I Wish I Hadn't Killed Her Off: Thus speaks the great
Russell T Davies when he realised what a fabulous character he had in the shape
of Yvonne Hartman, especially in the hands of Tracey Ann Oberman. She's
probably the living embodiment of sass in the Doctor Who universe, River before
her time without any of the outrageous sexism, overdone sexuality and crazy
violence. With Yvonne, she commands your attention simply with her word and her
attitude. The joy of these Torchwood audios is that it is a chance to re-visit
old characters that worked extremely well without mucking up any of established
continuity. It does as well to remember that Torchwood was initially set up in
Doctor Who (back when arcs were there to add colour to a season rather than the
beating heart that keeps them alive) and not an entity in it's own right and
Yvonne was at the heart of that. She thinks that Torchwood Three is very retro
and the staff are very cute. What an awesome idea, bringing Yvonne to Wales to
comment on the state of affairs there. Her 'I'm from London' says everything
you need to know about her patronising attitude. I couldn't help but wonder if
she was going to get a rude awakening. When someone tells her she has a big ego
she merely retorts that they are very observant - you've got to admire that
level of self confidence. Yvonne is privvy to information about the sort of
threats that are attempting to topple the Earth and it's terrifying. Torchwood
keeps it quiet because it knows that the population cannot cope with that
information. New Years Eve 1999 and Yvonne hadn't been working at Torchwood for
long, the phone rang and she listened whilst the head of Torchwood Three killed
his team one by one and raved about something coming and everybody having to be
ready. It would be enough to drive anybody away from the organisation, rather
than encourage you to keep fighting. Yvonne recognises that Torchwood has to be
strong and ready and she is just the woman for the job. She's not the sort of
person who calls for help whenever she is stuck and she has an ability to get
people on side by simply charming them. Yvonne threatens to have somebody shot
for suggesting that she is a drag queen. The only Queen that Yvonne has
anything to do with is the reigning Monarch that she has tea with twice a week.
She knew things had to change when she took charge of Torchwood London, she
didn't understand why they had access to so much alien tech but they didn't
utilise any of it. Of course Yvonne knows about the Committee. She's
practically blaze about it. She has to make a choice between Barry having a
nasty accident and getting his just desserts or having somebody in power in
Cardiff in the palm of her hand. With a heavy sigh she realises for Queen and
Country it is better to sell her morals and take the advantage. It's a cracking
scene because you can see that Yvonne would do pretty much anything that will give
her an advantage. But she'll still stab him in the leg for his troubles, for
screwing with her. Wow.
The Crew: Ianto was a member of Yvonne's team in Torchwood
London and her unusual method of staff relations might mean that she is
responsible for all of his heartache to come with Lisa (I do wish people would
stop referencing that terrible episode).
Standout Performance: Some top quality Welsh accents in this
tale although if you aren't a native English speaker you might find some of
them a little indecipherable.
Sparkling Dialogue: 'Torchwood Cardiff. Excellent as an
emergency backup system but they're not really professional.'
Great Ideas: I'd forgotten the sort of Doctor Who continuity
that could be played about with in Torchwood and the mention of a Dravhan
scanner really made me chuckle. Something or someone is killing off potential
Mayors of Cardiff. Hardly the sort of emergency that Yvonne is used to dealing
with. There's a wonderful moment where Yvonne examines the human condition, the
ability to skip over traumatic events with the pointless humdrum of everyday
life because that is easier to deal with. There was an invasion of Earth three
weeks ago? Who cares when we are missing the latest episode of Strictly! Just
like the government, Torchwood Cardiff and Torchwood London don't really get
along.
Audio Landscape: Birdsong, a hulking great monster growling,
takeaway music, screaming panic, taking pictures on phone, rock bar atmosphere,
bar fight, a bottle being smashed, sirens, throwing up, toilet, hair dryer, rainfall,
Helen being torn apart.
Standout Scene: The reveal of the killer was a genuine
surprise, especially because he was treated as such a joke throughout.
Result: A whirlwind tour of the best of Cardiff, featuring
clubs, pubs and toilets. What is this? Unbound Exile, the sequel? No, it's a
rough and ready character drama penned by Joseph Lidster and featuring the
gorgeous Tracey Ann Oberman as Yvonne Hartman. She's hardly shown Cardiff at
it's best (certainly this was not my experience of the city when I visited) but
it gives her plenty to sneer at which is delightful to experience. There is a
reason that the character section is bloated and the great ideas section is so
empty, this is heavy on character and pretty light on plot (it's there but it
doesn't dominate in the same way) and it gives Yvonne a chance to truly come to
life in a setting that is out of her comfort zone. Oberman is so good that I
would actively encourage the producers to give her another shot at this and I
would love to see more of Torchwood London. I would suggest that Lidster is
given the brief too as he clearly understands exactly what makes her tick,
making her enough of a diva to be the same person that appeared in Army of
Ghosts whilst including moments of humour and sympathy. It's a story that feels
less robustly plotted than those that it follows but I don't think that is
really the point. The idea is to stick close to Yvonne and to experience the
story as she does and to simply revel in the awesome way she has of getting
things done. Personally I consider that a very good use of an hour. The
director drew more attention to itself this time around and it doesn't surprise
me to see this was the work of Barnaby Edwards, always a reliable pair of
hands. I liked how the Committee was slipped into the story too, during the
moment of the biggest surprise. The Committee puzzle pieces are starting to
assemble and it's clear they have been around for a long, long time. An
intriguing one off and a very enjoyable one. Yvonne Hartman rules: 8/10
6 comments:
>>without any of the outrageous sexism, overdone sexuality and crazy violence
As if it a bad thing
And to think there was a time where the kiss in the TV Move had people screaming with anger...
This was a missed opportunity to show the dark side of Torchwood, and their hundred year mission to capture the sworn enemy of the British Empire. Yvonne Hartman was more intimidating on screen, she was not afraid to admit that his team shot an innocent spacecraft to steal its technology. She is a villain in my book, I do not care that the writer has made her sympathetic. Kate Stewart deserves to have tea with the Queen, and not supposed to be the same Queen who closed Torchwood One when it was revealed?
Yes, River Song had outrageous sexism, overdone sexuality and crazy violence. And she was "Crème de la crème" of Capaldi era for me and the companion could be for that Doctor, had it not been for the Christmas special I would have stopped watching the "show Clara Oswald and his old dad". Seriously, Capaldi was more "Doctor" in the Christmas special than in his two years being overshadowed by Clara Oswald. I miss the strong Story Arcs, now are almost nonexistent and the "hybrid" is almost as laughable as the "Martha" of Batman Vs Superman.
i wasnt crazy about this audio but i love yvobne. i hope they make more with her.
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