
Old Russell T can’t help but head back here, can he?
And I spotted one of your favourite old timers in this…
I love Dolly!
And Mavis! She didn’t have a particularly big part in this though.
She was eaten.
Was she eaten?
Possibly absorbed?
Had the life sucked out of her?
It was pretty unpleasant anyway.
Do you think she made a good double act with Mark Gatiss?
He turns up in everything these days, doesn’t he?
Why do you keep answering questions with questions? Or rather ignoring my questions and thinking up ones of your own?
I don’t mind that he’s in everything – he’s very good. He was great in Sherlock.
I give up.
I
think I’m avoiding your questions because I don’t really have an
opinion about this episode…and I’ve only just seen it! It was neither
here nor there. A lot of it was there to introduce more of Mr Saxon –
Did you like the way they handled that?
Yeah.
Its been kind of drip fed until now – the tank in The Runaway Bride,
the poster in the first episode with the Judoon and here we learn that
he is funding research into scientific equipment.
This
episode is basically a massive prelude to The Sound of Drums, isn’t it?
You think this research is all about making people younger when in fact
the Master wants it to be able to make the Doctor older.
Its
quite clever when you see the season as a whole but as an episode in
its own right it was just a bit…meh. The stuff with Martha’s mum was
quite good but I find her a bit irrational. She’s a bit too unlikable in
how she approaches the Doctor. It feels like that’s all there is to her
character, that she is angry all the time. There’s no reason for her to
be so suspicious of the Doctor because it has only been a couple of
days. I mean bleedin’ Jackie lost Rose and she never behaved quite this
badly. She started harping on about ‘leaving us for that man…’ but they
were all bloody rowing at the time. I would have left them for the
Doctor too if my family behaved liked that! Besides its not like Martha
is a little kid any more and can’t make her own decisions. Sorry rant
over.
This episode does ground Martha a bit more though. And gives her some more family background.
Tish is an odd one, don’t you think? She keeps getting all these random jobs to shoehorn her into stories.
Didn’t
you think it was a bit odd when she found Lazarus repulsive when he was
older and then fancied the arse off him when he was younger? I thought
that was quite unbelievable.
Well
I think the idea is that Lazarus is supposed to be boy band material
when he comes out of the machine but they cast Mark Gatiss in the part
so that part got a bit lost.
Maybe if it had been somebody like Tom Ellis who turns up in Last of the Time Lords?
Oh yeah, he’s a hottie. That would have made a lot more sense.
Don’t you think Mark Gatiss gave a good performance?
He
was fine. Look, this was reasonably well written and had a great cast
and the effects were nice…it ticked all the right boxes. But I don’t
know of it was what they were discussing or the fact that most of it was
just running around but there wasn’t really anything to get your teeth
in to. It was just sort of there. I certainly wouldn’t choose to put
this one on again.
Did you like the coda in the church at the end. You got two conclusions for your buck!
It
was quite exciting but I don’t entirely understand what the Doctor did.
If it was so bad that the monster fell to his death whey didn’t their
eardrums explode? It was pretty average, though. A two and half out of
five.
Mid season, mid scoring episode?
It was better than the second half of the Dalek one but not by much. It feels like this season is coasting a bit.
Just think it gets like that around the middle of the seasons?
What was the middle of last year?
The Idiots Lantern.
Oh dear. What’s the middle of next season?
The Unicorn and the Wasp.
Aha!
See! They get it right in the Catherine Tate season! Love that one!
With the new series it almost feels like there is a buzz at the
beginning of the season with the latest companion or Doctor and then it
ramps up at the end of the season as everything comes together but the
middle section just sort of cruises along…
Well we’ll see. You’ve got some good stuff coming up yet.
**and a half out of *****
42
42
Do you think setting a story in real time is a dramatic storytelling device?
A
ticking clock does create drama. There’s a deadline and in this
instance they were all going to die if they didn’t make it to the
deadline. You couldn’t do it like this every week…that’s why 24 got a
bit boring after a few years because they had pulled off all the tricks
they were going to.
I
don’t think they’ve done it since in Doctor Who. Possibly Midnight is
the closest which is nearly told in real time…or at least has one long
25 minute sequence in the middle of the episode. Do you think it must
have been a nightmare to get the timings right? Obviously they would
have filmed this over a couple of weeks but have to piece it together as
though it is taking place over 42 minutes.
It
would take some skill because they would have to make sure every scene
is a certain length so it timed exactly 42 minutes. Because you know
there is some anal person out there watching when this first went out
watching a ticking clock to make sure that it is spot on. With 24 it was
great to start of with but because the ticking clock device became the
norm it felt a bit gimmicky and boring after a while. This was the
opposite of that, they’ve never tried to tell a story like this in
Doctor Who before so it felt quite fresh.
You
said in The Impossible Planet review that they had made a fair stab at
bringing a grimy, dirty setting to life but you thought it was better in
this one.
You remember that from back then?
I forget nothing to do with Doctor Who. Do you stand by that statement?
It
felt like a real place. They had gone to some effort to really make the
actors look dirty and hot…plus I liked the fact that you could hear
them clanking across the metal floors. I think this was a better
setting, definitely.
Did it remind you of the episode of Voyager on the Malon freighter (Juggernaut)?
Oh
yeah. Yeah, but I think this one looked better. I remembered quite a
lot about this before you put it on whereas I don’t remember a thing
about the Voyager episode – except that it was a dirty spaceship.
Says a lot really.
What did they do then – make the actors run up and down a lot to get them all sweaty?
No they smeared them with baby oil.
Ugh. Really? That’s gross.
There was another guest star of the week in this one, Michelle Collins.
I thought she was really good. For a former Eastenders actress.
They
are still actresses, you know. She’s done more than just Eastenders.
Sometimes I think that Albert Square is where aspiring young actors cut
their teeth and grizzled old has been wind up to keep in work. It’s the
bit in the middle – when you’re actually famous where they struggle to
find anyone good.
I
did think Michelle Collins was good in this although the characters
themselves were a bit all over the shop. They didn’t seem especially
well organised for space travellers. They were running about and being
useless until the Doctor came along and sorted them all out and gave
them instructions. Heaven knows what would have happened if he hadn’t
turned up. They knew how to get the engines back online but they were
just sort of hanging about. I don’t think it would do any harm if the
Doctor was surprised every now and again, for the people to turn around
and say you’re not needed here.
Like in Midnight when he tried being smart and they all turned on him?
Yeah,
like that. He had that coming for a long time. Don’t you think it was
quite nice then when he was telling everybody that he was going to save
the day and being a bit smug and the sun creature attacked him. He was
the one in danger.
Yeah
that was nice. Mind you it shouldn’t ever get to the stage where your
main character is so smug that you want bad things to happen to him.
Something has gone a bit awry if you do.
We popped back to see Francine again this week.
She’s
a bit of a miserable bitch, isn’t she? All she ever does is complain
and grumble…even if it isn’t about the Doctor. I did like that we were
reminded about election day and the wire tapping, that was all a bit
intriguing. I think that was all a bit better than in the last one.
Do you think this season is making its arc more obvious than in previous years?
Oh
definitely. It really feels as thought this is leading up to something
big now. Its not a random line like Bad Wolf or an organisation
mentioned in passing like Torchwood. We’re actually seeing a story take
place away from the Doctor. I like that.
At this point we don’t even know who Mr Saxon is.
No
but considering its election day and he has guards and wire tapping
equipment at his disposal you assume he is somebody important.
Do you think they managed to sustain the pace in this episode?
Well
there was no time to hang about because they were in danger for the
entire 42 minutes. That was the idea. I think they kept the energy
levels up really well. The fact that a clock was ticking mean you
couldn’t have people doing nothing.
There aren’t many shows that don’t have any quieter moments to catch your breath.
That did work in this ones favour though because it felt like it flew by. The pace worked in its favour.
They totally change the pace next week. It’s a much slower, more thoughtful character piece.
But
again that’s a two parter. You have the time to tell a slower story.
Had that one been smooshed into one episode it would have been a lot
faster. I would say that this is possibly the only episode that we have
seen so far that wouldn’t have worked better as a two parter to flesh it
out. By its very nature it had to be one 42 minute episode.
Do you think the director managed to create an atmosphere of danger?
Yes,
especially when Martha was tossed out of the nearest airlock. They
couldn’t hear each other. It was really noticeable because there was no
noise, it was just completely silent. In Doctor Who characters often
take all the space travel for granted but that felt as though Martha
was really in trouble. I thought it was very effective. It was as if she was going to die. And she was going ‘he’ll save us’ but slowly the realisation was coming over her face. She performed that how bit really well.
Do
you think she is a good actress? I know I’ve asked you this before but
the problem people have with Freema Agyeman is that she is very
enthusiastic but they don’t think she is a very good actress.
I
prefer her to Rose but then I don’t know if that’s down to the
character or the actress. Probably both. Remember when she was going
‘author author!’ in the Shakespeare one…that was funny and this was
really dramatic. Who says she can’t act? I think she has range.
Do you think when he invites her to join that it feels like she has finally turned a corner?
She’s not so much of a hanger on anymore, yeah.
He
told her that in the last one. Oh I suppose this is where he gave her
the key. He made it official. She did throw herself into this one
without waiting to be asked. I honestly don’t see peoples problem with
her…she got right on with it this week rather than moping around after
the Doctor.
Did you think that the characters were well drawn?
I
don’t think they needed to be for this plot. Next weeks episode needed
good strong characters because that’s basically what its all about. This
one was about running about and killings and scary suns. You were given
enough information about the characters that you needed but it wasn’t
exceptional. More adequate for the story. One character that got on my
nerves was the girl near the beginning who was holding a tool in her
hand when the man was coming towards her. Any sensible person would
reach out and smack him with it. The other bit that bugged was at the
end when Martha was supposed to be freezing the Doctor. ‘I can save you!’ Turn the machine on! ‘I have faith in you…’ Turn the fricking machine on!
Let’s see if you were paying attention this week? Why was this sun killing people?
Because
they scooped the surface for cheap fuel! Aha! Didn’t think I would get
that one. I told you, I’m usually good with plots. Its only when I’m
bored that the details don’t go in. The Doctor accuses them of not
scanning for lifeforms but why would you do that? It’s a sun! I know the
universe is a big place and everything is possible…but checking out
something as hot as a sun for lifeforms would not be my first instinct.
In our terms we wouldn’t scan a glass of water for lifeforms before we
drunk it. Maybe we should? Maybe there’s a lifeform in there waiting to
turn is into zombies like that later Doctor Who.
You said you wanted different kinds of aliens in the show. Well a sentient sun is certainly very different.
Yeah
it was a nice change from the norm. There was a lot of tension in this
one and the atmosphere was good. I remember enjoying it when it was
first on and I enjoyed it again this time round.
You definitely enjoyed the music because I heard you singing along at some points.
Was I? I didn’t think I noticed music very much. Maybe they use it quite a lot this series.
I think they do. It was the bit that went do-de-do-de-do-de-do-de-do-de-do-de dum dum DUM DUM!
I
think that must be in trailers or something. With music I think I would
notice it if it was crappy so I often take it as a sign that was good
that I didn’t notice it.
But then you did notice it when it went quiet. That’s quite telling.
I think I get used to it being there as something in the background and then it becomes very apparent when its not there.
Music that’s more noticeable when it stops! I really notice music.
Yeah
but then you really notice all other things like camera angles and
stuff that us normal Earth people don’t think about when we are just
enjoying a story.
How rude. Did you like that Martha got a little kiss at the end?
Awww yeah, that was nice. It couldn’t really go anywhere though, could it? She couldn’t stay with him.
That’s what Mel did.
What?
She stayed on a spaceship with a bit of rough. Sabalom Glitz!
Yeah but not for Sabalom Glitz!
I don’t know…
Ugh! Really? That pot bellied fella? Oh Mel you could have done better.
Sum up 42…
A
good atmospheric episode. A nice grimy setting. Tension. I’m going to
give it a four because on top of all this it was a good looking episode.
**** out of *****
Did you think it was a smart idea to have the Doctor trapped in the body of a human?
Well
it certainly hasn’t been done before to my knowledge and it certainly
changes the dynamic because Martha is now the person that everyone is
turning to. I understand why they had to do it. They had to come up with
an explanation with how the Master is a human in the next few episodes
and it also explains why the Doctor doesn’t know that he isn’t the last
of the Time Lords. He said before that he would know if there was
another Time Lord around. He would feel it. It’s a bit like last years
episode with Amy when they had that stupid with those things…what were
they called?
Give me a little more to work with here…
Those people.
The Flesh?
Yeah. They had to write that episode in to explain how Amy wasn’t Amy otherwise the twist wouldn’t have made any sense.
This does have that secondary purpose but do you also think it is a strong story in its own right?
I love the setting.
The story is taken from one of the novels, don’t you know?
Yeah you only told me about a hundred times in
the lead up to its transmission. I felt I had read the novel you had
told me so many times.
This is written by Paul Cornell who wrote your other favourite Father’s Day.
Oh my.
Do you think this is a bit better than that?
This is a lot better than Father’s Day. I love
the setting as I said and the feeling of the episode. Its one of those
Doctor Who stories that really takes you back in time. The language and
the morality.
Did you like the very casual racism against Martha that they included?
Yes I thought that was very good. I liked how
they never shied away from the fact that that happened back then and
brought right into the faces of the kids watching by having the
companion suffering from it. A couple of the lines were quite harsh. But
that’s good. Kids need to be shown that to behave that way isn’t right
and my only complaint is I’m not sure that they did enough to show that
what he said was wrong.
I know that you like Jessica Stevenson/Hynes. Tell me why.
She’s such a funny actress. She has real presence and she isn’t afraid to make herself look stupid to get a laugh.
Is this the first time you have seen her do a straight role?
I’ve seen her do other roles which were primarily serious but had a comic edge to them like the film Confetti and the series 2012.
Do you think she made a convincing romantic foil for the Doctor?
Oh definitely, didn’t you? I thought she was
excellent. I’ve never seen her quite this serious before in a part but
that impressed me so much more. She didn’t have the jokes to fall back
on and she still had a real presence. In order make this work she had to
have chemistry with David Tennant and watching them together was great.
They really complimented each other. I bet as soon as the director said
cut that they were all pissing themselves laughing at having to be so
deathly serious all the time. You can feel that they are enjoying making
this.
Do you think Joan would have made a good companion?
I was about to say no, not as a 1913 character
but actually it would perhaps be nice to see the world through eyes of
someone from the past who has certain expectations of behaviour and
decorum.
Like the Torchwood episode where they brought people forward from the 40s?
Possibly…I couldn’t possibly comment on
Torchwood. The idea I think should be that if you have someone from this
era as a companion then you shouldn’t modernise them, they should
either influence the contemporary characters or at least make some kind
of commentary on how we behave.
You are desperate for us to return to the pre-war etiquette, aren’t you?
Oh it would be lovely. No jeans around your
ankles. Kids seen and not heard. Everybody minding their ps and qs. No
text talk. Take me back there now.
You must have been in your element in Human Nature then.
Oh it was lovely. Walking in the fields,
strolling through town having civil conversations, taking a lady to a
dance. I would fit in very well here.
Paul McGann turned up in the Doctor’s journal.
Does that mean he is an official Doctor? Do you consider him to be an
official Doctor?
Not really no. To me he’s more of a guest
actor. He’s no more the Doctor than Rowan Atkinson was in that comedy
sketch. They probably had the same amount of screen time.
Doesn’t him turning up in that book, which is actually part of the series, canonise him?
I guess so. If he actually turns up in the series 50th anniversary then I’ll give you this one.
This story really pushed Martha’s unrequited
love for the Doctor to the front of the line. Did you think it was okay
in this one because he is human?
I think it was necessary. Clearly they have
already decided to go down this route so whether it was a good idea or
not is a moot point. They either see it through and rally look into or
they ignore it. And the second approach would be silly. I think this
might have been the point where Martha slowly comes to terms with the
fact that it is never going to be her. No matter what state the Doctor
is in. Sometimes you need a slap around the face to wake you up from a
daydream and I think that she does that here. Even when the Doctor had
the opportunity to love her, he still doesn’t love her. Which is gutting
but a lesson to learn for her to move on. Which she does at the end of
the series. Its quite nicely done actually when you break it all down.
Normally all this unrequited Doctor/companion romance stuff really bothers you.
Yeah its weird because it didn’t here. Maybe
it was how it was written. It was less that she was losing the man that
she loved and more that she was losing the Doctor.
Do you think it was good that they didn’t make Jessica Hynes’ character entirely sympathetic?
It was far more realistic because of it. She
was a part of this era and so wasn’t used to seeing coloured people in
close relationships with their masters or people barging through doors
unannounced. It just wasn’t how it was done back then. Martha should
know her place because she is a servant. Going back in time should be
like when you go into somebody’s house. You are expected to behave in a
certain way and you should meet those expectations. Its no different
going back in time.
Did you think Harry Lloyd made a good villain?
I love Harry Lloyd.
And that the Family were good villains?
They were creepy. That sniffing. I
really liked that scarecrows too because they took something that was
scary from the time and animated it rather than giving it a contemporary
twist. Like all that bollocks about the Daleks turning people into
pigs. What the hell was all that about? The Family were good because it
was all about the acting rather than effects. And they had some pretty
good actors in those roles. Especially Harry Lloyd.
In his book Paul Cornell really stresses the
wartime setting and here he mentions images of mud and wire. Do you
think the echoes of the upcoming war added a little depth to the
episode?
Its great because if kids are watching who
don’t know about the First World War then they will ask their parents
questions. I seem to remember its even more prominent in the second
episode.
Actually that’s true. They mentioned the Crimean War in this episode and you looked that up on your phone.
I like to learn about things.
Sydney Newman is probably punching the air in the heavens right now.
Huh?
Because he wanted Doctor Who to educate
people. I thought it was quite chilling when they were educating young
children to kill. All this talk of having a ‘just war to fight…’
It really showed up the hypocrisy of warfare
at the time when the kid said that all the Africans had were spears and
we had giant machine guns.
But teaching the kids to machine gun people to death? How barbaric.
You can’t judge it by the standards of today.
This is why you can’t be a companion, honey. You would be going around
history condemning everybody.
Maybe they knew war was on the horizon at that point and they were just trying to get the kids ready.
The First World War started because of the
assassination of a Serbian, I think. I think it was some kind of domino
effect that led to War.
Do you prefer David Tennant in this role or as the Doctor?
(Long pause…)
Okay the fact that he has just done a year and
half as the Doctor and one episode as John Smith and you are stuck for
an answer shows that he is definitely doing something right here!
He fits in very well in this era. He plays
that part really well. He’s not over the top, did you notice? None of
that shouting and going on about being an Immortal Time Lord or some
such bollocks. I really liked how the Doctor or John Smith or whatever
you want to call him…I like the way he was guilty of racism too. That
bit where he thinks Martha can’t tell the difference between reading a
story and real life. Oh…that reminds me of the bit where Martha goes out
the door and knocks and comes in again. She was really funny in that
bit.
Its quite a prominent role for her, isn’t it?
It has to be. She’s the only one that can save him.
Would you say that Martha is well established at this point as Rose’s replacement.
Oh much, much better than Rose. Far more
pro-active. Far less self interested. Rose would have had to have been
the love interest which would have been gross and if she wasn’t…then God
help poor Joan! It would have been absolutely awful watching her give
evils to Joan for three quarters of an hour. She would have been like
she was in School Reunion when Sarah Jane turned up. A spoilt brat and a
half. Very teenagery, sulky and moody…it would have been dreadful. At
least Martha can take a mature stance on the situation. Imagine Rose
trying to fit in this period and trying to talk posh? It would be mutton
dressed as lamb!
But I’m not even sure that Donna would fit in
in this one either because the whole emotional lynchpin is that three
way relationship between the Doctor, Martha and Joan.
It is tailored to Martha, yes. Although Donna
did fit in rather well in the Agatha Christie one. She can manage upper
class when she wants to. Or at least upper middle.
They are very different tones though. The
Unicorn and the Wasp is very comedic and Donna is perfect for that. What
about the cliffhanger? That’s quite understated for Doctor being about
two people in the Doctor’s life rather than his life being threatened or
the world ending.
‘Maid or matron…your choice!’ Oh Harry Lloyd is so good.
It’s a great crossroad in the story because he has just been told that
he is a Time Lord from another planet and now he has to choice one life
or the other. Not in himself but in the two women in his life. Does he
keep his companion as the Doctor? Or does he keep his lover as John
Smith? There’s more going on here than a human Dalek with willies
hanging off his head stepping out of its shell. What’s great is that
there is every possibility given what has happened in this episode that
he might choose to let Martha die. And that’s really tense.
Sum up Human Nature…
A good two parter that came along when it was
needed, a great setting and with some really interesting characters. Its
Doctor Who for adults. Did you say this was written by the same bloke
as Father’s Day? That was Doctor Who for retards. Look at what he has
learnt since then?
****half out of *****
The Family of Blood
The Family of Blood
What are your initial thoughts?
I
thought it was a very good episode with a lot of action and a great
pace. I don’t like slow dull stuff so this was right up my street.
Are you referring to the old series?
No, don’t put words in my mouth. I can watch the old series just fine. I don’t think the pace of some of those old ones is that slow.
When you get episodes of series and they have a lot of filler episodes –
the old 26 episode Star Trek seasons or some shows that are an hour and
half per episode and they full of padding.
Do you like the length of a Doctor Who season then? 13 episodes?
Yeah,
its like Dexter. It gets to the point quickly, it moves fast. I hate
those stories that they shove in that just aren’t about anything. Doctor
Who isn’t entirely blameless in that respect – that dreadful one at the
Olympics for example. But this one moved fast, was about something
interesting and was setting up stuff for later in the series too.
Do you think David Tennant did a good job in a different role?
Umm…
Do you think he’s a good actor?
I’ve not actually seen him in anything else.
Casanova?
Oh yeah.
Blackpool.
Oh yeah.
Harry Potter.
Harry Potter?
Yeah, wasn’t he a villain in one of the films?
Briefly,
I think. I remember him in those other programmes…or rather I remember
the image of him in them but his role in Doctor Who is the one that
springs to mind when I think of him. It dominates.
Do you think this sort of experiment is worth doing?
What shaking it up a bit? Giving him something different to do? I guess so but it depends on who you are trying to appeal to.
I remember when Tennant was playing Cassandra you weren’t very keen.
No,
but then we hadn’t had the chance to get to know him as the Doctor to
yet. It was a bit early then for him to start acting like somebody else.
Well this should be very appealing to you because all you seemed to go on about after the first part was the etiquette and –
How proper everybody talks!
Well quite, but that’s terrible grammar.
That
aside I just like how correct, how precise people are with their
diction and their manners. I would go back to that time in a heartbeat.
But only if I had money. I wouldn’t want to be poor in this time because
poverty was so much worse back then. People always say they were born
in the wrong time and they would like to go back to the ‘olden days’ but
it was only wonderful if you had money. People aren’t affluent now but
poor means a very different thing then than it does now. There is a lot
more support now.
We’re totally off topic.
Oh yeah. It was good pacy episode. I enjoyed it a lot. I especially liked the lead villain.
What, Harry Lloyd?
Yeah,
he really stood out I thought. I find him quite versatile. He was quite
different in Robin Hood and Game of Thrones. Some actors play the same
characters over and over again no matter what they are in.
Jennifer Anniston?
There could be an argument in that.
As good as Freema Agyeman is in this…
She’s
always the same person. I mean I know she is supposed to be the same
person but she’s playing a completely different aspect of Martha here.
Martha as a servant. But she just plays her as the Martha we always see.
Whereas Jessica Stephenson…
Oh she was brilliant. See, there’s an actress proving she can do new things. And didn’t she speak properly?
Do you think she was a likable character? Because she was quite miserable a lot of the time.
I
don’t think that’s a very fair assessment because her character was
going through a lot and it reminded her of when she lost her first
husband. She was becoming more aware that she was going to lose this man
that she was falling in love with. That’s harsh. I’d hope you would be
miserable if you thought you were going to lose me.
Ahem. Do you think that played out quite well? That he had to make the choice to leave her and she was going to be alone again?
It was understandable because she knew that doing so would save a lot of people.
Do
you think that Doctor Who is a more character based show now in that
respect? Putting the people to the forefront sometimes even before the
plots?
I
don’t know. Sometimes it does just feel like a run-around. And other
times it is all about character. It’s quite a nice mix but I think you
have to have that mix otherwise a show gets a little stale one way or
the other. Look at Stargate Universe…we gave up so early on because it
was just character. Character, character, character…it was so
boring because nothing ever seemed to happen. You cannot accuse Doctor
Who of nothing happening.
Do you remember there was that one episode of Stargate Atlantis where they were just trying to find water?
And everybody was expressing their feelings about it. Stop sitting around whining about I and get on with finding it.
Was this quite a good mix of action and character then?
I
would say so. First you had them attacking the school. It even started
off with the Doctor having to choose between the two women which was
quite exciting. The bit at the school was really tense because you could
see how distraught those kids were at thought that they were going to
have start killing people. The realisation was hat this was no longer
fun, they weren’t sitting in a class learning how to shoot a gun but
this was playing out for real in front of them.
That was really well done, wasn’t it?
Very
good, but they didn’t drive it home too much that war is bad. There was
always a character there saying that it was honourable too. The message
wasn’t war is bad, it was war is scary. And that’s a good message. They
didn’t tell you either, they showed you and that is so much better than
a lecture.
Do you think that is scary for children to watch? Kids crying at the thought of having to kill people.
Maybe.
It’s probably about as near to it as this show could get. But you do
get computer games that glamorise killing so much so this was a nice
change from that. To show kids that what they are doing in those games
is taking a life. What else was there? Oh yeah, they started blowing up
the town as well. There were explosions in the distance. And then the
Doctor blew up their ship. So it was full of action but there was lots
of character stuff as well. There was the central dilemma that John
Smith had to give up his life, that he had to die. And they made no
secret of that – they made it very clear that he was going to die.
That’s quite heavy as well.
But
it was a good mix. It wasn’t so much science fiction but then it’s the
sort of show that can take a break from that every now and again.
Did you like the way they showed you before John Smith sacrificed himself the life that he could have had with Joan?
That
made me so sad. It really felt like he had something to lose. It made
the decision harder. When he came back he was colder, which I guess was
to distinguish between the two characters. He was like ‘just come with
me’ like her loss didn’t matter.
Did you like the statement she made? That if he hadn’t have come there then nobody would have died.
Actually
I found that a little unfair. That’s like everything in life. You make
decisions and hope for the best. It’s not his fault that so many people
died because the baddies were so ruthless. Everybody makes choices but
you can’t be held responsible for other peoples actions. She was
hurting, though.
Martha got lots to do this week. Running around trying to sort it all out, facing up to the villains.
At many points she took centre stage, yes.
In
the write up of the first episode you said that you quite liked the
unrequited romance angle for the first time because for the first time
there was the possibility that the Doctor could be with her and he still
chose not to.
Did I say that?
Yep, you’re surprisingly thoughtful when you want to be.
As
much as I like Martha and the actress I’m not sure how…sophisticated
the character or the actress is. She was good in this role and she had
lots to do but I’m uncertain about the depth of character that Freema
Agyeman can play. Martha had to play a very different role but I don’t
know if the actress did. As I think about it more she’s a good character
and actress but she’s just Martha. The new companion managed to
be a barmaid and in the flick of a switch you could believe that she was
a governess. I don’t think Martha has that in her, to take on different
roles.
So you’re criticising Martha for being Martha even though you like the character?
I’m
not explaining myself properly. Think about Donna. In the next season
Donna had to play a mum and a wife in one episode and she’s totally
different from the Donna we know and love. This was Martha’s chance to
do that sort of thing and I think she just came across as Martha. Am I
making any sense?
I think so.
It’s
like Billie Piper. You can do whatever you want with her character but
she’s still common as shit. Donna and the new companion showed that they
could be different people in the flick of a switch.
Then doesn’t that show an inconsistency of character?
No it shows more range, both from the character and from the actresses.
There’s
still a few more Martha’s to go yet. And next year she’s a completely
different person where she’s tougher and a member of UNIT.
Maybe,
but I still think she’s essentially exactly the same person and she’s
being played in exactly the same way. No matter how much they pretend
that she has grown up.
We’ll have to wait and see.
But
I do want to say again that I do like the character and the actress. I
don’t think she’s bad, she’s just less flexible than some of the others.
Did
you like how the emphasised the war theme at the end with the cut to
battle and then Martha pinning a poppy on the Doctor’s lapel?
I like that stuff for what it represents but I’m not entirely sure if the story needed it.
One
of the remits of the original series of Doctor Who was to educate
children and it does here. There’s a little but of history explained to
us and the message is to respect these people who faced those horrors
and went out to fight for us.
It was good stuff and that message is a vital one. My only complaint is that it wasn’t part of the main story.
It wasn’t connected to the narrative do you mean?
Yeah. It was a nice additional bonus.
But
then I suppose it does show that the characters have lives outside of
the story. The Doctor goes and life continues. They’ve got legs.
What did you think about the fate of the Family?
That
was really bleak, wasn’t it? It showed a really dark side of the
Doctor. He is completely without mercy. He’s no longer John Smith by
choice but they forced that decision on him. They ruined his other life
and they ruined Joan’s life and they killed lots of people too. He was
punishing them, which is something you don’t see him do very often. I
don’t think they could show him like that every week otherwise he
wouldn’t be the hero anymore. But as a one off it was really good. This
was a really strong episode. It deserves another four and a half.
What holds it back from perfection?
There
was only a few niggles. Usually when we talk about things afterwards I
notice more things that I didn’t like but this one has reminded of lots
of things I did. I could happily sit and watch this two parter again at
another time.
Do you think Paul Cornell has improved since the days of writing Father’s Day?
Well it couldn’t get any worse, could it?
****half out of *****
Blink
Blink
Do you subscribe to the idea that gender creates different qualities in television programmes?
I’m sorry I don’t know what you’re talking about.
To this point this is the only Doctor Who episode in the new series to be directed by a woman…and it’s also one of the, if not the, most popular episode.
But
that could be down the writing too. It is written by a woman too? If
that was the case then I think you may have an argument.
It’s written by Steven Moffatt.
It’s very well written. Personally I think this one of the best episodes they ever did. Back when it was first on. And now.
You think the fans got it right this time then?
They like it too?
In the last big Doctor Who Magazine poll it came second out of all of the Doctor Who stories.
Second?
Caves of Androzani came first.
The one where he died?
Geek!
This
one is just great though. It moves well, there is no point where it
isn’t interesting or that it stagnates. It leaves you continually asking
all the way through what is going on and it concludes it
satisfactorily.
You think he explains everything then? Because this is very complicated stuff.
He
explains it so that an adult can understand exactly what happens. He
opens with a mystery, which progresses and then it all comes together so
that doesn’t feel like a quick two minute wrap up like so many Doctor
Whos.
Go on then explain it to me.
It’s
a back to front episode, isn’t it? You start off halfway through the
story where she is at the house…actually I don’t know why she is at the
house at the beginning. That rather shoots down my idea that everything
is explained. But that’s halfway through the narrative because there she
gets to see the memo from the Doctor and then her friend joins her
there and she gets the letter from her in the past…and then the end of
the episode is the beginning of the story where she gives the Doctor all
the information he needs so that he can put the extras on the DVD. It’s
really clever. The structure of the episode is exactly how he describes
it on the DVD…it doesn’t go from start to finish in order –
Non-linear is the term you are looking for.
Smart ass. Timey wimey is better.
Do you think the Angels are a good threat?
They’re
one of the best threats really, aren’t they? It’s not something you can
kill and it’s not something you can stop and it’s a really novel idea
that nobody has done before.
Do you think they are the most successful monster that the New Series has offered us?
Definitely.
For a start they are first seen after they have already beaten the
Doctor and not many monsters can claim that. I have to say though that I
find each of the subsequent stories with the Angels aren’t as good.
Do they only suffer because they aren’t as good as this one?
Probably, because this one is so good they would have to be super duper good to be better. And they aren’t. I’ll have to rewatch them though.
They were certainly popular enough to bring back though.
On
the strength of this story I’m not surprised. Of Doctor Who monsters I
can only think of the Daleks, the Cybermen, the Yeti, the Ice Warriors
and the Sontarans that have had that quick of a turnaround. And that’s
some pretty hefty company.
I wonder how he came up with the idea.
Do you like the idea of ‘don’t blink…’
Yeah because it’s a menace that comes from the dark and that is always scary.
It’s
weird because it is such a low budget idea that they could have pulled
this off in the classic series if only somebody had thought it up…
Although
it requires really good editing and I don’t know if they would have cut
it fast enough. They might have been the slowest moving Weeping Angels
ever. You might have seen somebody on screen pushing it…
Like the hand holding down Sutekh’s chair?
Huh?
Never mind.
It
would be like that time on holiday when we were in the Forbidden Garden
in York and you made me film you being menaced by a statue in the
woods…
Oh yeah, I thought we had edited that together really tightly!
It
was the slowest Angel attack ever! Your reaction shots were the
funniest thing I have ever seen. We should dig that out again.
It didn’t feature the Doctor much so did you think that the characters fill that void well?
Brilliant,
I thought they were perfect for the story. But I felt that you saw
enough of the Doctor and Martha and the TARDIS for it to still feel like
Doctor Who. The whole point of the story wasn’t just to stop the
Weeping Angels but to rescue the Doctor and Martha so you always had a
vested interest in it as a Doctor Who story.
Were they quite likable characters?
Yeah.
Is that it?
What more do you want?
I mean if this was a pilot for a TV series do you think these characters would be strong enough to continue?
That’s
tough to say because this wasn’t a pilot episode for a series. Why are
you always so obsessed with what might have been? They certainly
entertained me for 45 minutes.
Do you have any favourite moments?
I
liked all of it, really. It was a good mystery and had me hooked all
the way through. The typical Doctor Who episode is that you start of
with a baddie or he meets a baddie who does baddie things and then the
Doctor stops the baddie. That’s basically the structure of a Doctor Who
episode.
If you’re being cynical it is.
No,
honestly. I bet if we went back across all the episodes we have watched
that would be the case. That’s how it works. I’m not saying it’s a bad
thing. But this one was different in the case that there was a good
mystery right from the beginning and one that ran all the way through.
You
have often criticised standalone episodes that aren’t contributing to
the larger arc storyline throughout the year. And this one didn’t.
No,
but then if the story is good enough they can get away with it. You’ve
got the thread of Mr Saxon running through most of the episodes of this
season.
That wasn’t mentioned here, was it? I felt as though it could have been.
That’s true. Just a poster or something.
Did you notice the accent slips of the Detective Shipton?
Only
when you pointed them out. If you are focusing on that rather than the
story then the writer has done something wrong. Sometimes I wonder why
you focus so much on the mistakes and don’t just enjoy something. I will
say that he didn’t seem like a policeman much.
I think he’s supposed to hip and cool, a normal person.
You say that like you know how to be any of those things?
Meow!
Did you think that bit at the end where the Doctor and Sally meet felt
like it could be a companion introduction scene? Do you think she could
have been a good companion?
She was very headstrong and likable and she’s played by a great actress so she could have been a good companion, I think.
Given what you said about Freema Agyeman last week do you think the actress is versatile enough to play the part long term?
I don’t understand why you’re asking me this. It didn’t happen. I thought we were supposed to be discussing what did happen?
Because a lot of fans think that not having Sally Sparrow as a companion was missing a trick?
Missing
a trick? Donna’s up next and she’s the best companion ever! I thought
Sally Sparrow was a great character and she was strong enough to hold up
this entire episode on her own so if you’re asking if I think she could
have been in more episodes as the same character I would say yes,
definitely.
What do you think was the scariest moment?
Well,
it wasn’t as scary today because I knew what was coming but I remember
when I first watched it I hide behind a cushion at the end bit with the
Angels.
You shat yourself.
It was the moment when they said ‘you’re not looking anymore’ ‘neither are you…’ that got me. It still makes me flinch when that Angel gets right in his face.
I
never thought there would be an episode of Doctor Who that would
genuinely give you the creeps. Oh, I’ve just remembered a Sarah Jane
episode did too once.
Which one was that?
In the haunted house with Floella Benjamin.
Oh you know I don’t like things coming at me in the dark. That was really well done for kids telly.
Kids telly or not you turned that off and waited to watch the rest until I got home! Any funny moments in this?
I liked it when he said ‘I’ve got that on a T-shirt.’ He was such a geek.
Did you think that was a fair depiction of a geek?
Oh
definitely because it was quite affectionately done. All that stuff
about discussing it on forums. He could have been talking about you! ‘I
think it was a political statement’ – when it was actually about
nothing! That’s what all you nutty fans do! Go digging and digging foe
subtext when actually it is just a fun TV series! I have to say I loved
the bit where the old man died and he said ‘I have until the rain
stops.’ That was such a sad moment. And the letter Sally received from
her friend saying that she had had a good life. Moffat pulls that trick
off again when Amy and Rory leave and it got me blubbing again.
Do you like the idea of a monster that doesn’t kill you but sends you back in time? It’s a bit different, isn’t it?
It
is, but I’m not sure if I entirely understand it. I mean once you have
been sent back in time your heart is still beating, you are still
exerting energy and still creating memories so I don’t get what energy
the Angels steal from you by sending you back in time.
Your potential life.
But they haven’t stolen your life. Just your life in the future. You are still enjoying that life in the past.
Oh I don’t know.
You brought it up!
Well if I knew you were going to go all logical on my ass.
That’s
why you love me. I don’t entirely understand it but for once I’m not
really bothered that I don’t understand it because the story was so
good. It distracted me from asking questions.
You would be in your element if you were sent back in time.
As long as I had money.
Back to the 20s. To the time of Unicorn and the Wasp. Tooting your horn along the country lanes. Eating cream teas.
Oh stop, it sounds divine.
Go on then sum this one up.
I think it might be my favourite episode ever.
More than Unicorn and the Wasp?
Ooh that’s a toughie. We’ll have to see later.
More than any of the new Moffat ones that you like with that hideous wench Amy?
I like Amy! Don’t blame me because you have no taste! Okay its my favourite episode so far. I thought the villains were great and so was the whole story. I really don’t have any complaints.
What do you give it?
Six stars!
You can’t give six?
Of course I can!
You can’t! Then you’ll break the rating system and life as we know it will come to a standstill.
Six out of five!
You’re one of those freaks that says 200% Per cent meaning ‘out of one hundred.’
Six out of five!
It will be the only thing I ever give six out five to.
****** out of *****
What were your overall feelings about this one?
‘Good old Rose…’
Why?
**** out of *****
LATEST UPDATE: The Sound of Drums
What did you think about the idea of the Master being Prime Minister?
What were your overall feelings about this one?
I liked it. I did like this one. I thought it was good.
How succinct.
I
try my best. I did think there was going to be a continuity goof –
sorry, not so much a goof but a stupid idea – that a trillion years in
the future and we still look exactly the same. I had a right old rant
about that for a minute and you got cross –
I had to pause the episode to remonstrate with you.
You got cross because you like this episode and I was daring to criticize despite the fact that I told you going into this thing that I wasn’t going to be influenced by you.
It wasn’t because I like the episode, it was because you were doing that tone that you do.
What tone?
That ‘No…no…no…’ tone that you use when you discuss social media and think you are better than everybody else for not relying on it.
However,
getting back on track, they covered that in quick line about evolving
into downloads or something like that so I was happy. I still find it a
little peculiar that we can evolve out of this shape and back into it
but okay. At least it was explained.
When was the cavemen around?
And
you correct me on my grammar? Umm…a 100,000 years ago or more. But
going back far enough we were chimps – if you are believe in Darwinism –
and the Earth hasn’t been around for a trillion years so I don’t think
you can make that comparison. Why does Russell T Davies take this show
so far into the future? Five billion was bad enough but three trillion? What next? A hundred godrizzilion? And we’ve still wearing jeans that allow Jack to hang to the right?
Wasn’t
it like five billion and one, or something? Is the one a little wink to
say he knows it’s a ridiculous leap into the future?
But
at least in that one there weren’t people dressed up from the local
GAP. There were big heads and cat people and other aliens. It felt like
it could be the future. This feral lot can be found hanging around McDonalds in town.
You said earlier in the series that you had a problem with the watch in Human Nature.
I did, I thought it was there just so it could be used later on –
You have to admit, though, that they used that well in Human Nature.
I
think I did say so at the time. However when the watch turned up in
this episode it was a complete surprise. I wasn’t expecting it but I
knew what it meant so I felt that was a good bit of plotting earlier in
the year.
Do you think that is good for those who have been loyal and watched the whole series. Are they being rewarded?
If
you were a clever enough person you might be able to piece it together
before the watch was revealed. When the Face of Boe said ‘you are not alone’ and then we are introduced to this dotty old man who seems to recognise the Doctor and the TARDIS.
Do you know enough about Doctor Who to know that the return of the Master is a big deal?
Have
I been indoctrinated enough by you do you mean? Of course I do. I like
the Master. The first one with Jon Pertwee was great. I guess to someone
who isn’t in the know they would just think a villain is a villain.
He’s scary enough in this for it not to matter whether you know or not.
When Emma watched this she texted me and asked ‘Who the hell is the Master?’ She
was really disappointed that it was someone from the long past rather
than the recent past. I told her to watch the Confidential which would
explain everything.
But you shouldn’t have to watch a documentary to understand what is going on in the episode.
Yeah
but to be fair they do explain everything about the Master in the next
episode. It’s the danger you have with any long running show and you
bring a character back who hasn’t been around for a while. Anyone who
has only just turned up will be left scratching their heads as to their
significance.
It
is good that they explain who he is in the next one. Although you have
to hope that nobody decided not to switch on because they thought they
would be left out of the party. It was quite a well disguised twist, I
thought.
I
didn’t know when it came on, d’you remember? This episode aired on my
birthday and I had remained spoiler free this season and I was literally
hopping about like I needed a piss at the end of the episode. Best
birthday present ever. Did you like Derek Jacobi?
I didn’t know who he was until then.
Tell me you’re joking?
Nope.
That shocks me to my very core.
I
swear I had never heard of him before. But he was very good, especially
when he went evil. He managed to do that thing of being all cute and
innocent one minute and then sinister the next. He did that really well.
Mind you the make up people helped him too – I swear he had contacts in
after he turned bad!
What about the little you saw of John Simm?
Again I’ve never seen him in anything before?
Not Life on Mars?
I
never watched it. You did, but I missed that one. It was hard to judge
on just a few minutes but I liked him. I liked how eccentric he was,
like the Doctor. He’ll be good contrasted against David Tennant because
they are quite similar.
Do
you think then if it hadn’t been David Tennant, if it had been
Christopher Eccleston, they would have chosen somebody a bit moodier and
darker? Perhaps even Jacobi would have played the larger role?
Maybe.
But Doctor Who villains have always been quite funny, that’s why they
work. You’re scared of them and they make you laugh. It’s the whole
package. I liked the line ‘You think I’m going to stand around and tell you my plans’ because that’s what they used to do!
Very
self aware. Very Buffy. And yet in the next one he does tell them his
plan! What about being on an alien planet? Something you have asked for a
long time…
Yeah. Not alien enough. It was a quarry. That’s not alien.
They went to the effort to visit another world and you’re still having a moan?
They
went to the effort of calling it an alien planet and it was a quarry. I
bet the old Doctor Who fans loved this story, didn’t they? I want to
see a proper alien planet!
Wait until next season.
Captain
Jack was back and that was nice. I like that he can keep popping back. A
few too many flirting scenes though. It was boring after the first one.
You laughed at the one with the alien – Chan’tho.
Yeah I’ll give you that one. But it isn’t really funny anymore. I don’t know why we need these references to sex.
Wait until Moffatt takes over.
Nobody is that sexual, all of the time.
Did
you like David Tennant in this one. I notice you didn’t say anything
during the scene where he was talking to Jack through the door.
That
was his best scene all season I would say. Somebody has put him on a
leash and he is really acting. I don’t mind it when he is manic but you
can’t really call that acting. It’s just shouting.
Don’t mock it. Brian Blessed has made a career out of that.
Who?
I despair with you.
But
Tennant was great in this. He hasn’t lost his touch. I think Tennant
gets better as he goes along. I really like him with Donna. Whereas I
think Matt Smith started well but got worse as he went along.
Spoilers. We haven’t got there yet.
Sorry.
I do think his performance depends upon the strength of his companions.
It’s interesting that as Martha has gotten better this series, David
Tennant has too. Especially in the one where he was human. But with
Catherine Tate, he was always good. They were so good together.
Do you think Martha has settled in then?
Yes, for the most part. She’s a proper Doctor Who companion now with none of this ‘I’m taking you home’ bollocks. Although she is still mooning a bit over him.
Really?
‘Good old Rose…’
But they do go on about her a lot. Was she that memorable?
They
have to though, because they were all together when Jack last left the
Doctor. And he thought she was dead. It makes sense in the story. It’s
not just there for no reason.
Did you like the whole idea of Utopia?
It’s
quite depressing that we are all stuck on this starless planet at war
with primitives. So it makes sense that you would dream of something
better and then if somebody held out a hand you would take it. I wonder
what it’s all about. Do we find out? I can’t remember…
I’m not saying a word.
Plus
I guess this goes against the theory that space will contract at the
end of time because there is something out there drawing them off the
planet. It’s not that the universe is getting smaller, it’s just a
massive waste of space.
Oh I see. Utopia – the massive waste of space.
Haha. Yeah. If that’s all that is beyond this planet then it is a massive waste of space!
Maybe
the Vashta Nerada have eaten everything. You’ve already mentioned it
but did you think this felt like more of an old school Doctor Who
adventure? Quarries, primitives, a big rocket, the reveal of the
Master…and there isn’t much slushy stuff.
I
guess you have to ask Russell T Davies what his idea was for this
episode. Whether it was all about capturing the feel of the old series?
It certainly felt modern enough for me. I like that we are far in the
future and the next episode jumps straight back into now.
You think the idea was to do a traditional Doctor Who story set in the future and then a really modern day adventure next?
It does show the different possibilities of the series.
And
it’s interesting that all the things that Davies criticized in the
early seasons – not being able to realise alien worlds, the clichés of
primitives in Doctor Who, being worried about bringing back too many
elements of the past – should all turn up in one episode.
This
one is for the fans then. But I enjoyed it too. I thought it was a
clever way to tie Doctor Who and Torchwood together. I’m guessing Doctor
Who has the bigger audience?
Yep.
Then
this might encourage Doctor Who fans to give Torchwood a try. If I’m
right this was set after the first series of Torchwood?
Uh-huh.
Oh
that was terrible. Thank goodness this wasn’t tempting people to watch
that bunch of episodes. Oh and I liked the alien woman! A proper alien
that talks and looks completely different. What were those mandibles
about?
For picking up food?
She drinks her own booby juice. Yum.
My last question is…sum up Tegan Jovanka.
Why?
Just because.
It’ll just make me irritable. Wait…she wasn’t in this was she? Did I miss something?
Yeah. How could you miss it?
Tegan ‘take me to Heathrow!’ Jovanka was in this?
No.
Oh you! She’s a bloody miserable character and I get the impression that the actress is as well.
She’s been quite ill lately before you go too far…
I
have every sympathy for anyone who is ill in whatever form…but that
doesn’t change the fact that her character is shit! Her character was
pointless. They were all pointless from that era. Oh wait, not Nyssa.
She was quite sweet if a little dull. Adric was the worst though. I
can’t even watch that era. I have to go to bed if you put it on because
they irritate me so much. How is she ill.
I don’t know the situation now but she has had cancer.
That’s awful. Of course I have sympathy for that. How dreadful.
Sum up this story…
A good start to a three part arc, I thought.
Although technically you shouldn’t know that this is a three part arc at this point.
It
had a good pace. It was so fast at the end I could barely keep up. I
loved the moment at the end where Martha said ‘I know that voice’ in
amongst the panic. That sets up the explanation in the next story and
starts to explain who this Saxon person has been in this whole series. I
give this one a four out of five. A solid four out of five. This half
of the series is turning out to be really good.
**** out of *****
LATEST UPDATE: The Sound of Drums
What did you think about the idea of the Master being Prime Minister?
It was a good angle, I thought. It’s not something that has
been done before with a Doctor Who baddie.
What about the Slitheen in Downing Street?
It’s obviously not been done with a popular Doctor
Who baddie before. There have been lots of clever hints throughout the season
about Mr Saxon and after Bad Wolf I think people are bit more clued in to look
out for this sort of thing. I think by this point Russell T Davies is
deliberately hiding clues in plain sight because he knows people are on the
hunt for hints. It feels more dominant this year though, it feels as though it
has been vital parts of episodes rather than just mentions like Bad Wolf and
Torchwood.
Do you think they pulled it off quite well then? The whole
idea of the Doctor and Martha’s skip around the universe being, in a way,
irrelevant because all they had to do was stayed where they were in Smith and
Jones for a few more days and this would have happened anyway.
Yeah but the journey is where they pull together all the
information about how the Master got from A to B…and the discovery of the
Master in the first place. If they hadn’t had gone to Utopia he would never
have opened the watch and found out who he was and none of this would have
happened in the first place. He wouldn’t have been able to take the TARDIS back
to Earth and set himself up as Prime Minister. Pre-destination thingamajig.
Plus it really sells the idea that the Doctor has a time machine if they’ve
only been gone for four days and yet they have been through everything that has
happened in this whole series.
It’s so neat you could write a thesis on it.
I think I just did.
What did you think of John Simm as the Master.
I thought he was really good. You can’t predict what he is
going to do. He’s silly but in the way that kids are when you don’t know what
way they are going to jump. Like a demented overgrown child. Quite creepy
actually. Let me guess…the old school fans don’t like him? He isn’t serious
enough.
Meh…most of the people I have spoken to prefer Derek Jacobi
in the last one.
I bet the kids loved this Master and I bet they were scared
of him. He’s like them, but insane. It
had to be somebody more energetic to counterpoint Tennant. A slow, bumbling
Master next to Tennant would have felt all wrong. Simm was more dynamic than
that. Get with the times, old school Doctor Who fans. There’s a new audience
for the show now and it has to be faster and slicker and energised to keep the
modern day audience watching…you can’t have stories over 12 episodes these
days, people jut wont hang around watching for that long anymore.
Well you say that but this three part story is the
equivalent of an old six parter in Doctor Who, length wise at least.
But it is a lot faster, the pace is much quicker than those
old Doctor Who’s. I’m not saying that the old ones are rubbish because I have
enjoyed a lot of them but I do think that some Doctor who fans object too much
to the fact that it is being made today rather than back when they fell in love
with it. It is being made for today’s audience.
It could even be said to have revolutionised today’s family
audience because there simply wasn’t shows like this on TV before Doctor Who
came on for the whole family to watch.
One thing I didn’t like in this that they have built up
throughout the entire David Tennant era is the whole business of why Jack can’t
just shoot the Master because he is the Doctor’s problem. Bullshit it is your
problem, that’s just rubbish. That means everybody that the Master kills – and
I know you are going to mention the fact that this all gets looped back –
Spoilers!
Oh shush – but he does kill 10 percent of the population of
the Earth and that is absolutely the Doctor’s fault for taking that
responsibility to stop him and failing to do it. He’s directly responsible for
all those deaths because he didn’t let Jack take him out when he wanted to. The
Doctor needs to up his game in the new series. There might have been this namby
pamby ‘I must let the bad guy get away so we can meet again’ idea in the old
series but the bad guys in the new series mean business and have to be stopped
any way they can be.
You’re sanctioning the assassination of the Master?
It’s what happens…
Spoilers! Did you like the way Russell T Davies pulled in
all the continuity of the attacks on contemporary Earth into one speech – the
spaceship over London, the Christmas star – so it was one developing narrative?
Yeah that was quite clever. It means these things aren’t
happening and people are just forgetting about them like they used to. I always
thought the Moffatt era was more arc related but actually the Russell T Davies
stuff is turning out to be quite interlinked. Certainly more than I thought it
was at the time.
The Doctor, Jack and Martha?
A good team, I thought. That Martha has found her voice,
don’t you think?
Do you think they could sustain a season?
Yes, but it isn’t necessary because Martha is really coming
into her own and has told the Doctor to do one. I really liked that bit because
he was so awful to her earlier in this series. He deserved that. That’s her
turning point, that’s why she leaves. She’s discovered that she doesn’t have to
be in awe of the Doctor anymore. Her family need her more than he does.
I know it’s the next episode…
Spoilers!
Touché….but I rather like the fact that she comes to the
realisation that mooning over him is no good for her. That she can even stay
and wander around after a man who loves somebody else or she can get a life.
I like it when we see her next series and she’s found
herself a life.
What did you think of the Master’s wife?
She’s a bit on the edge, isn’t she? Is she enjoying herself
or is he forcing her? You don’t often get characters like that in Doctor Who
where you don’t really know what they are thinking. Usually everything is spelt
out in black and white and it works that way. But she’s a bit distant and
creepy. She’s a grown up character.
I think the term is ambiguous.
I prefer grown up. She’s unstable. She was dancing at the
end when the population of the Earth was being wiped out. He’s damaged her.
Plus didn’t you think that the Master looked like he was sexually enjoying the
moment when the Toclafane went off to do their work. Certainly the way John
Simm played it seemed that way. Like a sexual predator. I suppose the Doctor
always manages to stop his schemes and he’s never been able to get away death
on that scale before…oh no wait didn’t he blow up half the universe in Tom
Baker’s last one?
You set my heart aflutter.
But not with the Earth though. And he knows that is the
Doctor’s planet and he is forcing him to watch. There are some interesting
things going on in this one.
We don’t know it yet but he is using the human race to
attack the Earth, two of the Doctor’s most favourite things. He’s really trying
to screw it down, isn’t he? Do you think Russell T Davies builds to a good
climax?
He does know how to get the audience excited. More so than
Moffatt I think. In that very shallow way that you want to want again next
week. Russell T Davies has mastered how to get the audience anticipating what
happens next. Although sometimes he goes a bit too big. Especially at the end
of the series. Because he went so far this time the only way he could possibly
end this was to reset it. There was no other to carry the show on and it still
be Doctor Who. Does it lose the danger aspect then, if he has gone so far that
you know that all of this destruction will be wiped away in the next one? But
then the moment itself was really good. It’s a tough one. A really brave series
wouldn’t rewrite it. The best shows don’t have to, they present a horror like
this and use it to develop the show. But Doctor Who can only go so far.
Moffatt goes even further though by destroying the entire
universe.
Yeah, but he has to reset it in the next one. He should have
learnt from this. You can’t have Doctor Who without the universe. Like I said
though the ending was really good and so it is only in the next one where it
becomes a problem.
It’s a bit of a Catch-22. You shouldn’t do it because the
ending is bound to disappoint and yet you have to do it because it is so worth
doing. Tricky.
Mind you this show has a large child audience so you can’t
leave the series with 20 odd million people dead.
That is grim, isn’t it? I remember Russell T Davies
questioning whether they should murder at all in the first series before the
show began and now he is slaughtering one tenth of the planet. Shows how far
you can come in three seasons and mass popularity. The rules change. What about
the Doctor ageing close to death?
Again it was all very entertaining –
You heartless git!
-
but I know he’ll be fine next week.
You know that because you’ve seen it!
Oh they weren’t going to keep somebody as good looking as
David Tennant looking that old! That was never going to happen! That’s the
nature of this show, he’s survived for so long that you know he’s going to be
back to normal eventually. You have to accept that to watch it. It’s the new
characters in each story that are expendable, they are the ones you can make us
really care about and then bump them off. It was well done…it’s when you force
me to analyse these stories that the question of whether it was actually as
tense as they make out because we know how these things play out.
You could say that about anything though. You’ve just
watched Homeland and you loved it. But you loved because you just watched it
once and you didn’t really think about it. Whereas if you sat down and picked
it to pieces you’d probably find that half of it didn’t make sense.
Is that the problem then with the Doctor Who universe? That
you study it so far and so deep that it loses the simple ability to entertain.
You’re so busy seeing how it all fits in and whether the writer has crossed
every t and dotted every i that you forget to simply enjoy watching it. If we
had just watched this I would have said ‘yeah, it’s really good’ but
because you’re asking me to really think about the ins and outs of it then I
start to realise that it doesn’t hold up as well as I thought it did. Am I
harshly criticising it when I should just be enjoying it?
But its swings and roundabouts though. Sometimes you pick
things apart and they are better than you thought they were.
Sometimes.
You do have a point. Do we lessen our enjoyment of something
by studying it too much? Sylvester McCoy said something similar in Doctor Who
magazine once.
I never though he and I would be on the same page.
There you go. But we hardcore nuts still love it anyway.
Even when it’s shit.
I give a four and a half.
That’s a really high score.
It was really good. It held me all the way through.
*****half out of *****
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I stick the DVD of Mark of the Rani into the player and Simon inspects the cover. ‘Is she called the Rani or just Rani? Was she actually christened “the”?’ The story begins and Simon is unconvinced by the opening sequences. ‘What’s this, Worzel Gummidge?’ he asks also noting that he cannot understand any of the Welsh accents! I point out that it wasn’t set in Wales to which he responds ‘Of course its set in Wales, it s a mining village!’
We cut to the TARDIS console room and he is unconvinced about Peri’s contributions, ‘She has absolutely no purpose here! She might as well have been on the loo for all she adds to this scene – he could have just muttered all that exposition to himself!’ It gets worse when they leave the TARDIS and he sees the full horror of her costume, ‘What on Earth is she wearing? She looks like she should be protecting a toilet roll! If this was made now she would head straight back into the TARDIS and put on something more suitable for the scenery.’ He’s also extremely worried that Peri’s frightening cleavage might escape her tight blouse!
Simon is not exactly sure what is going on but he is disturbed that as Peri hoists up her skirts and we cut to a wet towel fight that this might be some weird 19th Century porn! The scripting of Pip’n’Jane comes under scrutiny when the Doctor says he is keeping an open mind about why the machinery was wrecked, ‘He knows where they are and he knows that machinery was wrecked in that time – there’s no deductive reasoning in these scenes its just supposition.’
‘Why was the Master a scarecrow? Are you telling me he just hung about in that field until the Doctor showed up? What was the point of that? And what’s all the marks on those guys necks?’ At least the huge marks of the Rani haven’t been missed!
Peri once again comes under scrutiny when she rather limply throws lumps of coal at the Doctor’s attackers. ‘Pathetic’ Simon sums this scene up with. He’s also not sure why the unconscious guy opens his mouth and starts chewing when the maggot is prised inside.
Finally Simon finds something he quite likes about this 80’s story. ‘The Rani kicks ass. She’s a bit real, not over the top like the Doctor and the Master and I love that she doesn’t give a shit about either of them…she just wants to get on with her work!’ Although he is having terrible difficulty trying to figure out where the Rani’s cameras are. He laughs out loud at ‘He’d get dizzy if he tried to walk in a straight line.’
It is at this point that Simon’s mum enters the room. She has found her blood pressure kit and would like to see if it still works properly. ‘Please do’ he says, ‘I’m watching Colin Baker.’ We are all shocked to discover he is 120 over 80, perfectly normal! Proof if it was need that a Pip and Jane Baker story does not raise your blood pressure.
Simon is still confused about the Rani’s name. ‘The Master walks in and just calls her Rani as if its her name but the Doctor goes ‘well, well, well…the Rani!’ Get over it, pet. Simon much prefers the Rani to the Doctor and ponders that she should have been the hero since she’s far more likable than Baker’s Doctor (who just sort of bellows all the time!).
Nicola Bryant comes under fire as she heads in to rescue the Doctor and hangs around as the three Time Lords have a loquacious bitch fight. ‘She’s so stiff and wooden, she just sort of stands there like she’s on stage!’
Episode one is over and Simon is not impressed. ‘It’s not very good is it? I have no idea why the Master is there (and what he was doing standing in a field), Colin Baker and Nicola Bryant treat the story like a stage play and over emphasise everything (they are theatrical rather than natural) and in all honesty I have no idea what is going on! Why can’t it be called the Master and the Rani show?’ Simon is still perturbed that he needed the subtitles to understand the Brummie accents! He comments that if this story was made today the Luddite riots would have been treated far more dramatically, with more exciting set pieces and drama.
We get some tea and settle down for part two. Whilst shaking his head in disbelief at Peri pushing the Doctor down the hill he wonders how on earth it manages to stay on the path for so long without crashing, managing to turn every corner with effortless skill! ‘Run Doctor run!’ screams Peri and Simon asks if someone could knock her out!
For a moment all is silent and I wonder if Simon has finally been gripped by the story. ‘Luke has a very tight package, doesn’t he?’ he comments. Groan.
Again he’s not convinced by the action and declares ‘what a fucking idiot!’ at the Doctor’s ‘peripheral vision.’ The way the scene is cut makes no sense whatsoever. They face the Rani’s mustard gas trap and he thinks it’s a shame that she didn’t use napalm to melt their faces off. ‘Why didn’t they just walk around the screen?’
At this stage he yawns and says, ‘How much longer is this?’ Never a good sign.
Simon is quite impressed by the Rani’s TARDIS claiming it is much ‘sexier’ than the Doctor’s.
‘Everyone seems to have forgotten that the TARDIS is stuck down a hole! Even me!’ The Doctor suggests Peri stays with Lord Ravensworth to see what she can do. ‘Bore them to sleep, probably!’ He’s annoyed at Colin Baker’s constant quoting of poetry saying that he is ‘always talking nonsense.’
He boggles when Luke has the biggest case of wood he has ever seen! ‘What was the point of turning him into a tree? What was the purpose of that? Never mind Peri, she’s wooden enough already!’ The Rani asks if Peri can walk without falling flat on her face: ‘No!’ screams Simon.
I tell him at this point that the show was put on hiatus after season twenty-two. ‘Hardly surprising’, he muses.
The story ends and he sits there wondering what the point of that hour and a half worth of television we have just watched was. He definitely thinks Colin Baker belongs on the stage because a TV screen is too small to contain his HUGE acting. He thought the storyline was crap, some nonsense about the Rani collecting semen like liquid and the Master cocking everything up and wonders why everybody kept going on about the meeting of geniuses if it was never actually part of the plot! He declares (having seen some of their stories before) he has never seen the sixth Doctor and Peri worse than they were here (and cites Trial of a Time Lord as a time when he really liked Baker’s Doctor). He says Colin Baker reminds him of Bruce Forsyth, every time he makes a joke he wants to staple something to his head.
I ask him for something positive and he said ‘It looks very nice. You could never tell it was 25 years old. Plus the Rani was very good, she alone kept my interest.’
An unmemorable 5/10 for Simon then and his final word on the story is ‘dull’.
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
Planet of Giants
Now it astonishes me how much he has picked up as a non fan, some of it must rub off from my enthusiasm, other bits he has picked up dipping into the classic series and recently on a long trip to a job interview he listed all of the Doctor’s companions in a row without hesitation! Now that’s commitment! I’m sure you’ve all been here, wracking your brains for which stories to show a non-fan to introduce them to the different eras. Tom Baker was a pretty safe bet an he loved Genesis and Talons, Colin Baker was a surprise hit in Trial of a Time Lord and he would happily watch any Jon Pertwee story because he likes the UNIT set up very much. Davison and McCoy were instantly rejected and Troughton despite so many missing stories he really took to his heart. I was really reluctant to show him any creaky, slow Hartnell stories fearing his mirth (he loves the flashier, fast paced TV of today) and yet he caught me watching The Gunfighters one afternoon as he returned from work and quickly tried to fight him for the remote to turn it off. He absolutely loved it! The music, the jokes, the rubbish accents and especially Hartnell who made him roar with laughter at his ‘I’m afraid I don’t touch alcohol but a little glass of milk and I’ll only be too delighted!’ He asked to see more first Doctor stories – he lapped up The Romans, adored the madness of The Chase and even thought The Web Planet was ‘brave like only Doctor Who can be.’ His one complaint about the era is Susan who he finds a pointless, shrieking harridan (he made me turn off The Keys of Marinus because ‘my ears are melting with all her screaming!’). So it was with mixed feelings that I put in the tape of Planet of Giants…
He compliments the theme music straight away saying it is ‘much more atmospheric than the 80’s.’ The opening TARDIS scenes are met with a stony silence, the doors opening in flight as a dramatic flourish to start the season. He notes that the Doctor looks very perturbed by these events claiming ‘he’s just upset because Susan wasn’t sucked into space!’ Simon is especially pleased that Ian and Barbara ask sensible questions, noting that they are far better foils for the Doctor than Susan or Peri (from last months Mark of the Rani). As they venture out of the TARDIS to explore this unknown place that has had such an effect on the ship he wonders ‘why don’t they ever arm themselves with a baseball bat? They just wander out in to God knows where unprotected!’ This isn’t the Cartmel era honey!
Ian and Susan encounter a giant ant and Simon admits ‘that looks pretty good, you know.’ Although the Doctor’s granddaughter continues to irritate: ‘Why is she so hysterical? She’s always screaming? Ian and Barbara walk around calmly investigating and she’s off her face all the time stressing every discovery! Its like having Colin Baker back!’
The episode continues for some time and Simon says very little. I check to see if he has fallen asleep and he notices me looking concerned. ‘I’m not making comments because this is quite good. The acting is natural, the characters hold my attention and there is a good message in there for children about the ecology of the planet.’ I point out that The Mark of the Rani had several moments that touched on the subject to which he responds ‘Did it? That was nonsense compared to this.’
‘Considering this was made 50 years ago they’ve made a remarkable job of convincing that the Doctor and friends are one inch tall. There’s a few duff elements like that obvious blow up picture but on the whole I am convinced.’ The Doctor comments on at this size it would be planes versus bees to which Simon enthuses ‘Ooh do we get to see that?’ I tell him not to get his hopes up.
Simon is unconvinced about Ian suddenly finding his friends so suddenly: ‘They are one inch tall in a massive garden, how on Earth did Ian discover the rest of them so suddenly? Probably heard Susan screeching.’
He is impressed by the appearance of the cat at the end of the episode, noting its similarities to Snowy, our tabby. He notes: ‘This is actually a genuine moment of peril! I would actually scream if I saw a cat the size of a house in front of me! I’ve seen how Snowy plays about with insects!’
As we move into episode two Simon shows no signs of fatigue at watching the story. Indeed he keeps asking questions about their situation about ten seconds before Ian and Barbara ask the exact same questions and he notes how intelligent they are! In a moment that makes him choke with laughter and he forces me to rewind to watch over and again the Doctor and co are menaced by a ‘huge leg!’ and it appears that the Doctor pushes Barbara over to make his escape! Simon notes: ‘No time for you Barbara – shove!’
He loves the drainpipe set, suggesting it really suggests their scale.
For a moment he gives Susan a breather from groaning and sighing at her and moves on to Barbara. He doesn’t understand why she won’t tell Ian that she has touched the insecticide suggesting ‘its better to be thought of as an idiot than dead!’ Barbara asks Ian if he can get the flap open much to Simon’s amusement! She does a big girlie faint in front of the fly and he is considering reassessing Barbara’s worth.
Suddenly… ‘Ian! Barbara! Can you hear me?’ Simon: ‘Oh no its Susan screaming! Run Ian and Barbara! There’s still time to get squashed before she catches up with you!’
‘Move your fat arse, bitch!’ Simon screams at Barbara as she takes forever to climb up the plug chain and Ian gives her a heft push up the posterior!
I love his observation about the pace of the story. ‘Some people would call this slow paced and by today’s standards it is but surely the point of telling a story about one inch tall people is that would take an age to work out how to achieve the simplest of things.’ Suddenly Simon starts looking around the room and imagining he is one inch tall himself! He notes the bedside lamp bulb, the height from the bed to the floor, falling into a mug of tea – ‘its quite interesting to imagine yourself at that height. Now we know how the woodlouse feel!’
Unconvinced by their plan to use the telephone, he admits that could all use a good nap when they get back to the TARDIS!
‘Burn her skin!’ ‘Cut her hands!’ ‘Kill Susan!’ These are Simon’s three unpractical solutions to Barbara’s poisonous dilemma!
Simon is now sure that the first Doctor is an arsonist when he suggests ‘we should start a fire!’ noting that he did precisely the same thing in the Roman adventure! ‘Ooh nasty!’ he cries as the can explodes in Forrester’s face.
Whilst the story has concentrated mostly on the Doctor’s shrunken woes Simon is not sure that the story is wrapped up very efficiently. ‘I know the policeman turns up and everything but we never find out if they find the body or if the insecticide is stopped, there are lots of unanswered questions, aren’t there?’
Again Simon is full of praise for the visualisation of the story which he states has ‘very good sets, imaginatively designed to suggest the characters scale without breaking the budget.’ He suggests they have it easy these days being able to create all these environments with CGI but this takes real skill.
William Hartnell has struck up another winner it seems with Simon declaring his performance ‘funny and entertaining, he’s not as loud and theatrical as Colin Baker was in the last story, manages to calm a situation down and steal the scenes without going over the top.’
A very healthy 7.5/10 for Planet of Giants which Simon says was ‘much better than Mark of the Rani by which all stories shall now be judged! Sorry I didn’t make many comments but I was really enjoying the story!’
His last word: ‘Mark of the Rani was released on DVD before this?’
8 comments:
You have truly converted your partner, well done! Please write an entry about how it is possible to convert friends and closest people into watching and listening DW. Such guide will be very helpful. :D
Hahaha! Endurance and a lot of begging! He knew nothing about the show when we met 14 years ago and he has learnt plenty through osmosis and a lot through wanting to share my passion with me. They have to be willing to give the show a go, it only fails to work when you force it upon somebody who doesn't want to know. Simon is the sort of person who enjoys basking in the love that I have for the show so it was quite easy for him to get involved with this. Plus he's opinionated as hell too...so he was looking forward to giving a non fan perspective on the show!
The part about instructions for Barbara to kill Susan was hilarious! :D
I'm deeply in love with your enthusiasm in writing these excellent and fresh reviews and now it is nice to hear that your partner is eager to watch it as well. (Plus I was deeply moved by reaction of your cat to "Gallifrey" too, hahaha.)
Many thanks to you again (and if you wish you can answer to my fan-like letter in Facebook, I would be very privileged to exchange my humble ideas about the show with you).
Thank you, those are such kind words. I'm not sure I understand what you meant about Facebook...care to elaborate? :-)
I mean I sent a letter to you there this autumn. If you feel interested then I would love to have a chat or something like that, because I have also a lot of DW in my life right now: classical serials and audios too.
Can you re-send? I don't remember getting it! :-(
Just wrote "Hello again" there, check out". :)
Nope, I'm still not getting any notifications...can you post it here?
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